• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Saxophone Stuff / Lupifaro Evo Tenor and Alto Saxophone Reeds Review

Lupifaro Evo Tenor and Alto Saxophone Reeds Review

March 26, 2021 by Steve 4 Comments

Today, I am reviewing the Lupifaro  Evo custom saxophone reeds sold by Lupifaro reeds in Switzerland.  Lupifaro reeds reached out to me a few months ago and asked if I would be interested in reviewing their saxophone reeds.  They sent me a box of five 2 1/2 and a box of five 3 strength tenor saxophone and alto saxophone reeds to try and perhaps review.

Lupifaro Evo Tenor and Alto Saxophone Reeds

Lupifaro Evo saxophone reeds are made from arundo donax cane, which originates from the Rigotti reed factory in Cogolin, France (on the French Riviera).  I found this interesting website at bassooncane.com that has some interesting details on the arundo donax cane and the plantations that grow it.

The Rigotti company is in the Provencal town of Cogolin to the golf of Saint-Tropez. Franco Rigotti and his son Daniël have a modern workshop where not only arundo donax is processed, but also where tools (for making reeds), and accessories for wind instruments are produced.-bassooncane.com

Rigotti sells their products and different cuts of saxophone reeds to companies such as Lupifaro, Boston Sax Shop, Ishimori, Roberto’s Winds, as well as their very own brand of Rigotti Gold Jazz and Classic saxophone reeds.  I have tried all of these brands I have listed above and hope to complete a comparison review of all of these reeds at some point in the future.

Rigotti Arundo Donax Cane for Reeds

Here is the description of the Lupifaro Evo custom saxophone reeds from the Lupifaro website:

“Lupifaro Tenor Evo saxophone reeds are an evolution of our previous Lupifaro Tenor Jazz saxophone reeds. We modified the cut in order to obtain even more vintage sounds and a feeling closer to old school saxophone reeds.

To obtain this new cut the milling machines’ settings were pushed to their technical limits and some reeds may present an irregular cut on its back (more square rather than “U” shaped like classic unfiled cuts). This unusual aesthetic difference does not affect in any way the sound quality and shall not be considered a defect. The cane we used is a natural raw material and is never perfectly regular in shape.

Lupifaro Evo Reeds give an unparalleled steady and balanced response throughout the whole registry, keeping the sound full and compact. These reeds are hand selected and the quality check is as strict as it has always been.”-Lupifaro Reeds

Lupifaro Evo Tenor and Alto Saxophone Reeds

Lupifaro saxophone reeds don’t come in soft, medium and hard strengths per half size like Rigotti Gold and Roberto’s Winds reeds do but come in half sizes (2, 2 1/2, 3, 3 1/2, 4).  Although some players like the more precise strengths offered by Rigotti and Roberto’s Winds reeds, other saxophone players prefer the simplicity of only having to choose between half sizes.  I have found that no matter what reed brand you choose, the most important aspect is dialing in the reed strength you prefer. Lupifaro, BSS and Ishimori Woodstone reeds all come in only half sizes but once you dial in the perfect strength for you, they are very reliable and consistent saxophone reeds.

Lupifaro sent me five 2 1/2 strength reeds and five 3 strength reeds for both tenor and alto saxophone so I can only judge their consistency by those five saxophone reeds of each strength which is not a large sampling unfortunately.  I can write that the five saxophone reeds in each box were very consistent in strength and playability for me.

In general, the Lupifaro Evo 2 1/2 tenor saxophone reeds felt softer to me than Rigotti Gold 2 1/2 strong, BSS 2 1/2 or Roberto’s Winds 2 1/2 hard reeds.  The 3 strength Lupifaro Evo tenor saxophone reeds felt a little bit harder than Rigotti Gold 3 light reeds, about the same as Roberto’s Winds 3 soft reeds and softer than BSS 3 saxophone reeds.

You can find specific sound clips of me using the Lupifaro Evo  saxophone reeds in the sound clips at the bottom of these reviews I have done since December.

  • 10mFan Celebration Tenor Saxophone Mouthpiece Review
  • RPC Gold Series 110B Ultem AirBeam Prototype Tenor Saxophone Mouthpiece Review
  • SYOS Steve Kortyka Signature Model Alto Saxophone Mouthpiece Review
  • Phil-Tone Orion Alto Saxophone Mouthpiece Review
  • Gottsu Sepia Tone VI Marble Alto Saxophone Mouthpiece Review

Lupifaro Evo Reed Comparison Chart

As far as the reed strength comparison chart above, I would agree with the comparisons of the Lupifaro 2 1/2 and 3 tenor saxophone reeds with the Vandoren Java tenor saxophone reeds.  Of the Vandoren reeds, I have the most experience with the Vandoren Java reeds and the Lupifaro Evo 2 1/2 reed is indeed similar in strength to the Vandoren Java 2 1/2 saxophone reeds.  I also found the Lupifaro Evo 3 strength saxophone reed to be softer than the Vandoren Java 3 tenor saxophone reeds I have tried as the chart above states.

