• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece Review

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece Review

January 19, 2023 by Steve 8 Comments

Today, I am reviewing the Avel Sound Concept (ASC) Mistral model alto saxophone mouthpiece made by Max Even at Avel Sound Concept Mouthpieces.  These are really reasonable priced, quality hard rubber alto saxophone mouthpieces that play incredibly well.  The hard rubber ASC Mistral alto sax mouthpiece I am reviewing today has a 6* tip opening (.078).

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

Here is how the Avel Sound Concept website describes the new ASC Mistral hard rubber alto saxophone mouthpiece:

The Mistral is a strong wind that blows from Southern France into the Mediterranean.

The hard rubber ASC Mistral alto saxophone mouthpiece has a medium round chamber and a small rollover baffle. It is inspired by two of my favorite alto sax mouthpieces, the Brilhart Tonalin and the Meyer Bros. The ASC Mistral has a medium bright sound with rich lows, clear mediums and powerful, but not harsh, highs. This is a very versatile mouthpiece that allows you to easily shape your sound the way you like it.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The Avel Sound Concept Mistral alto sax mouthpiece came well packaged and protected.  The Mistral mouthpiece is made of high quality hard rubber that is really shiny.  The shine of the mouthpiece was so brilliant that it made me question whether it was some sort of plastic or resin but Max at Avel Sound Concept assured me that it is indeed pure high quality hard rubber that he works hard to make shine.

The mouthpiece has “ASC” engraved as a logo on the top of the mouthpiece and the name “MISTRAL” engraved on the side of the mouthpiece body next to the table.  The tip opening of 6* is engraved by hand on the other side of the mouthpiece next to the table.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The ASC Mistral alto mouthpiece tip, rails, table and baffle all look great to the eye.  The tip rail is thin and even and the tip matches up with my alto saxophone reeds nicely.  The side rails are thin as well although there is a little bit of a waviness to the inside edge of the side rails along their length.   This is very minor and hardly noticeable unless you hold it up to the light and examine it closely. The sidewalls on either side of the baffle look to be straight until they reach the round chamber of the mouthpiece.

The roof of the chamber is thick and the chamber is what I would describe as a medium-small round chamber when compared to a typical Meyer medium chambered alto saxophone mouthpiece. (ASC describes the chamber as medium but the Mistral chamber looks a little smaller than a Meyer medium chamber to my eyes)

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The baffle of the ASC Mistral alto saxophone mouthpiece is what I would describe as a medium rollover baffle.  The baffle travels at a medium height for about a half an inch before it rolls into a steeper decline down into the chamber.  For comparison, the baffle of the Mistral mouthpiece is a little higher and a little longer than a couple of Meyer Bros Connoisseur alto sax mouthpieces I have sitting on my desk right now.

The baffle is slightly scooped from side to side as it travels down to the mouthpiece chamber.  The baffle profile looks slightly higher on the right side of the baffle as I look at the baffle from the tip end of the mouthpiece.  Just from inspecting the baffle, my guess is that the ASC Mistral alto sax mouthpiece would play with a nice amount of brightness and power.

The mouthpiece beak of the Avel Sound Concept Mistral alto sax mouthpiece feels a little higher than the beak of a typical Meyer alto saxophone mouthpiece.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The Mistral alto sax mouthpiece played great for me with a Rigotti Gold 3 strong alto saxophone reed as well as with an Ishimori Wood Stone 3 1/2 alto saxophone reed.   The Wood Stone 3 1/2 reed felt slightly harder than the Rigotti Gold 3 strong reed.   I have included a sound clips of both reeds just because the tone and response of the different strength reeds might appeal to different listeners who might prefer one sound clip over the other.

I found that softer alto saxophone reeds than the two reeds I used just felt too soft for me on the ASC Mistral alto saxophone mouthpiece.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The Avel Sound Concept Mistral alto saxophone mouthpiece played great for me. I found the ASC Mistral mouthpiece to be similar in sound concept to a great Meyer alto sax mouthpiece but with more power, brightness and weight to the tone when pushed.  The added power seemed to make the tone bigger and thicker to my ears than the tone a typical Meyer alto sax mouthpiece would produce.  The added brightness and power given by the baffle allows the ASC Mistral to be a good choice for a lead alto mouthpiece while still keeping a traditional alto saxophone tone.

I thought the Mistral alto mouthpiece sounded great on classic bebop type lines with a sound that reminded me of Charlie Parker and Phil Woods at times.  I also found that the tone could be fattened up to lean towards a Cannonball Adderley type alto sound as well by blowing more air and voicing the notes slightly lower while playing.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The ASC Mistral alto saxophone mouthpiece had a clear and responsive articulation that worked well for fast jazz articulation.  You can hear many samples of this in the two sound clips.

The intonation was within normal parameters on my Selmer Reference 54 alto saxophone as well.  The scale and range of the saxophone sounded smooth and even to me as I played throughout the range of the alto saxophone.

