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You are here: Home / Jazz Lessons / II-V-I Patterns / Mastering a Hard Pattern Lesson 2-Lick 19
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Mastering a Hard Pattern Lesson 2-Lick 19

Mastering a Hard Pattern Lesson 2-Lick 19

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Categories: II-V-I Patterns, Practice Habits Tags: ii-V-I lick, jazz improvisation, modern improv, pattern, practice habits, video lesson
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Description

In Lesson 1 of “Mastering a Hard Pattern-Lick 19, I tackled the process of learning a somewhat harder lick and talked about all the steps involved in learning it so that it is mastered.  I took pattern 19 in my book “Best Major II-V-I Patterns and taught you the process I would use to  learn and then master this line in all 12 keys.

Many students are just told to go and learn a lick or pattern in all 12 keys but very few students are actually taught the process involved in doing this.  First,  you have to play the pattern and understand the elements that make it up.  Then you have to break it down to instructions that will work for you so that you can use those instruction to then recreate the pattern in every key.  After that, comes the practice and repetition required to master the line so that it can easily be used while improvising effortlessly.

In Lesson 2, I teach you six more ways to apply this pattern to ii-V-I progressions using chord substitutions.  Mastering a pattern or concept is not just about learning the phrase verbatim but it is about mastering the pattern so that you can use it infinite ways.  When you master the art of learning this way your lines and ideas can exponentially multiply. I demonstrate all the lines on the tenor sax to a play along so that you can hear each application of the line with the chords. (37 Minute Video Lesson, Play Along for C, Eb and Bb instruments, PDF Sheet of ii-V-I Lick variations)

 

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Lesson Sample

https://public.neffmusic.com/Practicing_a_Hard_Lick_to_Completion_Lesson-Lick_19Clip.mp4

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Testimonials

I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

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