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You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / 10mFan Supernova Alto Saxophone Mouthpiece Review

10mFan Supernova Alto Saxophone Mouthpiece Review

September 30, 2022 by Steve 22 Comments

Today, I am reviewing a new alto saxophone mouthpiece from 10mFan saxophone mouthpieces.  This is the Supernova 7 hard rubber alto saxophone mouthpiece.   I have already reviewed a number of great 10mFan tenor, alto and soprano saxophone mouthpieces in the past that you can find here.

Whenever Mark Sepinuck, at 10mFan mouthpieces, comes out with a new saxophone mouthpiece model, I am always really excited to try it out because all of his saxophone mouthpieces are so darn good!  Mark is always thinking about how he can meet the needs of the sax playing community with new, uniquely designed and original saxophone mouthpieces.

10mFan Supernova Alto Saxophone Mouthpiece

With the Supernova alto saxophone mouthpiece, Mark has created an alto saxophone mouthpiece for those of you who like a high baffled alto mouthpiece with loads of power and brightness without sacrificing tone or body to the sound.  The new Supernova alto saxophone mouthpiece is 10mFan’s brightest alto sax mouthpiece as described on the 10mFan website.  Mark has 4 categories of alto sax mouthpieces ranging from Category 1 (warmer) to Category 4 (brighter). The Supernova alto saxophone mouthpiece is in Category 4.  (I wonder if Mark, living in Florida, was influenced by hurricane season with these mouthpiece category ratings?)

Here’s a description of the Supernova alto saxophone mouthpiece from the 10mFan website:

Category 4:  “SUPERNOVA”— THE ABSOLUTE BEST ORIGINAL DESIGN HIGH BAFFLE ALTO MOUTHPIECE IN THE MARKETPLACE!
SUPER powerful higher baffle piece with a roll over at the end, for that Pop, Funk, Sanborn, Smooth Jazz, Rock thing!!!!    Boney James, Jaared, and Mikey Rivera—-3 of the best in the world for this style piece, are using this model, and absolutely LOVE it!!!!  It’s got all the brights, punch, and power that the power players who want a Category 4 mouthpiece will need, but also TONS OF BODY to the sound!!! CRAZY KILLER ALTISSIMO!!!!!!!!!!!-Mark Sepinuck

The 10mFan Supernova is available in 4 tip openings:

6 – .080
7 – .085
8 – .090
9 – .095

  • Special note:  I tend to like alto saxophone mouthpieces with a tip opening between .076-.080 but I felt totally comfortable and at home with the Supernova alto mouthpiece at a 7 tip of .085.  The higher baffle profile makes the larger tip opening feel more comfortable for me. If you are like me and like a similar range of tip openings on the alto sax, I would suggest going with a slightly larger tip opening for the Supernova mouthpiece as well.

10mFan Supernova Alto Saxophone Mouthpiece

The 10mFan Supernova alto saxophone mouthpiece came in a well packaged box.  Inside, amidst the packaging, the Supernova alto mouthpiece was well protected in a clear tube.

The new 10mFan Supernova alto sax mouthpiece has the traditional three rings on the shank that all of the 10mFan saxophone mouthpieces have.  It also has “10mFan” and “Supernova” engraved on the top of the mouthpiece.  On the bottom corners of the mouthpiece next to the table is engraved “U.S.A.” and “7”.  All the 10mFan mouthpieces are made from the finest German bar stock hard rubber.

The mouthpiece looks great and right up to the normal everyday 10mFan standards of excellence.  From day one, Mark Sepinuck has been very serious about producing top of the line saxophone mouthpieces of the highest standards.  This Supernova alto sax mouthpiece is no exception.  The table, rails, tip and baffle area all look perfectly balanced, even and precise.

