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You are here: Home / Jazz Lessons / Modern Improv / Altered Dominant Substitutions-Lesson 3
Altered Dominant Substitutions-Lesson 3

Altered Dominant Substitutions-Lesson 3

$9.99

SKU: 251 Category: Modern Improv Tags: altered dominant chords, altered scale, modern jazz improvisation, substitutions
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Description

I have been asked many times to do some more video lessons on the altered scale and sound.   The altered scale is one of the hippest and more modern sounds out there.  It is derived from the melodic minor scale and most modern players use it quite often on dominant chords.  By using the altered scale you create lines that use all the altered tensions of a dominant chord.  The b9,#9,3,#11,b13 and b7.  This gives the line or idea an “outside” sound.  A sound with a lot of tension and dissonance.  This type of  tension sounds terrific when it is used by an improviser that can control it.  The trick is to resolve it correctly.

In Altered Dominant Substitutions-Lesson 3, I focus playing the altered scale on the V7 of a ii-V-I progression by focusing on another small segment (different than lesson 1) of the scale and creating lines with these notes.  By focusing on a smaller selection of altered notes, you will find that you will come up with totally different and unique lines than you normally would using the altered scale as a whole.  The other side benefit of this technique, is that this concept is fairly easy to put into practice immediately and you will find yourself creating more melodic lines based on these segments.  This is a terrific lesson series to get into if you want to get away from your average stale ii-V-I ideas and play with a more modern hipper sound. (28 Minute Video Lesson & PDF)

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Lesson Sample

https://public.neffmusic.com/Altered%20Dominant%20Substitutions-Lesson%203%20clip.mp4

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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
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I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
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Steve,

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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

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