• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / Phil-tone JZ Alto Saxophone Mouthpiece Review

Phil-tone JZ Alto Saxophone Mouthpiece Review

January 26, 2017 by Steve 3 Comments

Today, I am reviewing another great mouthpiece by Phil Engleman at Phil-Tone mouthpieces.    Phil Engleman is the founder of Phil-Tone mouthpieces and I have reviewed a number of his excellent mouthpieces in the past.  The Equinox, the Eclipse, the Solstice, the Tribute, the Sapphire, the Mosaic, the Rift etc…………… Phil has even more models that I have not had a chance to review yet but today I am reviewing a new model called the JZ Series alto saxophone mouthpiece.  I reviewed the excellent JZ tenor mouthpiece a couple months ago also.

Phil emailed me a few months ago and said he was working on a new mouthpiece for players that couldn’t afford to pay three hundred plus dollars on a mouthpiece. If you have been to my site before and researched some of the mouthpieces I have reviewed,  you might have noticed that finding a mouthpiece under three hundred dollars is getting harder and harder these days. Especially,  when you are looking for something that is custom made,  faced to exact measurements by hand, play tested before it leaves the shop and actually plays well.

Phil-tone JZ Series Alto Saxophone Mouthpiece

As a teacher, it can be really difficult to  suggest a mouthpiece for a budding high school sax player. I can’t tell you the number of times a student wants a new mouthpiece and asks “What are you playing Mr. Neff?”  “Well Johnny,  this mouthpiece is very good but it is 300-800 dollars and if I tell your parents to get it they will have a heart attack.”  Usually, I talk about getting an Otto Link, Meyer or hard rubber Vandoren V16 mouthpiece but always with the ominous stipulation of  “You have to try a few out and make sure you get one that is good?”  Today, with fewer and fewer local music stores that can be next to impossible for many students.   It’s kind of a pain to deal with if you really want the best for your students.  Because of all this, when Phil told me about this project of his, I was very curious to try these out and perhaps review them.  Phil was nice enough to send me a free sample of the JZ tenor mouthpiece and the JZ alto mouthpiece to review for all of you.

Phil-tone JZ Series Alto Saxophone Mouthpiece

When I received the package from Phil and opened it up, my first thought was that the mouthpiece looked pretty “bare bones”. Nothing special to entice the eye. No 14 karat gold engraving, no sparkling jewels or bite plate made from a Javan Rhinoceros horn.  None of that.  Not even any engraving or other identification to be had except for a lightly written “Phil-tone” on the lower side of the body. Just a bare bones hard rubber alto mouthpiece.

Here is Phil’s description of the alto mouthpiece from Sax on the Web:

The JZ Alto is a lot harder to nail down in terms of description. It isn’t a Meyer, its not a link. I just think of it as a full sounding, rich alto piece that is expressive and has good power. Sidewalls are concave but not deeply cut so its not super spread. The chamber is medium. The floor is fairly straight and medium height…not an S curve. Its got a nice zippy feel and vibe.

Phil-tone JZ Series Alto Saxophone Mouthpiece

The JZ model alto sax mouthpiece looks to have great rails, table, tip and baffle.  Nothing out of the ordinary or out of whack.  The tip rail matches my Rigotti Gold reeds pretty closely.  It has a short rollover baffle that quickly rolls over and shoots straight down into the chamber.  The straight fall goes all the way to the back of the chamber area as opposed to ending at the beginning of the chamber.  The side rails are scooped out slightly.  The chamber looks very similar to a typical hard rubber Meyer size chamber to my eyes although the side rails don’t look as scooped out as a Meyer. The hard rubber is polished to a satin sheen and is very smooth to the touch.

The body of the JZ alto saxophone mouthpiece is smaller than most hard rubber alto sax mouthpieces out there.  I used a Rico Compass ligature because it was  one of the few ligatures I could find that would fit it.  I also had a Rovner ligature and a couple of clarinet ligatures that seemed to fit as well.

