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jazz lines

“Major Triad Samba Lesson” has been added to your cart. View cart

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Major Triad Samba Lesson
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Mastering the Bebop Scales Lesson 19
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Mastering The Dominant Bebop Scale Lesson 1
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Mastering the Dominant Bebop Scale Lesson 10
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Mastering the Dominant Bebop Scale Lesson 11
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Mastering the Dominant Bebop Scale Lesson 12
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Mastering the Dominant Bebop Scale Lesson 13
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Mastering the Dominant Bebop Scale Lesson 14
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Testimonials

I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul

Paul

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!! God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling. These books have been such a help to open up my jazz vocabulary… Thanks so much for sharing your story and for providing these great teaching tools… John Leclerc Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

I want to thank you for your “Ultimate II-V-I Primer” which has sent me off on a much better path to improvisation. The primer and the four bound books I have will keep me busy for a long time. I like your lessons for two reasons. The lessons work and THEY ARE FUN. Thanks again.

Robert

Robert

I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!

Karin

Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so. There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more

Geoff

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.

Jean-Eric

I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more

Ron

Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more

Jon

I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation. His mastering the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7. Needless say it has improved my playing. I teach and a… Read more

Keith

Thank you for all the educational information you provide. I am a classically trained musician. Professionally, I am a 4th and 5th grade band teacher. I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from. I have studied to gain a … Read more

Ray

Featured Lessons

Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
Rated 5.00 out of 5
Original price was: $19.99.Current price is: $14.99.
The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
Creating Modern II-V-I Lines with Simple Pentatonics Lesson
Rated 5.00 out of 5
$9.99
The Best Embouchure for Tone, Intonation and Endurance Lesson
Rated 4.91 out of 5
$9.99
Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
Rated 5.00 out of 5
$14.99
Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
Rated 5.00 out of 5
$14.99

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Recent Reviews

Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1
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by Stuart
Mastering Altered Pentatonics (Digital PDF Book)
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Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons

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