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Playing Outside Approach Note Matrix-Lesson 1

Playing Outside Approach Note Matrix-Lesson 1

$9.99

Category: Modern Improv Tags: approach notes, jazz improvisation, modern improv, sax, saxophone, video lesson
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Description

Playing Outside Approach Note Matrix-Lesson 1 is the first video lesson in an advanced series on using approach note patterns to play in a more “outside” modern sound. These type of lines are a common sound to players like Michael Brecker, Bob Berg, and others……… In this series of lessons we are exploring lines that approach all 12 chromatic notes as well as the upper extensions of chords.

In lesson 1, I give you one 4 note approach to work on in different interval schemes. Chromatic, Whole-tones, minor 3rds, major 3rds, 4ths, etc……… Once the approach is mastered for all 12 notes we then apply it to a D minor chord. We start with approaching the chord tones but then we move on to approaching the diatonic non-chord tones and figuring out how to add approaches to these lines to get us to the chord tones. This process creates longer approach lines that weave in and out of the tonality yet always seem to resolve. Lastly, we approach the other 4 notes that are the most dissonant to the minor key and work on ways to also resolve these lines to the chord tones. This is a great lesson for those who want a greater mastery of approach note lines and outside chromatic playing. I’ve been working on this concept myself for the last couple weeks and am discovering some great modern lines along the way.

Join me as we work through different approaches and add them together in future lesson to create chromatic lines that twist and turn through a tonality…….and sound amazing cool along the way! (35 Minute Video Lesson, PDF of approaches to all 12 notes as well as 12 sample resolution lines, C minor(concert) groove play along to practice to)

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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

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