10mFan Supernova Alto Saxophone Mouthpiece

The 10mFan Supernova alto saxophone mouthpiece is without a doubt a high baffled mouthpiece as you can see in the photos.  The high baffle extends about 7/8’s of an inch before rolling over smoothly into a more pronounced descent towards the rear of the mouthpiece chamber.  When I compare my 10mFan Showboat alto sax mouthpiece side by side with the 10mFan Supernova mouthpiece, the baffle of the Supernova is a little bit higher and longer than the Showboat alto mouthpiece baffle.

I love that Mark Sepinuck designed the Supernova alto mouthpiece to have a smooth rollover at the end of the baffle.  Many high baffle mouthpiece makers tend to leave the end of the baffle with an edge or hard line.  My experience has been that baffles with a smooth rollover instead of an edge have a fatter and smoother tone that I usually prefer when playing a high baffled mouthpiece. Usually the baffles with an edge at the end tend to be more edgy and brittle in tone in my experience.

The chamber of the 10mFan Supernova looks similar in size to the chamber of the 10mFan Showboat alto mouthpiece as I hold them side by side.  When I compare the Supernova chamber to a Meyer Connoisseur alto mouthpiece I reviewed a few months ago, the Supernova chamber looks larger in size when compared to the Meyer alto mouthpiece.  Of course, the baffle of the Supernova is traveling through the chamber at a higher angle than the Meyer baffle so that higher baffle would take up more volume of the chamber area but the overall look of the chamber is that it is larger than the Meyer.

The side walls of the mouthpiece are straight  on each side as they head towards the chamber and then look slightly scooped out as the chamber area begins.  The roof of the chamber area below the table is nice and thin.

10mFan Supernova Alto Saxophone Mouthpiece

The 10mFan Supernova was incredibly reed friendly for me. It has a 7 tip opening which is a .085 and I assumed this larger tip opening would require softer reeds but I found that I preferred the same reed strengths on the Supernova mouthpiece as I do with other alto saxophone mouthpieces that have a smaller tip opening of .076-.080.  I found that Rigotti Gold 3 light saxophone reeds, Boston Sax Shop 3 reeds and Roberto’s Winds 3 Soft reeds all played really well for me on the Supernova 7 alto saxophone mouthpiece.

One of the best attributes to the 10mFan line of saxophone mouthpieces are the precise facing curves used on these mouthpieces.  Mark uses the best mouthpiece  craftsman to fine tune every mouthpiece and make sure the facing curves are perfect.  A perfectly balanced and even facing curve allows more reeds to play consistently and favorably and that was my experience with the Supernova alto sax mouthpiece.

10mFan Supernova Alto Saxophone Mouthpiece

As you would expect from a mouthpiece with this kind of baffle, the Supernova is a powerhouse of an alto sax mouthpiece.  In fact, when I first attempted to record a sound clip, I turned down the gain on my microphone to what I usually set it for with Guardala type tenor mouthpieces (really powerful tenor mouthpieces) and the recording was still in the red most of the time because the mouthpiece was so powerful.   I had to try recording again with the gain turned down even more!

I would say that the 10mFan Supernova is without a doubt one of the most powerful alto mouthpieces I have ever played.   On my alto mouthpiece volume scale of 1-10, I would rate the Supernova as going up to 13!

A great quality to the 10mFan Supernova alto mouthpiece is that it still allows the player the ability to mold and shape the sound as they play.  I have played other high baffled alto mouthpieces that feel like they box you into this one high baffled alto saxophone tone that is next to impossible to get away from. The Supernova alto sax mouthpiece still allows the player the freedom to fatten the tone or darken the tone if needed which I really loved.  It also allows the player to go in the other direction of making the tone even brighter and tougher when needed which is really cool.

10mFan Supernova Alto Saxophone Mouthpiece

The altissimo range on the 10mFan Supernova is off the charts in my opinion.  If you are a fan of my website, you will probably know that I don’t play much altissimo on the alto saxophone. To be honest, that higher range of the alto sax altissimo notes just seems to irritate what hearing I have left in my one working ear.  Because I don’t play much altissimo on the alto sax, I am really out of practice with voicing those notes and any attempts by me usually have less than optimal results on the alto sax. However, on the 10mFan Supernova, I found the altissimo range incredibly easy for me. The altissimo range felt as easy and effortless as it does when playing the tenor sax which I don’t think I have ever experienced on an alto sax mouthpiece before.  I was very impressed that the Supernova design could make the alto altissimo range that easy for me to attain.  Very impressed!

