• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review

October 31, 2025 by Steve 3 Comments

Today, I am reviewing the new BetterSax Burnin’ 7* metal tenor saxophone mouthpiece made through a collaboration between Jay Metcalf of BetterSax and Jody Espina of Jody Jazz saxophone mouthpieces.  The BettersSax Burnin’ metal tenor saxophone mouthpiece is made of brass that is beautifully gold-plated with a matte finish.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

Jay Metcalf has a fantastic Youtube channel on all things saxophone entitled “Better Sax” with over 405K subscribers at the time of this review (He had 284K subscribers when I posted my review of his hard rubber mouthpiece almost three years ago).  Jay’s videos are well produced, entertaining and educational.  I really loved reviewing the Bettersax Burnin’ hard rubber tenor saxophone mouthpiece and when Jay contacted me writing that he now had a new metal Bettersax Burnin’ tenor saxophone mouthpiece he was releasing with the help of Jody Espina at Jody Jazz, I was excited to review this new Burnin’ tenor saxophone mouthpiece as well.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

Here is a description of the BetterSax Burnin’ metal tenor saxophone mouthpiece from the Sweetwater website:

The BetterSax Burnin’ metal tenor saxophone mouthpiece is designed for saxophonists who want the lush sound and free-blowing feel of the Burnin’ hard rubber models but with more power, brilliance, and edge to cut through busy arrangements. While hard rubber mouthpieces have traditionally been the go-to for comfortable playing and a rich full sound, tenor saxophone players have increasingly turned to metal mouthpieces for projection, brightness, and the ability to plow through a thick track.  The BetterSax Burnin’ metal tenor saxophone mouthpiece is far from your typical power mouthpiece. It’s got nuance, featuring a meticulously designed roll-over baffle and medium-small chamber architecture with straight side walls, the Burnin’ metal tenor sax mouthpiece balances brightness with warmth and depth to generate a richly complex, yet focused and centered tone with excellent expressiveness and articulation across all registers. The BetterSax Burnin’ metal tenor saxophone mouthpiece is available in three tip opening sizes to suit your playing preference (6*, 7*, 8*).

Like its hard rubber stablemate, the Burnin’ metal tenor saxophone mouthpiece is the fruit of a unique collaboration between world-class mouthpiece maker JodyJazz and BetterSax founder Jay Metcalf, one of the world’s top saxophone educators and influencers. The result is a no-compromise, free-blowing metal mouthpiece that absolutely shimmers, both sonically and visually. Crafted from solid brass using precision CNC machining and hand finished in a gleaming matte gold plating, the BetterSax Burnin’ metal model represents an evolution that integrates seamlessly into the Burnin’ mouthpiece family while establishing its own distinct identity. Reed-friendly and carefully balanced for playing comfort and control, the BetterSax Burnin’ metal tenor sax mouthpiece gives tenor players the cross-genre versatility for everything from big-band jazz to rock, funk, fusion, progressive metal, and beyond.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

The BetterSax Burnin’ metal tenor saxophone mouthpiece came well packaged and protected in BetterSax box which was also protected with ample packing and cushioning around the mouthpiece.  The mouthpiece also included a Rovner 3ML-NY ligature as well as a mouthpiece cap.

My first impressions of the BetterSax Burnin’ metal tenor saxophone mouthpiece as I took it out of the packaging is that the Burnin’ tenor sax mouthpiece has a substantial weight to it, much more than a typical metal tenor saxophone mouthpiece like an Otto Link mouthpiece. ( I held the Burnin’ mouthpiece in my hand as I held other Otto Link tenor sax mouthpieces in my other hand and the BetterSax Burnin’ tenor saxophone mouthpiece was much heavier.)

The second impression I had was that the BetterSax Burnin’ metal tenor saxophone mouthpiece was very well made.  I have never had the chance to review a JodyJazz made sax mouthpiece here on the site, but this BetterSax Burnin’ tenor saxophone mouthpiece looks fantastic.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

The Burnin’ metal tenor saxophone mouthpiece is made of brass with a brushed gold plating over it that is clean and perfect to the eye.  There is not one imperfection or flaw.

