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You are here: Home / Jazz Lessons / Modern Improv / Altered Dominant Substitutions-Lesson 3
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Altered Dominant Substitutions-Lesson 3

Altered Dominant Substitutions-Lesson 3

$9.99

SKU: 251 Category: Modern Improv Tags: altered dominant chords, altered scale, modern jazz improvisation, substitutions
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Description

I have been asked many times to do some more video lessons on the altered scale and sound.   The altered scale is one of the hippest and more modern sounds out there.  It is derived from the melodic minor scale and most modern players use it quite often on dominant chords.  By using the altered scale you create lines that use all the altered tensions of a dominant chord.  The b9,#9,3,#11,b13 and b7.  This gives the line or idea an “outside” sound.  A sound with a lot of tension and dissonance.  This type of  tension sounds terrific when it is used by an improviser that can control it.  The trick is to resolve it correctly.

In Altered Dominant Substitutions-Lesson 3, I focus playing the altered scale on the V7 of a ii-V-I progression by focusing on another small segment (different than lesson 1) of the scale and creating lines with these notes.  By focusing on a smaller selection of altered notes, you will find that you will come up with totally different and unique lines than you normally would using the altered scale as a whole.  The other side benefit of this technique, is that this concept is fairly easy to put into practice immediately and you will find yourself creating more melodic lines based on these segments.  This is a terrific lesson series to get into if you want to get away from your average stale ii-V-I ideas and play with a more modern hipper sound. (28 Minute Video Lesson & PDF)

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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
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Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

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I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
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