10mFan Supernova Alto Saxophone Mouthpiece

The 10mFan Supernova alto sax mouthpiece has a powerful, focused tone that can be pretty bright.  The first recording I made with it was of “Isn’t She Lovely” by Stevie Wonder.  The Supernova really shines in a pop or smooth jazz setting in my opinion.  It has enough brightness and punch to cut through the mix and the brightness of the tone really allows the upper range of the horn to sing and project.  It sounds killer with a little bit of reverb added or in a big room with natural reverb in it.

I found the facing curve and reed combination to really be advantageous as far as manipulating the tone with vibrato and bends. I was actually quite impressed with how easy I could bend notes up and down. Usually, that breaking point between the normal range of the sax and the altissimo range can be a rough transition to play through on the alto sax for me but the Supernova mouthpiece really made that transition smooth and even for me.  A couple times in the recordings I play from the normal register into the higher altissimo and the line up is just so smooth and flowing.

10mFan Supernova Alto Saxophone Mouthpiece

The second sound clip is highlighting the altissimo range of the alto sax with the Supernova alto sax mouthpiece.  You can hear many of those bends in the lines that I just wrote about in the high notes.  I love that bend up to high altissimo C with the vibrato at the end of the sound clip.  I added a bit of reverb to the recording because it sounds so good with that reverb added.

In comparison to other high baffle alto saxophone mouthpieces, the Supernova seems to have a fatter and fuller tone to it in my opinion. The tone seems smoother to me and the range of the horn is very even and smooth from note to note.

The intonation was great and very close to perfectly in tune for every note.  This was a pleasant surprise as many high baffle alto mouthpieces can mess with the intonation on my Selmer Reference 54 alto saxophone.  The Supernova mouthpiece played with great intonation up and down the range of the saxophone.

10mFan Supernova Alto Saxophone Mouthpiece

The last recording of the 10mFan Supernova alto saxophone mouthpiece is a dry recording with no effects on it at all using a warmer Boston Sax Shop reed.  I wanted to provide a sound clip with a somewhat darker reed to show what the Supernova would sound like with my standard jazz lines with the darker reed. I think it sounds great on this last clip and I could certainly see someone being able to play some standards with the Supernova if desired.  The Boston Sax Shop 3 alto saxophone reed is certainly a darker tone than the Rigotti Gold 3 light alto sax reed used on the other sound clips which is brighter and a bit edgier in tone.

10mFan Supernova Alto Saxophone Mouthpiece

If you like the sound and look of the 10mfan Supernova hard rubber alto saxophone mouthpiece, you can order one of them from Mark Sepinuck at 10mFan.com.  I have also included a few videos below of some other sax players playing the Supernova.  I think the combination of my sound clips and these videos below will help you make a decision about the 10mFan Supernova alto sax mouthpiece.

I think this is a great alto saxophone mouthpiece choice for those of you who play pop, smooth jazz or fusion and like that brighter, more powerful alto saxophone tone.  The Supernova doesn’t box you into one sound or concept but has enough flexibility to it that a player can shape and mold the sound to his or her specific sound concept.  I was a huge fan of Mark Russo and the Yellowjackets when I was a teenager and in my opinion, the Supernova alto sax mouthpiece totally nails that type of sound and altissimo register.  I love it!

If you have any questions about the Supernova model or any of the other 10mFan mouthpieces, you can also contact Mark Sepinuck through his website. Mark Sepinuck is a treasure trove of information about saxophone mouthpieces so if you end up on the phone with him, don’t be surprised if you end up talking about sax mouthpieces for a couple of hours.

