• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece 2022 Review

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece 2022 Review

February 26, 2022 by Steve 15 Comments

Today, I am reviewing a Johannes Gerber Vintage Slant 7* tenor saxophone mouthpiece made by Johannes Gerber mouthpieces.  I first reviewed a Johannes Gerber Vintage Slant tenor mouthpiece here over 12 years ago.  I was incredibly impressed with Johannes Gerber’s craftsmanship 12 years ago when I first played the Gerber Vintage Slant tenor saxophone mouthpiece and am just as impressed now as I write another review of this 2022 Gerber Vintage Slant tenor saxophone mouthpiece.

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece

Here are a few words from the Gerber website on the Gerber Vintage Slant tenor saxophone mouthpiece:

“The Johannes Gerber VINTAGE SLANT tenor saxophone mouthpiece is modeled after the classic 1950’s tenor sound. The sound is characterized as warm and rich in harmonic content – darker but lively – true and transparent. While many of the vintage pieces of the past play very well, they are also known to be inconsistent – they were finished by different craftsmen at the factory and the internal and external dimensions changed from time to time – no two are the same, and it’s becoming harder and harder to find a good one in original condition.

Johannes Gerber compiled a database of vintage mouthpiece’s measurements over many years and used the data from his favorite mouthpieces during the conception of the Vintage Slant.

The medium-large chamber is finished with beautifully sculpted concave side-walls and a medium ‘New York’ era roll-over baffle, resulting in an evenly balanced sound through the range of the saxophone. Projection and power are excellent for this type of design and the precisely finished facing and rails facilitate fast articulation and control.

Several saxophonists ordered the Gerber VINTAGE SLANT as a backup to their original ‘Slants’ and ended up liking the Gerber Vintage Slant mouthpiece even more. Some described it as the perfect substitute for their ‘No USA’ slant Otto Link tenor saxophone mouthpieces.

Craftsmanship bar none: Johannes Gerber is world renowned as a true master craftsman of saxophone mouthpieces. We have measured and inspected some of the most expensive saxophone mouthpieces in today’s marketplace and have found none that compare to Gerber’s accuracy, consistency, and perfect finishing – what you see in the photos is what your mouthpiece will look, and play like.

Material: We have developed a modern equivalent of the best vintage hard rubber. Our hard rubber composite uses the finest hard rubber from Germany as the main component and resonates and responds nearly identical to the hard rubber used in the vintage Otto Link and Meyer mouthpieces from the 1960’s.

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece

The Johannes Gerber Vintage Slant 7* tenor saxophone mouthpiece came well packaged and protected.  The Vintage Slant tenor mouthpiece looked great right out of the box.  The hard rubber is dark, shiny and smooth to the touch.  The mouthpiece table, tip, rails, baffle and chamber look absolutely perfect.  Everything is clean cut, even and smooth.

The mouthpiece has the “J. Gerber” signature engraved on the top of the body and “Vintage Slant” engraved on the top of the shank. The tip opening of “7*” is engraved into the body next to the table and the bottom of the shank reads “Made in South Africa”.  What I believe is a serial number is also engraved on the other side of the mouthpiece body next to the table.

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece

The Johannes Gerber Vintage Slant 7* tenor saxophone mouthpiece looks immaculate as I examine it while writing this review. The table looks flat and smooth with not a mark on it.  The side rails and tip rail are thin and look to be perfectly even to my eyes.

I’m always incredibly impressed with Johannes Gerber’s incredible attention to detail.  his tip rails and side rails are some of the most even and precise in the business.  If you check out his website he has some incredible photos of more of his mouthpieces and work.  Here is a great video showing some of Johannes Gerber’s craftsmanship and work.

The Gerber Vintage Slant tenor saxophone mouthpiece is called the “Vintage Slant”model for a reason.  Reading the description of the origin of the Vintage Slant model mouthpiece shows that Johannes Gerber is dedicated to learning and mastering his craft.  I love this quote:

“Johannes Gerber compiled a database of vintage mouthpiece measurements over many years and used the data from his favorite mouthpieces during the conception of the Vintage Slant.”

Johannes Gerber put himself through a mouthpiece craftsman school of his own making.  This shows determination and passion but also intelligence and patience.  His years of study and meticulous hard work paid off in the form of his detailed and beautiful mouthpiece craftsmanship.

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece

The Gerber Vintage Slant has a smooth rollover baffle that descends down and through the large chamber.  Johannes describes this chamber as medium-large but it looks like a large chamber  to my eyes, similar to a typical hard rubber Otto Link sized mouthpiece chamber.  The baffle travels at an angle through the large chamber where it meets the start of the bore.  The sidewalls are nicely scooped out and the roof of the chamber is moderately thin.

