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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside Approach Note Matrix-Lesson 1
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Playing Outside Approach Note Matrix-Lesson 1

Playing Outside Approach Note Matrix-Lesson 1

$9.99

Category: Modern Improv Tags: approach notes, jazz improvisation, modern improv, sax, saxophone, video lesson
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Description

Playing Outside Approach Note Matrix-Lesson 1 is the first video lesson in an advanced series on using approach note patterns to play in a more “outside” modern sound. These type of lines are a common sound to players like Michael Brecker, Bob Berg, and others……… In this series of lessons we are exploring lines that approach all 12 chromatic notes as well as the upper extensions of chords.

In lesson 1, I give you one 4 note approach to work on in different interval schemes. Chromatic, Whole-tones, minor 3rds, major 3rds, 4ths, etc……… Once the approach is mastered for all 12 notes we then apply it to a D minor chord. We start with approaching the chord tones but then we move on to approaching the diatonic non-chord tones and figuring out how to add approaches to these lines to get us to the chord tones. This process creates longer approach lines that weave in and out of the tonality yet always seem to resolve. Lastly, we approach the other 4 notes that are the most dissonant to the minor key and work on ways to also resolve these lines to the chord tones. This is a great lesson for those who want a greater mastery of approach note lines and outside chromatic playing. I’ve been working on this concept myself for the last couple weeks and am discovering some great modern lines along the way.

Join me as we work through different approaches and add them together in future lesson to create chromatic lines that twist and turn through a tonality…….and sound amazing cool along the way! (35 Minute Video Lesson, PDF of approaches to all 12 notes as well as 12 sample resolution lines, C minor(concert) groove play along to practice to)

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I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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