*If you have played or end up playing a 10mFan Supernova alto saxophone mouthpiece or have any other thoughts or comments about this review, I would love to hear what you think in the comment section below this review.  Thanks,  Steve

*To hear the most detail from these clips it is best to listen to them from a computer with nice audio speakers or headphones rather than from an iPhone or laptop speakers.  It makes a world of difference!

https://cdn.neffmusic.com/2022/SuperNovaLovelyReverb1.mp3

10mFan Supernova Alto Saxophone Mouthpiece-Isn’t She Lovely-Rigotti Gold 3 Light Reed-Reverb Added

https://cdn.neffmusic.com/2022/SuperNovaAltoRevFinal.mp3

10mFan Supernova Alto Saxophone Mouthpiece-Altissimo Clip-Rigotti Gold 3 Light Reed-Reverb Added

https://cdn.neffmusic.com/2022/SupernovaBSSJazz2.mp3

10mFan Supernova Alto Saxophone Mouthpiece-Random Lines and Melodies-Boston Sax Shop 3 Reed-No Effects

Jaared Playing Pick Up the Pieces on the 10mFan SuperNova Alto Sax Mouthpiece (Check out :39-:54 for some killer altissimo chops…….Jaared nails an altissimo F……..)

Francois Diaz Play Testing the 10mFan Supernova Alto Sax Mouthpiece


Mikey Rivera Play Testing the 10mFan Supernova Alto Sax Mouthpiece

Disclosure:  I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Alto High Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: 10mFan, alto sax, hard rubber, review, saxophone mouthpiece, Supernova

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMark Sepinuck says

    September 30, 2022 at 8:01 pm

    Steve,
    I just wanted to truly thank you for your beautiful review of the Supernova alto mouthpiece! You have shown such incredible support for my mouthpiece line since the day they came out. You are a treasure to the saxophone community, and I just wanted to personally thank you for the wonderful support you have shown throughout the years!!!
    This is a very special mouthpiece for the players that are looking for that powerhouse alto piece in hard rubber, and yearn for an original design. The mouthpieces are all made from the finest German barstock hard rubber and all of these alto Supernova‘s are hand finished by Brian Powell. Original designs are what I’m all about here. That’s VERY VERY important to me.

    Your pictures, your comments, and your sound clips are just wonderful! Big hugs to you! ❤️❤️??

    All the best, Mark
    http://www.10mfan.com

    Reply
  2. AvatarGiuseppe C. says

    October 1, 2022 at 6:08 am

    Yes, it is really a “lovely” mouthpiece!
    Giuseppe.

    Reply
  3. AvatarJacob says

    October 1, 2022 at 11:22 pm

    I preordered one of these and now I’m wondering if I got a bad one. Mine had less body than the small chamber shiva I usually play. I also felt it had less color than both the shiva or durga. While the tone wasn’t what I hoped for, I found that it played well, like any hand faced piece should. It responded well and had altissimo comparable to my shiva which is the best altissimo piece I have played. It just didn’t have the energy and depth that I was hoping for.

    Reply
    • SteveSteve says

      October 2, 2022 at 9:19 am

      Jacob, I haven’t tried a Shiva or Durga so can’t comment on that. I’ve never seen a bad 10mFan mouthpiece and the fact that you say it plays well, responded well and has altissimo comparable to your favorite altissimo mouthpiece you have ever played, makes me think the Supernova is a great mouthpiece (at least it sounds like it…..). I found that reeds make a big difference in the tonal colors I got out of the Supernova. Somebody on SOTW asked me how the Supernova would differ from the Drake David Sanborn mouthpiece and I think my response could probably be applied to the Durga and Shiva alto mouthpieces as well (although I have not played those) so here it is:

      The Drake Sanborn is a great mouthpiece but conceptually it is really going after achieving that Sanborn kind of sound on alto in my mind. The pieces I reviewed were metal and they had a more metallic and edgy sound than the 10mFan Supernova. They were killer for getting that edgy Sanborn metallic sound but I think the Supernova is a different concept. It’s not trying to create that Sanborn sound as much as giving a brighter more powerful alto sound that can be leaned towards a Sanborn sound or leaned away from that sound. I felt like the Supernova had a fatter tone and smoother sound that the Drake Sanborn sound. I’m not saying one is better than the other at all but just different. I totally loved both mouthpieces but they are very different concepts tonally in my mind. Hope this helps!

