• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece Review

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece Review

January 19, 2023 by Steve 8 Comments

Today, I am reviewing the Avel Sound Concept (ASC) Mistral model alto saxophone mouthpiece made by Max Even at Avel Sound Concept Mouthpieces.  These are really reasonable priced, quality hard rubber alto saxophone mouthpieces that play incredibly well.  The hard rubber ASC Mistral alto sax mouthpiece I am reviewing today has a 6* tip opening (.078).

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

Here is how the Avel Sound Concept website describes the new ASC Mistral hard rubber alto saxophone mouthpiece:

The Mistral is a strong wind that blows from Southern France into the Mediterranean.

The hard rubber ASC Mistral alto saxophone mouthpiece has a medium round chamber and a small rollover baffle. It is inspired by two of my favorite alto sax mouthpieces, the Brilhart Tonalin and the Meyer Bros. The ASC Mistral has a medium bright sound with rich lows, clear mediums and powerful, but not harsh, highs. This is a very versatile mouthpiece that allows you to easily shape your sound the way you like it.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The Avel Sound Concept Mistral alto sax mouthpiece came well packaged and protected.  The Mistral mouthpiece is made of high quality hard rubber that is really shiny.  The shine of the mouthpiece was so brilliant that it made me question whether it was some sort of plastic or resin but Max at Avel Sound Concept assured me that it is indeed pure high quality hard rubber that he works hard to make shine.

The mouthpiece has “ASC” engraved as a logo on the top of the mouthpiece and the name “MISTRAL” engraved on the side of the mouthpiece body next to the table.  The tip opening of 6* is engraved by hand on the other side of the mouthpiece next to the table.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The ASC Mistral alto mouthpiece tip, rails, table and baffle all look great to the eye.  The tip rail is thin and even and the tip matches up with my alto saxophone reeds nicely.  The side rails are thin as well although there is a little bit of a waviness to the inside edge of the side rails along their length.   This is very minor and hardly noticeable unless you hold it up to the light and examine it closely. The sidewalls on either side of the baffle look to be straight until they reach the round chamber of the mouthpiece.

The roof of the chamber is thick and the chamber is what I would describe as a medium-small round chamber when compared to a typical Meyer medium chambered alto saxophone mouthpiece. (ASC describes the chamber as medium but the Mistral chamber looks a little smaller than a Meyer medium chamber to my eyes)

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The baffle of the ASC Mistral alto saxophone mouthpiece is what I would describe as a medium rollover baffle.  The baffle travels at a medium height for about a half an inch before it rolls into a steeper decline down into the chamber.  For comparison, the baffle of the Mistral mouthpiece is a little higher and a little longer than a couple of Meyer Bros Connoisseur alto sax mouthpieces I have sitting on my desk right now.

The baffle is slightly scooped from side to side as it travels down to the mouthpiece chamber.  The baffle profile looks slightly higher on the right side of the baffle as I look at the baffle from the tip end of the mouthpiece.  Just from inspecting the baffle, my guess is that the ASC Mistral alto sax mouthpiece would play with a nice amount of brightness and power.

The mouthpiece beak of the Avel Sound Concept Mistral alto sax mouthpiece feels a little higher than the beak of a typical Meyer alto saxophone mouthpiece.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The Mistral alto sax mouthpiece played great for me with a Rigotti Gold 3 strong alto saxophone reed as well as with an Ishimori Wood Stone 3 1/2 alto saxophone reed.   The Wood Stone 3 1/2 reed felt slightly harder than the Rigotti Gold 3 strong reed.   I have included a sound clips of both reeds just because the tone and response of the different strength reeds might appeal to different listeners who might prefer one sound clip over the other.

I found that softer alto saxophone reeds than the two reeds I used just felt too soft for me on the ASC Mistral alto saxophone mouthpiece.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The Avel Sound Concept Mistral alto saxophone mouthpiece played great for me. I found the ASC Mistral mouthpiece to be similar in sound concept to a great Meyer alto sax mouthpiece but with more power, brightness and weight to the tone when pushed.  The added power seemed to make the tone bigger and thicker to my ears than the tone a typical Meyer alto sax mouthpiece would produce.  The added brightness and power given by the baffle allows the ASC Mistral to be a good choice for a lead alto mouthpiece while still keeping a traditional alto saxophone tone.

I thought the Mistral alto mouthpiece sounded great on classic bebop type lines with a sound that reminded me of Charlie Parker and Phil Woods at times.  I also found that the tone could be fattened up to lean towards a Cannonball Adderley type alto sound as well by blowing more air and voicing the notes slightly lower while playing.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The ASC Mistral alto saxophone mouthpiece had a clear and responsive articulation that worked well for fast jazz articulation.  You can hear many samples of this in the two sound clips.

The intonation was within normal parameters on my Selmer Reference 54 alto saxophone as well.  The scale and range of the saxophone sounded smooth and even to me as I played throughout the range of the alto saxophone.

