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You are here: Home / Jazz Lessons / II-V-I Patterns / Mastering a Hard Pattern Lesson 2-Lick 19
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Mastering a Hard Pattern Lesson 2-Lick 19

Mastering a Hard Pattern Lesson 2-Lick 19

$9.99

Categories: II-V-I Patterns, Practice Habits Tags: ii-V-I lick, jazz improvisation, modern improv, pattern, practice habits, video lesson
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Description

In Lesson 1 of “Mastering a Hard Pattern-Lick 19, I tackled the process of learning a somewhat harder lick and talked about all the steps involved in learning it so that it is mastered.  I took pattern 19 in my book “Best Major II-V-I Patterns and taught you the process I would use to  learn and then master this line in all 12 keys.

Many students are just told to go and learn a lick or pattern in all 12 keys but very few students are actually taught the process involved in doing this.  First,  you have to play the pattern and understand the elements that make it up.  Then you have to break it down to instructions that will work for you so that you can use those instruction to then recreate the pattern in every key.  After that, comes the practice and repetition required to master the line so that it can easily be used while improvising effortlessly.

In Lesson 2, I teach you six more ways to apply this pattern to ii-V-I progressions using chord substitutions.  Mastering a pattern or concept is not just about learning the phrase verbatim but it is about mastering the pattern so that you can use it infinite ways.  When you master the art of learning this way your lines and ideas can exponentially multiply. I demonstrate all the lines on the tenor sax to a play along so that you can hear each application of the line with the chords. (37 Minute Video Lesson, Play Along for C, Eb and Bb instruments, PDF Sheet of ii-V-I Lick variations)

 

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Lesson Sample

https://public.neffmusic.com/Practicing_a_Hard_Lick_to_Completion_Lesson-Lick_19Clip.mp4

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I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I have NEVER seen material like yours.  Amazing!!
Jerry
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

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Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
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