      I generally think of small chambered mouthpieces like the Shiva as having a smaller body of sound than something like the Supernova might have with the larger chamber. The Shiva might be louder because I find smaller chamber to really be cutting but when I think of “body” of sound I usually think of the “fatness” of the tone. Instead of just nailing the Sanborn sound with the Supernova, I feel like it’s fatness can be more moldable to perhaps get a more Warren Hill or Gerald Albright type sound if that’s what the player wants. That’s my impression of the Supernova anyways………

      Reply
      • AvatarJacob says

        October 2, 2022 at 8:50 pm

        Hey Steve, I guess I should have been more clear. So, my Supernova is EQ’d with a heavy amount of highs and very little middle mids and lows. So mine plays like a super bright piece with the playability of a large chamber (making low notes easy to come out), but mine doesn’t feel fat. When I think “fat,” I think of thick, lush, powerful, and maybe kind of a spread tone. It also has enough lows and mids to give substantial body to the low end. The Shiva has a small chamber and is thus focused, but it has a full sound, nice full spectrum EQ (with plenty of highs, obviously), and the low notes have plenty of body. The Durga, which is also a large chamber like the supernova, has enough lows and mids to get this massive complex tone with a substantial body, especially in the low end. I was hoping the supernova would have the complexity and depth of sound that the shiva and durga have, but instead, I found mine to be kinda one note with heavy highs across the board from low Bb to altissimo. This may just be mine. Your experience at the very least seems to be very different than mine. So yeah, its a great working mouthpiece, but I don’t get from it what I hoped. Again it may just be mine, maybe that’s what they all are like, but I didn’t have the same experience you did. I will say mine is an 8 over your 7, but I would think that would make it warmer and a little darker anyway. I tried different reeds (BSS, Ishimori, Nexus, Green Java, and V16), and I just couldn’t get it to have the body or fatness I expected. I don’t know if these get hand work on the baffle as well as the facing curve, but mine just doesn’t produce the same results you seem to have gotten.

        Reply
        • SteveSteve says

          October 3, 2022 at 12:24 pm

          Well, to each his own. This mouthpiece search discussion just shows that we are all different and it is a very personal thing for each of us. The 10mFan Supernova is without a doubt a bright mouthpiece. A big part of me providing sound clips is so people can hear exactly how each piece plays for me because words can only go so far or describe so much. The videos provided by other players also can help people hear how the piece sounds as well so they can make an informed decision.

          From reading your comment I think we have different definitions of some of those words and concepts. I think of “fat” when describing tone as totally different thing than thick, lush, powerful or spread. I have played mouthpieces that I would describe as fat in tone that had a more “pure” sound and others that had a more grainy or complex sound. I actually relate the words thick and lush to complexity of tone to a certain extent. Like I hear a complex character in the tone maybe related to the overtones. Same with the word “spread”. That is different than “fat” in my mind because I have played pieces that are “fat” but “focused and concentrated in tone and others that are “fat” but more spread in tone.

          I will say that my use of the word “fat” in regard to tone in this review is simply based off my comparison to most of the other high baffled alto sax mouthpieces I have played and reviewed over the years. The majority of these mouthpieces had a very concentrated, almost laserbeam bright focus to the tone. I found the Supernova to have a wider tone than my past experience with those mouthpieces.

          Regardless, of all that, I appreciate you coming on and sharing your experience and thoughts with all of us.

          Reply
    • AvatarM. Holt says

      October 2, 2022 at 11:21 pm

      I have a Supernova and it is outrageously great; what Steve talks about regarding altissimo and depth of sound is spot on. Usually, alto altissimo doesn’t come as easy as tenor…unless I’m playing the Supernova, because then it’s effortless. But the more important part is the richness and depth of sound.

