• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / D&S Brecker III Tenor Saxophone Mouthpiece Review

D&S Brecker III Tenor Saxophone Mouthpiece Review

November 6, 2017 by Steve 2 Comments

I receive emails all the time asking me to review saxophone mouthpieces.   Many of these emails are from individuals and companies all around the globe that I have never heard of before.  In the early years of the site, I would say yes to every request but after twelve years,  I’m a bit more picky about the sax mouthpieces I try.  Usually, I have a few questions they have to answer first. Ex. How long have you been making saxophone mouthpieces? Do you play the saxophone? What models do you have and what are they based off of? Can you send me some pictures? etc……

A few months ago I received an email from Donghee Cho of D&S Saxophone Mouthpieces in South Korea asking if I would be willing to try some of his sax mouthpieces.  I was a bit skeptical but when I asked for pics of his mouthpieces I received an email back with some pics that looked surprisingly similar to Guardala mouthpieces.  I was curious……….

D&S Brecker III Tenor Saxophone Mouthpiece

Donghee answered my second question about how long he had been making mouthpieces with this response:

“I was always interested in the mechanics of the saxophone rather than playing the instrument. I did my major in Saxophone performance, but was always more intrigued on the fixing side of things.  I have been repairing saxophones for 12 years and thanks to the many customers, have built quite a reputation for myself in Korea as a repairman. I’ve always been handy, and loved fixing things. The same applied for saxophones. 
As for mouthpieces, I’ve been refacing and making mouthpieces for almost 10 years now. The thing that got me started was when I found out that there were many unplayable mouthpieces out there (and a lot of discrepancy between the same make and model) and wanted to contribute to the saxophone society by making the best effort to craft a better mouthpiece to play. Since then I’ve researched the facings, rails, bores, etc of many difference mouthpieces around the world and tried to apply my philosophy into handcrafting my own mouthpieces; that a good mouthpiece is a one that plays freely.”-Donghee
Donghee passed my tests as far as pics and having some experience making mouthpieces for many years so I thought I’d give his sax mouthpieces a try………….

D&S Brecker III Tenor Saxophone Mouthpiece

I have to admit,  I have had these mouthpieces sitting on my shelf since June.  The reason I haven’t done a review sooner is that after doing some research, I realized that I couldn’t find D&S Saxophone Mouthpieces on the internet, they don’t have a website and they didn’t have a Facebook page.  All I had was an email address and phone number.   Since that time, Donghee now has a Facebook page although it is very minimal with just a bad picture of a list of his mouthpiece models on it.  I don’t see any prices so I don’t even know how much these go for either.

Even though I don’t think D&S is optimally setup for modern internet consumers I thought it best to go ahead with the reviews.  If they get more of a web presence in the future at least you would have heard of them and have some knowledge of Donghee Cho and his products.

D&S Brecker III Tenor Saxophone Mouthpiece

Donghee sent me five mouthpieces in a couple of different shipments.  I have three metal tenor mouthpieces and two metal alto sax mouthpieces.  The mouthpieces have high baffles in general.  The mouthpiece I am reviewing today is the Brecker III and has a .110 tip opening.

The rails, tip and baffle all look great to the eye.  The tip matches my Rigotti reeds nicely.  It has a high baffle to it similar looking to a Guardala Super-King I tried years ago.

These saxophone mouthpieces all come in a plastic tube with a silver mouthpiece cap and ligature.  The shape and size of the D&S Brecker III is very similar to the size of a typical Guardala sax mouthpiece.  It even has a pink bite plate like the old original Guardalas used to have.  I used a silver Selmer 402 metal alto ligature on it which is what I would use on a Guardala mouthpiece and it fit perfectly.

I emailed Donghee and asked him if these were exact replicas of guardala mouthpieces and he responded:

“The mouthpieces are influenced by the Guardala models but I wouldn’t classify it as a “copy” per se.” 

The one negative that I have with the similarity to the Guardala size is that the mouthpiece is a tiny bit narrower than a reed.  I have experienced this in the past with some Guardala’s I have owned. A very small part of each side of the reed hangs over each side of the mouthpiece table.  I’m not sure exactly why I don’t like this but in my mind it seems like the table should be equally as wide as the reed.  I guess it is just a personal thing as the mouthpiece played well and got good suction on the suction test.  It just felt a bit strange to me.

D&S Brecker III Tenor Saxophone Mouthpiece

I used a Rigotti Gold 2 1/2 Medium reed on the sample recording below which worked well with this .110 tip opening.  The mouthpiece has a powerful bright core sound to it with edge when played at full throttle.  I found it quite a bit brighter than the D&S Brecker II.   Kind of like a 70’s Michael Brecker sound I think.  Think 70’s Brecker Brothers……….

The intonation was good and I thought it was pretty even up and down the horn.  The Brecker III has a lot more power, volume and brightness to it than I am used to.  I turned the gain on the mic down to -20 and I think I still clipped out the mic at times.  This is the kind of mouthpiece you want to be careful playing full throttle into a wall.  I could easily see someone hurting their hearing that way.  If we were to rank volume from 1-10 the D&S Brecker III goes to about 15……….

D&S Brecker III Tenor Saxophone Mouthpiece

I’ve provided two samples of the same clip below.  One is a clip with added reverb and the other is a dry clip in a moderate sized room.  I think it’s important to add the reverb clip just so people can get a sense of what the sound is like with a little bit of that added affect since the added reverb tends to soften the brightness and edge a little bit.

If you liked the D&S Brecker II or D&S Brecker III tenor saxophone mouthpiece reviewed here you can contact Donghee to order one by email at dssax.mouthpiece@gmail.com or visit Facebook @ https://www.facebook.com/DSSaxophone or instagram @ https://www.instagram.com/ds.sax.mouthpiece/.  Thanks to Donghee Cho for creating these and letting me try them out…………

https://cdn.neffmusic.com/2017/DSBrecker3Reverb.mp3

 

D&S Brecker III Tenor Sax Mouthpiece-Reverb Added

https://cdn.neffmusic.com/2017/DSBrecker3.mp3

 

D&S Brecker III Tenor Sax Mouthpiece-Dry Recording

Disclosure: I received the sample mouthpiece mentioned above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also. Steve

Filed Under: Mouthpiece Reviews, Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Brecker, D&S mouthpieces, Donghee Cho, jazz sax, saxophone, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarGrahame Easthope says

    November 6, 2017 at 6:04 pm

    Power.
    Loving the Ralph Bowen and Coltrane stuff.

    Reply
  2. AvatarSam Marlieri says

    November 18, 2017 at 7:48 am

    Compared to the previously reviewed MBII from the same company, which seems a little dull at the core and on the attack, this MBIII hit the mark better (sound-wise) at least to me, although the chamber design is a lot different from the original mpc and/or other Guardala’s imitations/inspired mpcs, quite an achievement, even though i guess it will have it’s rough edges to keep under control! You’re absolutely right about the year reference though, this MBIII really points to the 70’s while the MBII sounds like late 90’s and on. Intriguing… Maybe i’ll hit the guy to have a quotation… Thanks again for your beautiful job, much appreciated Steve. Cheers, Sam.

    Reply

Leave a Reply to Grahame Easthope Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Paul Fessenden on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review
  • Michal on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Walter on Early Babbitt HR Otto Link Remake Tenor Mouthpiece
  • Steve on Les Becs d’Autan MB1 Tenor Saxophone Mouthpiece Review
  • Steve on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025