The black engraving on the gold mouthpiece is clean and crisp.  The side of the Burnin’ tenor mouthpiece has “BetterSax” engraved into the gold-plated brass and the other side of the mouthpiece has the tip opening of 7* engraved next to the table. The top of the Burnin’ tenor saxophone mouthpiece has a sax logo and “Burnin’” engraved in black.  There are two black rings around the shank of the mouthpiece.  The mouthpiece comes with a BetterSax mouthpiece patch already on the beak of the mouthpiece.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

I was curious if the BetterSax Burnin’ gold-plated tenor saxophone mouthpiece was an exact copy of the hard rubber version I had reviewed three years ago so I sent Jay Metcalf an email asking if that were the case.  This was Jay’s response:

    “Great question about the design for the BetterSax Burnin’ metal tenor saxophone mouthpiece.  I actually made a whole video about this. The short version is no. The whole process of getting the final version of the metal Burnin’ tenor sax mouthpiece taught me a lot about saxophone mouthpiece design that I was not aware of.
     We started with the same size blank that JodyJazz uses for his DV tenor saxophone mouthpieces, but we weren’t happy with the results so we had to make a larger diameter blank to better accommodate the larger chamber size and curve of the baffle.
     That made it better, but it still wasn’t there, so we then had to adjust the facing curve until we got the response we wanted. There were so many iterations of this mouthpiece!
    So I learned that you can’t just take a hard rubber design and make it metal and expect to get a good result. Also, since people have an expectation of metal mouthpieces being brighter than hard rubber we wanted it to be a bit brighter and punchier. I wanted there to be a legitimate reason for someone who already had the hard rubber BetterSax Burnin’ mouthpiece to also get the metal Burnin’ tenor saxophone mouthpiece.
   And for me, the metal BetterSax Burnin’ tenor sax mouthpiece had to offer something different than the hard rubber mouthpiece, otherwise, what would be the point.”-Jay Metcalf

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

The BetterSax Burnin’ metal tenor saxophone mouthpiece has a perfect looking table, rails, tip and baffle profile.  All these elements look smooth, even, symmetrical and beautifully machined.  The tip rail is nice and thin as are the side rails as they head towards the tip.  The tip rail matches the tip shape of my tenor saxophone reeds perfectly.

The baffle is what I would describe as a medium high long smooth rollover baffle similar to the hard rubber version of the Burnin’ tenor saxophone mouthpiece.  The beginning of the medium high baffle extends about 1/2 an inch from the tip before it slopes down into a steeper decline that is scooped from side to side.  The baffle terminates close to where the window of the mouthpiece ends.

The chamber is described as a medium-small chamber and I would agree with that as the sidewalls are straight cutting down on the chamber volume.

The roof of the chamber is thin beneath the mouthpiece table.  The side walls are straight as they travel from the tip to the chamber area.  The bore of the mouthpiece looks to be slightly larger in diameter than the medium to medium-small chamber area. After the straight sidewalls terminate, the chamber opens up to the size of the bore of the mouthpiece.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

The BetterSax Burnin’ metal tenor saxophone mouthpiece played great with BSS (Boston Sax Shop) Silver Label #3 tenor saxophone reeds.  The #3 reed strengths felt very comfortable for me on the 7* tip opening of the Burnin’ tenor sax mouthpiece.  The 2 1/2 strength tenor saxophone reeds I tried all felt a tad too soft for the Burnin’ tenor saxophone mouthpiece.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

The BetterSax Burnin’ metal tenor saxophone mouthpiece was great to play!  My first impression of the metal Burnin’ mouthpiece compared to the hard rubber version was that the BetterSax metal Burnin’ tenor saxophone mouthpiece seemed brighter, a bit edgier, more focused, and more powerful sounding to me.  It had a more aggressive and “in-your-face” kind of presence to the sound when I compare it to my memory of the hard rubber BetterSax Burnin’ version of this same mouthpiece.

The BetterSax Burnin’ metal tenor saxophone mouthpiece seemed to have a more focused and brighter tone than a typical Otto Link type round chamber tenor sax mouthpiece would have.  I would credit this difference to the straight side walls of the Burnin’ mouthpiece which in my mind decrease the size of the chamber, concentrate the air stream and focus the sound.

In comparison, many Otto Link round chambered tenor sax mouthpieces can have a spread tone and then when pushed, get louder while still being spread in tone or even get more spread. (This is not true for all Otto Link tenor sax mouthpieces as I have played some that were more focused in tone than others……)  The BetterSax Burnin’ tenor saxophone mouthpiece seemed to get more focused and brighter in tone when pushed louder in comparison to most of the Otto Link tenor saxophone mouthpieces I have played.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

At full volume, the Burnin’ metal tenor sax mouthpiece becomes even brighter and more focused.  It can handle brighter type rock and R&B type lines and altissimo and can really be quite powerful when pushed to the max.  Of course, the true test, is being able to test out a mouthpiece on a live gig.  I have been unable to do that with the BetterSax Burnin’ tenor saxophone mouthpiece but it sounded pretty darn loud in my house when played at full volume.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

The low end range of the saxophone sounds really full and has a focused and compact tone that can get more spread and diffused when sub-toning.  The middle range and high range of the saxophone can retain a warmer tone if you remain at a soft volume but as soon as I added more air and volume the tone gets brighter in correlation to the volume.

The same smoothness of tone that I described for the hard rubber BetterSax Burnin’ mouthpiece also exists in the metal BetterSax Burnin’ version.  This “smoothness of tone” really makes the Burnin’ tenor saxophone mouthpieces fun to play fast lines with.  The lines have that “smooth as butter” quality to the lines where the notes just fly by really fast but seem so smooth and connected.