      I’ve played all the big baffle alto pieces out there, all the crazy expensive boutique stuff, and IMO nothing compares to the Supernova. There are layers to the sound, it is 3-dimensional with that core that is missing from all the fancy boutique brands. But it’s still really powerful and resonant and has limitless volume.

      The sax world needed an alto mouthpiece just like the Supernova. While everyone else goes for thin and piercing, 10mfan makes a powerhouse piece with all the brightness and edge you could want, but in a package with body, depth, richness, and resonance. All of the 10mfan mouthpieces that I’ve tried have been great, but this one really stands out for me because of what it manages to accomplish.

      I’ve tried all the baffle pieces, and the Supernova beats them all IMO. And if a random guy on the internet doesn’t sound convincing, you can check out videos of Boney James playing this piece and he can play whatever the hell he wants. Dude is a legend and plays on the Supernova for a reason.

      Kudos to 10mfan on this accomplishment; it’s not easy to make a piece like this and he absolutely knocked it out of the park.

      Reply
  4. AvatarMikey Rivera says

    October 2, 2022 at 6:56 pm

    Hi everyone, hope your all well. I think when comparing mouthpieces or even play testing them it is important to verify with different reeds, ligatures etc. Sometimes we just get used to the way a couple of reeds vibrate and respond on a mouthpiece and that clouds our judgement. I’m currently using the Supernova model on alto and it is Awesome. The reeds I use seal very well, the low end responds quickly, the mid and upper registers are very even and “phat”. It is a powerhouse of a mouthpiece, sounding bright and having a lot of volume. The altissimo notes pop out very easily. In comparison with the other mouthpieces mentioned which I also have had a few. They are very similar but play and respond differently. The Supernova is less shrill and a variety of reeds feel great and respond better. There are a lot of mouthpieces out there nowadays, so when comparing it is almost impossible to say one is better than the other. But, with a hand finished facing, mastered craftsmanship and players who are showing us how the mouthpiece works I think it is all about one’s personal choice of which weapon to have in your arsenal. I think this mouthpiece ROCKS!!!! Thank you for the review Steve and best wishes.

    Reply
  5. AvatarMikey Rivera says

    October 2, 2022 at 6:59 pm

    https://youtu.be/eBlpvg4zTw8

    Reply
    • SteveSteve says

      October 2, 2022 at 7:45 pm

      Hi Mikey, Thanks for visiting and sharing your impressions of the 10mFan Supernova alto saxophone mouthpiece and the video link. I added your video to the bottom of the review so people interested could more easily see it. Steve

      Reply
  6. AvatarSteve Tully says

    October 6, 2022 at 10:39 am

    Hi Steve
    Would you consider selling the 10m Supernova?
    I am an avid reader of your reviews you do a great job!
    I grew up with Rob Martin, he said he used to play with you.
    Thanks,
    Steve Tully

    Reply
    • SteveSteve says

      October 13, 2022 at 1:45 pm

      Hi Steve, Unfortunately I can’t help you with the 10Fan Supernova but hopefully you can get your hands on one to try. Yeah, I played in a band with Rob for about 7 years. Great guy! Take care!

      Reply
  7. AvatarKevin says

    November 6, 2022 at 6:35 am

    hey Steve, recently found your site…wow! thanks for your dedication. how would you compare/rate the Supernova next to the Drake Contemporary VRCA piece?
    Thanks.

    Reply
    • SteveSteve says

      November 6, 2022 at 9:28 pm

      Kevin, Unfortunately, The Drake Vintage Resin Contemporary alto mouthpiece review was a little more than 12 years ago and I don’t remember anything about that mouthpiece because it has been so long. You will have to try to judge the differences by listening to the sound clips, looking at the photos and reading the reviews. Sorry I couldn’t be of more help. Steve

      Reply
  8. AvatarJay says

    March 4, 2023 at 1:45 pm

    Steve,
    How does this mpc compare to the Rift mpc?