The low notes were round and full sounding and sub-toned beautifully when desired.  The high notes had a lighter more lyrical tone to them when I played at a soft to medium volume that I found really pretty.  I found that those high notes could be played with that more gentle light tone or I could lay into them more to make them even brighter and heavier sounding if I wanted.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The tone of the ASC Mistral had a nice bright clarity to it and singing quality to the notes.  I did note some buzz to the tone at times that was more apparent with the slightly softer Rigotti Gold 3 strong reed.  Softer alto saxophone reeds than the Rigotti Gold 3 strong had even more buzz and brightness because of the softer reed.  I liked the reeds that I used on the Mistral sound clips because they felt so comfortable but also because they lessened that buzz in the higher register of the saxophone.

The tone was easily molded and flexible for vibrato and note bends which made me feel like it was easy to be expressive on the ASC Mistral alto sax mouthpiece.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

Check out the two sound clips below and decide for yourself if the ASC Mistral alto saxophone mouthpiece is something that interests you.  I enjoyed playing it for this review and feel it is a great choice for those who love traditional alto saxophone tones like Charlie Parker, Phil Woods, Cannonball Adderley, etc……… but want a bit more power and brightness held in reserve for when needed.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

If you like the sound and look of the Avel Sound Concept Mistral alto saxophone mouthpiece, you can find them on the Avel Sound Concept website.  Max Even has always been very responsive to communications and emails so if you have any questions at all, feel free to contact him via his website.  They come in a variety of tip openings and Max will even make you one in a custom tip opening (like my 6* mouthpiece) if requested.

I always receive emails asking me what is a great mouthpiece for alto saxophone players that is also affordable and the Avel Sound Concept Mistral alto sax mouthpiece fits that description perfectly.   I would have no problem playing this alto sax mouthpiece on a jazz gig or even as a lead alto mouthpiece with a big band.

If you are lucky enough to play an Avel Sound Concept Mistral alto saxophone mouthpiece or have any other thoughts or comments, I would love to hear what you think in the comments below.  Thanks,  Steve

https://cdn.neffmusic.com/2023/ASCMistralNew24.mp3

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece-Ishimori Wood Stone 3 1/2 Reed

https://cdn.neffmusic.com/2023/ASCMistral12.mp3

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece-Rigotti Gold 3 Strong Reed

Disclosure:  I received the sample mouthpiece reviewed above in the hope that I would try it and perhaps review it on my blog.  Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: Alto Saxophone, ASC, Avel Sound Concept, jazz sax, Max Even, Mistral, mouthpiece, review

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarDC says

    January 19, 2023 at 6:07 pm

    Great review and Steve sounds completely at home on the 6* Mistral; these are incredibly flexible pieces and the player can shape their sound in a number of ways. Max’s entire range of ASC pieces are the best ‘bang-for-buck’ I have ever experienced over a long lifetime of playing and I enjoy playing his Mistral on alto, a Sirocco on soprano as well as both the Foehn and new metal Borrum on tenor over many styles. Dealing with Max as an exceptional human is a bonus to his great pieces, thanks for reviewing the Mistral.

    Reply
  2. AvatarFrancesco says

    January 24, 2023 at 12:35 pm

    Beautiful review as always! I need to ask you a question… I always played a great old Meyer 6, until one day I realized I needed more power… so I ended up buying a Rift(after finding you review). It is fantastic and I’m still playing it, but I feel that is way too much powerful, and quite “baffly” sound, and probably I just need a powerful Meyer style mouthpiece… Do you think this Avel mouthpiece it’s a good choise? Or you suggest me to try something else like Drake NY, Drake Phil Woods…? Thanks in advice!

    Reply
    • SteveSteve says

      January 24, 2023 at 1:00 pm

      If the Rift is too much power, any of the mouthpieces you mentioned would be a good step. I would say the Drake Phil Woods is the most powerful of the three. Then the ASC Mistral and then the Drake NY. I would also add the 10mFan Showboat and Meyer Brothers Connoisseur mouthpieces as an option as well. You would have to listen to the sound clips to decide for yourself. Good Luck.

      Reply
  3. AvatarJon Aiken says

    March 9, 2023 at 10:21 am

    I am waiting on delivery of the Mistral mpc. I will leave an update when I receive and play this piece.

    Reply
    • SteveSteve says

      March 15, 2023 at 10:21 am

      Looking forward to it. Thanks!

      Reply
  4. AvatarTony says

    November 11, 2023 at 12:48 am

    Good review! And I really liked the sound of this mouthpiece.

    Reply
  5. AvatarBryan Chatham says

    December 5, 2023 at 4:01 am

    I have the very same 6* Mistral and find that it is overall a great mouthpiece. My only grip is it needs to be voiced in the upper register as it can easily lean towards an overly bright sound. Maybe it’s a reed choice thing. But overall, it is a great mouthpiece and Max was great to deal with.

    Reply
  6. AvatarJames Cox says

    December 18, 2023 at 12:17 am

    Hi Steve,

    Just a heads up, the Fohen for tenor is a cracking mouthpiece and has some serious “bite”.

    I played the Fohen 8* for awhile and it is a really versatile piece.

    I agree, Max is great to deal with!!

    Cheers!!

    James!

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Steve on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Steve on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Tom on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Jay Metcalf on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Jack on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025