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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside Approach Note Matrix-Lesson 1
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Playing Outside Approach Note Matrix-Lesson 1

Playing Outside Approach Note Matrix-Lesson 1

$9.99

Category: Modern Improv Tags: approach notes, jazz improvisation, modern improv, sax, saxophone, video lesson
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Description

Playing Outside Approach Note Matrix-Lesson 1 is the first video lesson in an advanced series on using approach note patterns to play in a more “outside” modern sound. These type of lines are a common sound to players like Michael Brecker, Bob Berg, and others……… In this series of lessons we are exploring lines that approach all 12 chromatic notes as well as the upper extensions of chords.

In lesson 1, I give you one 4 note approach to work on in different interval schemes. Chromatic, Whole-tones, minor 3rds, major 3rds, 4ths, etc……… Once the approach is mastered for all 12 notes we then apply it to a D minor chord. We start with approaching the chord tones but then we move on to approaching the diatonic non-chord tones and figuring out how to add approaches to these lines to get us to the chord tones. This process creates longer approach lines that weave in and out of the tonality yet always seem to resolve. Lastly, we approach the other 4 notes that are the most dissonant to the minor key and work on ways to also resolve these lines to the chord tones. This is a great lesson for those who want a greater mastery of approach note lines and outside chromatic playing. I’ve been working on this concept myself for the last couple weeks and am discovering some great modern lines along the way.

Join me as we work through different approaches and add them together in future lesson to create chromatic lines that twist and turn through a tonality…….and sound amazing cool along the way! (35 Minute Video Lesson, PDF of approaches to all 12 notes as well as 12 sample resolution lines, C minor(concert) groove play along to practice to)

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Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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