    Reply
    • SteveSteve says

      March 7, 2023 at 9:12 am

      Jay, The Phil-Tone Rift has a fatter tone and although it is bright and powerful, it is not as bright and powerful as the 10mFan Supernova.

      Reply
  9. AvatarVicente Serna says

    September 24, 2023 at 7:08 pm

    Hi Steve, I don’t know if you have tried the jody jazz jet, how would you compare it to this mouthpiece? I really like the Jody Jet but perhaps the sound is a little closed and nasal to me, I want to find something as powerful as the Jet but with more body.

    Reply
    • SteveSteve says

      September 24, 2023 at 8:07 pm

      Hi Vicente, No, I have never tried a Jody Jazz Jet. I communicated with Jody Espina a few times over the years about reviewing his mouthpieces to which he always seem excited but he never sent anything to me to review unfortunately.

      Reply
  10. AvatarMark White says

    May 8, 2024 at 1:14 am

    Love your altissimo on this mouthpiece. I was lucky to have a Claude Lakey mouthpiece (with the 4 chamber which was the larger chamber) that was customized by Theo Wanne back in the 90’s. I gave that mouthpiece away to a very talented student thinking I could get another mouthpiece like it, but I was wrong. This Supernova mouthpiece reminds me so much of my old Claude Lakey, so I ordered one today. Mark Sepinuck called me to make sure I knew what I was getting. He wanted to make sure I knew it was not a jazz mouthpiece. I have some Gaia 4 mouthpieces that I love for jazz, but I definitely want this powerful and beautiful sounding mouthpiece. I also shared with Mark S. my new method for breaking in saxophone reeds. After doing about 30 one-minute sessions to break in reeds, I’ve been playing (in rotation) the same reeds for over 6 months and they are playing like new. I play soprano, alto, tenor, and bari and I’m doing this break-in method for all my reeds. I will look on your blog and see if you have a section for info on reeds. If you do, I will post my method there. I modified a method that Eugene Marquis described in his YouTube video, titled: “What Robert Marcellus Taught Me About Reeds”. I think I am having even better success with my modifications because I have a better percentage of good reeds. I’m getting at least 8 out of ten good reeds from a box of 10 with a little reed balancing with my reed geek. One of my modifications to his method is that I start soaking the reeds longer (before playing them) as I get through more breaking-in sessions. I actually started practicing more because of these breaking-in sessions for all my saxes. I realized I could practice new and old ideas during these one-minute breaking-in sessions for each reed. I will look now to see if you have a section on reeds, and I will try to share my methods with you. I realize some saxophonists don’t understand us cane guys, but that’s okay. I understand that the synthetic reeds work for some people.

    Reply
  11. AvatarWarren Keller says

    May 24, 2024 at 4:12 pm

    Hey Neff, would you be so kind as to make a comment or two comparing this Supernova and the SYOS Spark alto? I think the volumes were kind of low with the spark, and I’m trying to determine which one you thought had more edge and volume and you liked overall. Thanks!

    Reply
    • SteveSteve says

      May 24, 2024 at 8:33 pm

      This is an easy question to answer. The SYOS is a great playing mouthpiece but I was most impressed with the 10mFan Supernova alto mouthpiece. I think it is my favorite high baffle alto sax mouthpiece I have played all these years. Definitely has the edge and volume when needed that is for sure. To top it off, months after my review of it, a track started playing while I was driving my car of solo alto sax and I thought it was the beginning of a tune. The alto sounded great to me and I wondered who the player was. I picked up my iPhone to see and it was my Supernova sound clip!!! I thought it sounded killer and that cemented the fact of how good that mouthpiece is in my mind.

      Reply
  12. AvatarWarren Keller says

    May 25, 2024 at 12:08 am

    LOL, that’s because you are fantastic! Thanks so much for that fast answer. We appreciate you, Steve.

    Reply

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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

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