• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor High Baffle Reviews / Jon Van Wie STM Link 8 Tenor Mouthpiece

Jon Van Wie STM Link 8 Tenor Mouthpiece

August 13, 2009 by Steve 12 Comments

I won this mouthpiece on ebay a few weeks ago.  The seller had it listed as a link that Phil Barone had worked on but Phil contacted him and said it wasn’t his work.  I bid on it because it looked a lot like other Jon Van Wie  links I’ve owned in the past.  It has the same baffle type in it and what looks to be the same epoxy that Jon Van Wie  use to use.  This piece is very powerful and focused.  It cuts right through on loud R&B gigs.  Although I don’t prefer it’s recorded sound as much as some others I have to admit this piece is the easiest for me to play.  I felt like the piece just let me be free with what I wanted to play.

I can’t prove this is aJon Van Wie but it sure plays like the ones I’ve had before. Just to make it more mysterious I’ll add that the link box it came in has the initials “DG” on it.  I’ve never seen a Guardala refaced link so I’ll just assume it’s Jon Van Wie’s work.  Although, the initials made me wonder.  This clip is of me playing some diminished exercises I’ve been working on for a new book.
listen………..

Diminished Clip
Audio Player

https://www.neffmusic.com/images/mp3/JVW%20Metal%20STM%20Link%208%20Diminished.mp3
00:00
00:00
00:00
Use Up/Down Arrow keys to increase or decrease volume.

Here’s another clip with a more bluesy feel to it. This piece is great for this. I’m not sure if the recording will do it justice. You can lay off the piece a bit and play some standards easy enough

Bluesy Clip
Audio Player

https://www.neffmusic.com/images/mp3/JVW%20Metal%20STM%20Link8%20Bluesy.mp3
00:00
00:00
00:00
Use Up/Down Arrow keys to increase or decrease volume.

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Jon Van Wie, tenor mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMike says

    May 5, 2010 at 10:53 pm

    Can’t believe there aren’t a bunch of comments here. Probably my favorite piece. Gets bright up top but not ridiculously bright, and stay fat, focused, and powerful.

    If you don’t mind me asking (and don’t feel obliged to tell me please) how much did this piece cost? You mention getting it on ebay, and considering how monster this piece is, I’m just curious

    Reply
    • stevesteve says

      May 5, 2010 at 10:56 pm

      So weird, I just played this piece for a couple of hours today. This is my go to gig piece when I have to do everything………

      Reply
  2. AvatarJustin says

    June 4, 2010 at 10:19 am

    I really love the sound you make with this mouthpiece Steve. How would I go about getting something that plays /responds like this piece?

    Reply
    • stevesteve says

      June 4, 2010 at 10:38 am

      You got me. I’ve been looking for one that plays like it for the past 6 years. Can’t find anything so far. There is something unique about it with the baffle and facing curve I think.

      Reply
  3. AvatarJustin says

    June 6, 2010 at 4:22 am

    I emailed Morgan Fry who said he could make something similar. Is there anything else you can tell me about this piece that might help him?

    Reply
  4. AvatarJustin says

    June 8, 2010 at 6:08 am

    How would you compare this piece to a Guardala Studio Steve? What reeds did you use on this? Did you ever resolve the Java 21/2 to soft and 3 to hard issue you had? Have you played on La Voz medium? which I find between the Two. I have really enjoyed the mouthpiece reviews by the way, thanks.

    Reply
    • stevesteve says

      June 8, 2010 at 9:26 am

      Thanks Justin. I’m glad you like the reviews. This piece is a little more linkish than a Guardala. It has a little more fatness to the sound I think. A Java 2 1/2 is perfect on this piece because it’s a .110 tip but also I think the facing curve is suited for that size reed. It has a little more resistance than a Guardala so it’s easier for me to shape the sound and play expressively. steve

      Reply
  5. Avatarandy says

    December 15, 2010 at 3:27 am

    Hi Steve was wondering what lig you’re using on this mouthpiece – the standard link lig or another? Thanks, Andy

    Reply
    • stevesteve says

      December 15, 2010 at 10:52 pm

      I’ve always used a silver Selmer 2 scerw lig on my links. I forgot the model number.

      Reply
  6. AvatarPaco Jiménez (Spain) says

    April 10, 2012 at 6:40 pm

    Hi Steve!
    My congratulations for your work, your website, for all that we bring to the saxophonists, and in this case for this tip and make it sound like your saxophone. I know jon van wie die and I can not enjoy his mouthpiece for my tenor, but could you tell me that I’d leave nozzle or mouthpiece to get the sound right STM Link 8 Tenor Mouthpiece, I think you call it a dave save it refacing, I am very interested in this tip and better sound or sound that your bags will. . .
    Pardon my language but google translation.
    best regards from Spain.
    Paco Jim.

    Reply
    • stevesteve says

      April 20, 2012 at 10:51 pm

      I’v never played another piece like the JVW link I have. It’s not the baffle but the facing that makes it play great for me. It’s a shorter facing than my other mouthpieces. I had Erik Greiffehagen copy the facing and baffle on to an EB link and that is the closest I’ve come to it.

      Reply
  7. AvatarPavel says

    October 8, 2019 at 3:24 pm

    Hello Steve, I am relly impressed by your sound on this mounthpiece. I would say this is my tenor dream sound 🙂 Do you have any feedback from Justin. Did he succeeded with Morgan Fry. Thank for answer! Regards Pavel

    Reply

Leave a Reply to Paco Jiménez (Spain) Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

1 2 3 4 5

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
1 2 3 4 5
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
1 2 3 4 5
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
1 2 3 4 5
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
1 2 3 4 5
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
1 2 3 4 5
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
1 2 3 4 5
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
1 2 3 4 5
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
1 2 3 4 5
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
1 2 3 4 5
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
1 2 3 4 5

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
1 2 3 4 5
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
1 2 3 4 5
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
1 2 3 4 5
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
1 2 3 4 5
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
1 2 3 4 5
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
1 2 3 4 5

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
1 2 3 4 5
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
1 2 3 4 5
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
1 2 3 4 5
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
1 2 3 4 5
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
1 2 3 4 5

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
1 2 3 4 5
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
1 2 3 4 5
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Start
Stop
NextPrev

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • tuc on Can You Play Jazz on a Selmer S80 Classical Tenor Saxophone Mouthpiece?
  • Craig on Sax Mouthpiece Reviews and Morality
  • Ted on Otto Link LA Tenor Saxophone Mouthpiece Review
  • Arya Boustani on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review
  • Steve M on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025