The low notes were round and full sounding and sub-toned beautifully when desired.  The high notes had a lighter more lyrical tone to them when I played at a soft to medium volume that I found really pretty.  I found that those high notes could be played with that more gentle light tone or I could lay into them more to make them even brighter and heavier sounding if I wanted.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

The tone of the ASC Mistral had a nice bright clarity to it and singing quality to the notes.  I did note some buzz to the tone at times that was more apparent with the slightly softer Rigotti Gold 3 strong reed.  Softer alto saxophone reeds than the Rigotti Gold 3 strong had even more buzz and brightness because of the softer reed.  I liked the reeds that I used on the Mistral sound clips because they felt so comfortable but also because they lessened that buzz in the higher register of the saxophone.

The tone was easily molded and flexible for vibrato and note bends which made me feel like it was easy to be expressive on the ASC Mistral alto sax mouthpiece.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

Check out the two sound clips below and decide for yourself if the ASC Mistral alto saxophone mouthpiece is something that interests you.  I enjoyed playing it for this review and feel it is a great choice for those who love traditional alto saxophone tones like Charlie Parker, Phil Woods, Cannonball Adderley, etc……… but want a bit more power and brightness held in reserve for when needed.

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece

If you like the sound and look of the Avel Sound Concept Mistral alto saxophone mouthpiece, you can find them on the Avel Sound Concept website.  Max Even has always been very responsive to communications and emails so if you have any questions at all, feel free to contact him via his website.  They come in a variety of tip openings and Max will even make you one in a custom tip opening (like my 6* mouthpiece) if requested.

I always receive emails asking me what is a great mouthpiece for alto saxophone players that is also affordable and the Avel Sound Concept Mistral alto sax mouthpiece fits that description perfectly.   I would have no problem playing this alto sax mouthpiece on a jazz gig or even as a lead alto mouthpiece with a big band.

If you are lucky enough to play an Avel Sound Concept Mistral alto saxophone mouthpiece or have any other thoughts or comments, I would love to hear what you think in the comments below.  Thanks,  Steve

https://cdn.neffmusic.com/2023/ASCMistralNew24.mp3

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece-Ishimori Wood Stone 3 1/2 Reed

https://cdn.neffmusic.com/2023/ASCMistral12.mp3

Avel Sound Concept (ASC)-Mistral Alto Saxophone Mouthpiece-Rigotti Gold 3 Strong Reed

Disclosure:  I received the sample mouthpiece reviewed above in the hope that I would try it and perhaps review it on my blog.  Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: Alto Saxophone, ASC, Avel Sound Concept, jazz sax, Max Even, Mistral, mouthpiece, review

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarDC says

    January 19, 2023 at 6:07 pm

    Great review and Steve sounds completely at home on the 6* Mistral; these are incredibly flexible pieces and the player can shape their sound in a number of ways. Max’s entire range of ASC pieces are the best ‘bang-for-buck’ I have ever experienced over a long lifetime of playing and I enjoy playing his Mistral on alto, a Sirocco on soprano as well as both the Foehn and new metal Borrum on tenor over many styles. Dealing with Max as an exceptional human is a bonus to his great pieces, thanks for reviewing the Mistral.

    Reply
  2. AvatarFrancesco says

    January 24, 2023 at 12:35 pm

    Beautiful review as always! I need to ask you a question… I always played a great old Meyer 6, until one day I realized I needed more power… so I ended up buying a Rift(after finding you review). It is fantastic and I’m still playing it, but I feel that is way too much powerful, and quite “baffly” sound, and probably I just need a powerful Meyer style mouthpiece… Do you think this Avel mouthpiece it’s a good choise? Or you suggest me to try something else like Drake NY, Drake Phil Woods…? Thanks in advice!

    Reply
    • SteveSteve says

      January 24, 2023 at 1:00 pm

      If the Rift is too much power, any of the mouthpieces you mentioned would be a good step. I would say the Drake Phil Woods is the most powerful of the three. Then the ASC Mistral and then the Drake NY. I would also add the 10mFan Showboat and Meyer Brothers Connoisseur mouthpieces as an option as well. You would have to listen to the sound clips to decide for yourself. Good Luck.

      Reply
  3. AvatarJon Aiken says

    March 9, 2023 at 10:21 am

    I am waiting on delivery of the Mistral mpc. I will leave an update when I receive and play this piece.

    Reply
    • SteveSteve says

      March 15, 2023 at 10:21 am

      Looking forward to it. Thanks!

      Reply
  4. AvatarTony says

    November 11, 2023 at 12:48 am

    Good review! And I really liked the sound of this mouthpiece.

    Reply
  5. AvatarBryan Chatham says

    December 5, 2023 at 4:01 am

    I have the very same 6* Mistral and find that it is overall a great mouthpiece. My only grip is it needs to be voiced in the upper register as it can easily lean towards an overly bright sound. Maybe it’s a reed choice thing. But overall, it is a great mouthpiece and Max was great to deal with.

    Reply
  6. AvatarJames Cox says

    December 18, 2023 at 12:17 am

    Hi Steve,

    Just a heads up, the Fohen for tenor is a cracking mouthpiece and has some serious “bite”.

    I played the Fohen 8* for awhile and it is a really versatile piece.

    I agree, Max is great to deal with!!

    Cheers!!

    James!

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Thomas Lehmann on 100 Must Know Jazz Tunes Consensus List
  • Paul Millard on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Giuseppe C. on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Ali Emmanuel on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Steve on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025