The intonation on the Bettersax Burnin’ tenor saxophone mouthpiece was excellent and within the normal parameters on my Selmer SBA tenor saxophone.  BetterSax really did a great job balancing all the factors including the baffle and chamber to create a tenor sax mouthpiece that plays nicely in tune!

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

I described the hard rubber BetterSax Burnin’ tenor saxophone mouthpiece as providing a nice thickness and weight to the tone that I really liked and the metal Burnin’ tenor mouthpiece also provided a similar tone but with more brightness and edge mixed into that thick tone.  The tone of the BetterSax Burnin’ metal tenor sax mouthpiece has a full charactered tone that leans to the brighter side while also being nice and focused.  These qualities make the BetterSax Burnin’ tenor saxophone mouthpiece versatile for straight ahead jazz playing or letting it rip in louder genres of music.

The altissimo range of the saxophone was easy to attain with the Burnin’ tenor saxophone mouthpiece and vibrato, bends, sub-tones and variations in volume were easy to manipulate and mold as you can hear in the recordings below.

The articulation was clean, fast and responsive whether playing staccato or using fast jazz articulation.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

On the first clip with the BSS (Boston Sax Shop) #3 Silver Label reed, you can hear that focused (in-your-face) energy of tone I describe in the very first line I play.   The sound of the BetterSax Burnin’ metal tenor saxophone mouthpiece sounds like it is right in front of you and not across the room.  It leans to the brighter side of the tenor sax tone and at times has a bit of edge in the tone that makes it sound tough, aggressive and fierce.

On the second clip, I play at full volume with reverb added, and you can hear that “in your face” type of projection the BetterSax Burnin’ tenor sax mouthpiece can have when pushed.  Most of this clip is in the altissimo range of the saxophone and you can hear how the tone can get edgier and tougher sounding for those genres of music that need a tenor sax solo more along those lines.

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece

In my opinion, the BetterSax Burnin’ metal tenor saxophone mouthpiece is a great tenor saxophone mouthpiece for those looking for a versatile tenor sax mouthpiece that can sound great on a jazz ballad or in a big band, while also providing the option of pushing the sound to a more powerful, aggressive and brighter tone when needed for louder genres of music like rock, pop or R&B.  The tone does seem to lean more to the brighter side compared to the Burnin’ hard rubber version but I still consider the metal Burnin’ tenor saxophone mouthpiece to be in that tonal range of sound that makes it highly adaptable and versatile for all kinds of music.  Check out the two sound clips below to hear the BetterSax Burnin’ tenor saxophone mouthpiece in action.

If you like the sound and look of the Burnin’ metal tenor saxophone mouthpiece by BetterSax, you can find them for sale at Sweetwater. I have agreed to be an affiliate for Sweetwater so if you purchase a BetterSax Burnin’ metal tenor saxophone mouthpiece from this link, neffmusic.com will receive a small commission on the sale without increasing your cost. (This helps to support my site and keep the saxophone related reviews, articles and transcriptions coming to you…..). Sweetwater even offers the option to pay in three installments as well which is nice.

If you are lucky enough to play a BetterSax Burnin’ gold-plated brass tenor saxophone mouthpiece or have any other thoughts or comments, I would love to hear what you think in the comments below.  Thanks,   Steve

https://cdn.neffmusic.com/2025/10/BSBurninMetal.mp3

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece – Boston Sax Shop 3 Silver Label Reed

https://cdn.neffmusic.com/2025/10/BetterSaxBurninAltissimoReverb.mp3

BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece – Boston Sax Shop 3 Silver Label Reed-Altissimo Clip with Reverb Added

Disclosure: I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog. I also receive a small commission when you purchase from the Sweetwater link provided in this review that helps to support this site. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also. Steve

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: BetterSax, brass, Burnin', gold plated, Jat Metcalf, metal, review, sax mouthpiece, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarJack says

    November 1, 2025 at 11:58 pm

    Nice sound clips. Thank you.

    Reply
  2. AvatarJay Metcalf says

    November 2, 2025 at 3:52 am

    Amazing playing Steve! I love listening to your mouthpiece demo clips. That consistency you provide in your format makes it extremely helpful for people wanting to learn more about so many different mouthpieces before they go to the next step in their search. Thanks so much for trying the Burnin’ metal tenor and I’m so glad you dig it.

    Reply
  3. AvatarTom says

    November 2, 2025 at 11:32 am

    Hey Steve, sounds great… how do you think it compares to the Selmer Jazz Tribute that you recently reviewed.

    Reply

Leave a Reply to Jay Metcalf Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Tom on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Jay Metcalf on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Jack on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Paul Fessenden on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review
  • Michal on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025