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece

The Johannes Gerber Vintage Slant 7* tenor saxophone mouthpiece played great with a BSS (Boston Sax Shop) size 2 1/2 and size 3 tenor sax reed.  A saxophone mouthpiece ligature that fits on a typical hard rubber Otto Link tenor sax mouthpiece will work on the Gerber Vintage Slant mouthpiece as well.

The beak height feels very comfortable and similar to a typical hard rubber Otto Link beak height to me.  The tip rail shape matches perfectly to the saxophone reeds I tried on the Gerber Vintage Slant tenor saxophone mouthpiece.

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece

The Johannes Gerber Vintage Slant 7* tenor sax mouthpiece had a beautifully smooth darker saxophone tone that was warm and full of character. The low notes were lush and round in tone and the high notes had a pretty roundness to them that I really liked.

The Gerber Vintage Slant had an immediate response to articulation that was clean and precise and the intonation on this mouthpiece was excellent.

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece

The first sound clip below is with the BSS (Boston Sax Shop) 2 1/2 reed and the tone is warm and lush even from the very first notes of “Darn that Dream” that I quote at the beginning of the sound clip.  The tone is dense but also spread sounding as if the edges of each note are spreading out through the room which gives the notes a warmth and mature character to the sound.

The second clip is with a slightly harder BSS (Boston Sax Shop) 3 tenor sax reed.  The tone of the Vintage Slant mouthpiece with the slightly harder reed seems a little more crisp and thick I think.  Like the tone has more layers to it I think.  The slightly harder reed allows the sound to be pushed harder and more aggressively if needed.

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece

The Johannes Gerber Vintage Slant 7* is a great tenor sax mouthpiece for those of you looking for a traditional “vintage” tenor saxophone tone that is reminiscent of the 50’s-60’s hard rubber “Slant” Otto Link sound.  The Vintage Slant gives you that warmth and takes some of the brightness out of the tone that many modern mouthpieces have.   I usually use the word “dark” or “darker” to describe a tenor saxophone tone that has less highs in the sound but I don’t really like that word for the Gerber Vintage Slant tenor mouthpiece. The Vintage Slant mouthpiece does keep enough brightness in the tone of the saxophone so the highs that are still in the sound just sound warmer to me and more pleasant.  The high notes especially, have a pleasing appealing roundness and “singing” quality to them which is really beautiful.

The low end of the saxophone is also beautiful, resonant, thick and lush sounding as well.  The mouthpiece subtones beautifully and the notes down low are rich, thick, resonant and full-bodied.

The Johannes Gerber Vintage Slant 7* tenor sax mouthpiece is even and smooth throughout the range of the saxophone.  I mentioned in my review of the Alexander Superial I Jazz mouthpiece review that it had a “smooth as butter” quality to the evenness of the notes when played fast and this Gerber Vintage Slant mouthpiece has a similar smoothness to the lines that I love as well.  Where as that mouthpiece had more of a focused quality to the tone, the Gerber Vintage Slant has more of a fat and spread quality to the tone.

As far as volume, I would say that the Gerber Vintage Slant plays similarly in volume to a typical great hard rubber Otto Link tenor saxophone mouthpiece.  I usually find typical hard rubber Otto Links play at about a 7 or 8 on a volume scale of 1-10 and the Gerber Vintage Slant is in that same volume range in my opinion.

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece

If you like the sound and look of the Johannes Gerber Vintage Slant 7* tenor saxophone mouthpiece, you can find them at the Gerber website.  Johannes Gerber has done an amazing job creating his own line of saxophone mouthpieces with a meticulous attention to detail that is top of the line.  Besides the Vintage Slant model, the Gerber line also includes the Vibra Master, Vibra Master X and the Octa Supreme II.  I have not tried these other Gerber tenor sax mouthpieces models as of yet but hope to review them sometime in the future.

If you have played or end up playing a Johannes Gerber Vintage Slant 7* tenor saxophone mouthpiece or have any other thoughts or comments about this review, I would love to hear what you think in the comments below.  Thanks,   Steve

https://cdn.neffmusic.com/2022/GerberVSlant2022BSS2.5.mp3

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece-BSS (Boston Sax Shop) 2 1/2 Reed-Dry Recording (No Effects)

https://cdn.neffmusic.com/2022/GerberSlant2022BSS3.mp3

Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece-BSS (Boston Sax Shop) 3 Reed-Dry Recording (No Effects)

  • But wait, there’s more!   Here is a bonus video clip of Tucker Antell (a killer tenor saxophone player in the New England area) playing on the Gerber Vintage Slant 9* Tenor Sax Mouthpiece.  Enjoy!

