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You are here: Home / Jazz Lessons / Modern Improv / Modern Minor 6th Pentatonic Lines Lesson

Modern Minor 6th Pentatonic Lines Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: jazz education, minor 6th pentatonics, modern jazz improvisation, pentatonics, video lessons
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In Modern Minor 6th Pentatonic Lines Lesson,  I move past the concept of minor 6th penatonics (which I introduced you to in my Pentatonics-Lesson 2-Minor 6th Pentatonics Lesson) and give you 9 killer minor 6th pentatonic lines that I use often on dominant chords and minor chords.

These 9 lines are written out in all 12 keys and help to give the improviser a unique and modern sound. I show you how I practice these lines to a play along track on the soprano saxophone so you can hear how each line sounds at different speeds. I teach you the importance of not just memorizing each line but the technique of making it your own by repetition and changing it constantly while practicing.

The Minor 6th pentatonic is a must have tool for any serious student of modern jazz improvisation and this lesson gives you cool lines that you can’t find anywhere else! (31 minute video,12 PDF sheets in all 12 keys)

1 review for Modern Minor 6th Pentatonic Lines Lesson

  1. Avatar
    Rated 5 out of 5

    Niklas – September 2, 2015

    Hi

    This lesson was my first encounter with the minor 6th pentatonic scale. The lines in it gave me lots of inspiration to continue working on this pentatonic since its sound is very refreshing to me.
    I also feel that it lends itself very well to making up shape based patterns.
    In retrospective I can see that this material has had great impact on what I can do on e.g. a jazz blues where it fits excellently.
    Motivation is key and by picking only a few of the lines and apply them to a blues was very much fun also surprisingly effective changing my playing.

    I think that even if you are not inclined towards learning whole licks parts of the lines here are really generic and very nice to have under your fingers.

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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

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