Phil-tone JZ Series Alto Saxophone Mouthpiece

If you read my review of the JZ tenor mouthpiece,  you will see that I was surprised by how good of a mouthpiece it was for being at a lower price point.  I have to say that I am just as surprised by the Phil-tone JZ alto sax mouthpiece also.  I played it with a 3 light Rigotti Gold reed the other day and recorded a clip with it.  The tone was focused and powerful.  I would say it leaned to the brighter side of an alto tone but it still has a very classic bop sound to the tone.

I think the side rails and extended ramp of the baffle through the chamber give this mouthpiece a very direct in your face kind of sound.   Some mouthpieces have a more spread kind of tone and I find myself having to play into a wall to hear the center of the tone bounce back at me.  I didn’t have to do this with the JZ alto mouthpiece.  It has enough focus to the tone that while playing it out into the room I could still hear the direct and focused sound when it reached my ears.

I would feel great about recommending the JZ alto sax mouthpiece to any high school student looking to step up from his Yamaha 4C or stock Meyer.   I could get enough volume and power out of it that I feel like it could be used as a lead alto mouthpiece but it’s not so bright that it couldn’t be used in a small group setting.

Just for kicks, I also tried the JZ mouthpiece with a new Marca Superieure reed (I just got a bunch of the Marca reeds in to try out………) and did a second clip on that reed.

Phil-tone JZ Series Alto Saxophone Mouthpiece

The Phil-Tone JZ Series alto saxophone mouthpiece was a complete joy to play and I’m glad I have had a chance  review it.  If you like the sound of the clip below and the mouthpiece catches your interest then give it a try.  Right now, Phil is selling this mouthpiece for 199.00.

Now, before you start complaining about that price, remember that many of the mass produced mouthpieces out there are selling in the 120-180 dollar range.  For a few dollars more, you are getting a piece that is handmade to exact measurements and play tested.  It doesn’t come off a conveyor belt and put in a box for you to play test it after you buy it.   If you are into a shiny gold mouthpiece then this isn’t the mouthpiece for you, but if you don’t care about that and you want a more affordable mouthpiece that plays great, the JZ alto mouthpiece is a great option to consider.

You can contact Phil on his website at www.phil-tone.com.  I don’t see the JZ model on his website yet but if you send him an email I’m sure he can hook you up with one.  Tell him Steve sent you………….Great work Phil!!   I’m waiting for the Beyonce Series to be released………….

Let me know what you think in the comments below. Thanks, Steve

https://cdn.neffmusic.com/2017/PTJZAltoR3L.mp3

Phil-tone JZ Alto Saxophone Mouthpiece-Rigotti Gold 3 Light Reed

https://cdn.neffmusic.com/2017/PTJZAlto.mp3

Phil-tone JZ Alto Saxophone Mouthpiece-Marca 2 1/2 Superieure Reed

Disclosure: I received the sample mouthpiece mentioned above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.    Steve

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: Alto Saxophone, jazz sax, JZ mouthpiece, Phil Engleman, Phil-tone, review

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarJeff says

    January 26, 2017 at 7:28 pm

    Hey Steve, sounds nice and centered. I liked the Rigotti reed much more. What is the tip opening on that?

    Reply
    • SteveSteve says

      January 26, 2017 at 7:55 pm

      Yes, I liked the Rigotti Reed much more also. I’ll have to check on the tip. I can’t remember what it was.

      Reply
  2. AvatarJohn Zangrando says

    April 18, 2017 at 2:37 am

    Steve, i generally dont play them but i like the Marca sound on this piece better. Fuller and warmer- more classic Phil Woodsey. Rigotti is a little thin. just an older guys opinion.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Dino Govoni on Snake Oil for the Saxophone? The Buzz Oversized Neck Screw by Westcoast Sax
  • Mark White on Marc Jean Saxophone Ligature II Model 700 Review
  • Gerrit Schwab on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Dan on A Blast from the Past-Chromazone by Mike Stern Cover
  • Simon Howard on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025