Disclosure:  I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Mouthpiece Reviews, Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Johannes Gerber, otto link, review, sax mouthpiece, slant signature, tenor saxophone, Vintage slant

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarArya Boustani says

    February 26, 2022 at 5:20 pm

    Hi Steve, Tucker tone is somehow more multi-dimensional. May be it’s just the player thing but also I’m wondering if let’s say an 8* would open up more dimensions to the tone. I know you sometimes played 8 or 8* in the past. Would be good to know. I imagine it may be a better match for a BSS 2 1/2. Your sound with 7* and BSS 3 is a good fit for 60s tone. I think that Optimum ligature helps to create a more defined tone profile that helps to balance out the spread sounding mouthpieces.

    Reply
    • SteveSteve says

      February 26, 2022 at 5:56 pm

      I could maybe go to an 8 but I have not had good luck going to an 8*,9 or 9* on Link-like tenor mouthpieces. For me, an opening that big with a lower baffle makes the sound too hollow and spread for me although I don’t hear that at all in Tucker’s sound so his 9* is working for him on that video obviously (I’m curious what size reeds he is using on that……..)

      Reply
      • AvatarJoe says

        February 27, 2022 at 10:55 pm

        Pretty sure he was using lavoz medium soft at the time.

        Reply
        • SteveSteve says

          February 27, 2022 at 11:02 pm

          That sounds about right. I think I could play a 9* with Lavoz Medium soft reeds…………

          Reply
  2. AvatarArya Boustani says

    February 26, 2022 at 5:47 pm

    Any difference with your 2010 reviewed model that you can think of (tone-wise, etc.):
    https://www.neffmusic.com/blog/2010/12/johannes-gerber-vintage-slant-tenor-mouthpiece/

    Reply
    • SteveSteve says

      February 26, 2022 at 5:53 pm

      Arya, Not that I can remember. I believe that was an 8. I can’t remember the details between that one and this one. They both played great for me.

      Reply
  3. AvatarWalter Ruckdeschel says

    February 27, 2022 at 6:39 am

    Hi Steve,

    I’m a quite experienced collector of many mouthpieces and for me Johannes’ work is among the very best. I think his Vintage Slant is a simply outstanding interpretation of that “slant” theme. The Vibra Master has more bite and projection, a little less complexity and sweetness and is simply outstanding too. The Octa supreme is more midrange-focused (many a great option and upgrade for Soloist-players…). You absolutely should try these, not to mention Johannes’ superb Alto- and Soprano-mouthpieces.

    Reply
  4. AvatarMalte says

    March 13, 2022 at 3:14 am

    Hey Steve,

    Great review! How do you think this piece compares to the GetASax Slant you reviewed not long ago?

    Kind regards,
    Malte

    Reply
    • AvatarJosé Coelho says

      August 7, 2023 at 2:28 pm

      I am also interested in knowing that
      I find the GS slant a superb mouthpiece

      Reply
  5. AvatarBrad says

    March 30, 2022 at 11:29 am

    Steve! I think one of my favorite clips of yours, definitely in your famous EB territory. Congrats on the excellent sound and playing, as always.

    Reply
  6. Avatarkonstancij says

    June 17, 2022 at 9:56 am

    “Johannes Gerber put himself through a mouthpiece craftsman school of his own making.”

    Could you please tell, if there is a real person with the name Johannes Gerber behind this production and he still personally makes the mpcs, or it is more like Otto Link now. Not that this is bad or good, it is just different and somehow not clear from review or their website.

    Reply
    • SteveSteve says

      June 17, 2022 at 10:43 am

      Yes, Johannes Gerber is a real person (a very nice person at that) and he still personally makes these mouthpieces. Steve

      Reply
  7. AvatarKhalil Aziz says

    March 14, 2023 at 4:20 pm

    I ordered a mouthpiece from Mr Gerber, however Paypal did not work out so I canceled. Can I use my credit card to bring mouthpiece to the USA?

    Reply
    • SteveSteve says

      March 15, 2023 at 10:11 am

      Khalil, I don’t know. You would have to ask Mr. Gerber that question since you are buying a mouthpiece from him. I would believe he takes credit cards as most businesses do……..

      Reply
  8. AvatarAdam says

    April 28, 2023 at 8:32 pm

    Do you think this piece would work well in a big band setting?

    Reply

Leave a Reply to Walter Ruckdeschel Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I have NEVER seen material like yours.  Amazing!!
Jerry

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Jack Tyler on The Boston Sax Shop Red Label Custom Tenor Saxophone Reeds Review
  • Manas on Rico Metalite M7 and M9 Tenor Saxophone Mouthpiece Review
  • Steve on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Johnny Hedlund on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Bart on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025