As far as tone and sound, the Lupifaro Evo saxophone reeds seemed to be less bright and edgy than the Rigotti Gold reeds but not as dark or warm as the BSS reeds or Roberto’s reeds that I have tried.  The Lupifaro Evo reeds have a thick core and complexity to the sound that I really loved.  The articulation was clean and crisp.  (*My favorite sound clip above was the 10mFan Celebration sax mouthpiece with the Lupifaro Evo reed)

It is important to note, that although the Lupifaro Evo, Roberto’s Winds, Rigotti, Ishimori and BSS reeds are all made with Rigotti cane, I found them to all be  different in response and tone.  Sometimes I found the differences to be slight and sometimes the difference was huge depending on the mouthpiece I was trying out.  The advantage of reviewing so many saxophone mouthpieces here at neffmusic.com is that I can try each sax mouthpiece with a variety of saxophone reeds and choose the best reed for each mouthpiece.

For the sax mouthpieces reviewed above, I tried a variety of reeds and for whatever reason the Lupifaro Evo reeds proved to be the best on those mouthpiece reviews I listed.  I write all this just to point out that your individual choice of saxophone reed is dependent on a number of factors such as the mouthpieces you use, the facing curve length, the tip rail shape and thickness, the baffle, the chamber, your preferences and playing habits, your anatomy and even the weather.  A review such as this can help point you in the right direction for a reed choice but the bottom line is that you have to try these saxophone reeds out for yourself to make your own decision.

Lupifaro Evo Tenor and Alto Saxophone Reeds

The Lupifaro Evo saxophone reeds seem to last a similar length of time as my other Rigotti cane reeds I have tried such as the Rigotti Gold, BSS and Roberto’s Winds saxophone reeds but I really can’t give an exact measurement on this just because I review so many saxophone mouthpieces and have not yet played any of these Lupifaro Evo sax reeds to their death (meaning they become too soft for me).  I will state that the Lupifaro reeds I have tried so far are still in reed cases in the hopes that I will be able to use them again on future sax mouthpiece trials and reviews.

Lupifaro Evo Tenor and Alto Saxophone Reeds

If you are interested in the Lupifaro Evo custom saxophone reeds,  you can order them from the Lupifaro website.  They come in strengths from 2-4 and are made for all the saxophones (tenor, alto and soprano saxophone) I have searched on Google for places in the United States that carry Lupifaro Evo reeds but as of this review, I have been unable to find any retailers in the US.  If you know of any retailers here in the US please let me know and I will add them here in the review.

Thanks to Lupifaro for sending me these great playing Lupifaro Evo saxophone reeds to try.  I am very grateful to have the chance to try these reeds as they give me another choice of saxophone reed when reviewing all of these sax mouthpieces I review each month.

If you try the Lupifaro Evo saxophone reeds, please come back and tell us what you think of them in the comment section below.    Steve

Disclosure:  I received a sample package of Lupifaro Evo tenor and alto saxophone reeds in two sizes for free in the hope that I would try them and perhaps review them here on my blog.  Regardless, I only review products that I believe will be good for other saxophone players to try also.     Steve

Filed Under: Saxophone Stuff Tagged With: alto sax, custom, Evo, Lupifaro, reeds, review, Rigotti cane, saxophone reed, tenor sax

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarAngelo Yodice says

    March 26, 2021 at 6:21 pm

    Hi Steve, About a year or two ago I believe you had made available to your followers the opportunity to purchase all sorts of brands & models of saxophone mouthpiece.
    Will you make that offer again in the near future?
    To you and your family stay well Steve

    Reply
    • SteveSteve says

      March 27, 2021 at 9:59 am

      Angelo, I’m not sure when I will be listing mouthpieces for sale but if you are ever interested in something I review just let me know through the contact page on my website. Steve

      Reply
  2. AvatarTimothy Gay says

    June 8, 2021 at 11:51 am

    Hello Steve,

    Thank you for your review. I wanted to share that you can also purchase Lupifaro Reeds from Reed Revolution. Their website is http://www.reeds2you.com.

    Reply
  3. AvatarGeorge says

    March 22, 2025 at 8:22 am

    Tried a strength 2 with a Geoff Lawton 8*B bronze tenor mouthpiece. I have been using Java green strength 2, but find the Evo reeds certainly on a part if not better. Brilliant reeds

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I have NEVER seen material like yours.  Amazing!!
Jerry
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Thomas Lehmann on 100 Must Know Jazz Tunes Consensus List
  • Paul Millard on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Giuseppe C. on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Ali Emmanuel on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Steve on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025