• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / Johannes Gerber NY Alto Saxophone Mouthpiece Review

Johannes Gerber NY Alto Saxophone Mouthpiece Review

November 3, 2016 by Steve 7 Comments

Today, I am reviewing another great alto sax mouthpiece by Johannes Gerber in South Africa. Mr. Gerber has been making mouthpieces for many years and I have reviewed three of his mouthpieces in the past, the Gerber Slant model , the Gerber Solo LC soprano saxophone mouthpiece  and last week the Gerber Vintage alto sax mouthpiece.   Johannes Gerber has a great reputation amongst sax players as well as craftsman for his excellent work and attention to detail.  He is also one of the best photographers I know.  (He doesn’t have any photographs of the NY model I have so for now I am using my photos below………)   The mouthpiece being reviewed today is the  Gerber NY alto saxophone mouthpiece.  Mr. Gerber was kind enough to send me a free sample to review for you today.  It has a 6 tip opening like the Vintage model I reviewed last week.

Johannes Gerber NY Alto Saxophone Mouthpiece

Like the other Gerber mouthpieces I have tried over the years,  this NY alto sax mouthpiece looks great out of the box.  Just looking at it by eye, everything looks clean, even and perfect.  The table, rails and tip look even and precise.   The baffle is a rollover that rolls down into the chamber and the sidewalls are scooped out smoothly.  The NY baffle looked slightly higher and longer than the Vintage model alto mouthpiece baffle.   The chamber does look slightly smaller in comparison to the “Vintage” model I reviewed last week when I compare them side by side but I would still classify this as a medium chamber.

Johannes Gerber NY Alto Saxophone Mouthpiece

I played the same Woodstone 3 1/2 reed on the NY model as I did on the Vintage model.  The reed worked great on both so it was easy to switch back and forth.   Before I recorded the sound clip below,  I actually went back and forth between the two mouthpieces at least 6 times trying to figure out which mouthpiece I preferred above the other.   By the end, I gave up and decided to record them and see if that would help me make the decision……..

Johannes Gerber NY Alto Saxophone Mouthpiece

The sound clip below was recorded in exactly the same way as the Gerber Vintage alto sax mouthpiece sound clip.  I kept the recording levels and mic position the same.  I actually recorded the clip below immediately after recording the Vintage model and tried to play many of the same ideas in both clips so you can get a good comparison between both mouthpieces.  I’ve included a dry recording as well as a clip with added reverb.

Johannes Gerber NY Alto Saxophone Mouthpiece

It was interesting to play the Gerber NY mouthpiece right next to the Vintage model.  The NY model alto mouthpieces seemed brighter and more focused to me.  It had less of that “hollow” sound quality I talked about in the Vintage review and more of a focused centered sound.  Maybe a bit more of a compact concentrated tone if that makes sense.  It seemed to have a little more bite and volume than the Vintage model but the  Vintage model had a fatter slightly warmer sound I think in comparison.

I will say that I think the NY might sound a bit smaller on the dry recording compared to the Vintage model but I think that is because of the characteristics I have talked about above.  The tone is more compact and less fat and spread than the Vintage model.  Dry recordings tend to favor darker fatter sounding mouthpieces,  whereas recordings with reverb and natural room reverb tend to favor the brighter more focused mouthpieces.   I think this is because the fatter warmer pieces get even more diffused in the reverb while the brighter more focused pieces leave a little more room for the reverb to fatten up.

I actually prefer the reverb recording of the NY model much more than the Vintage model reverb recording but I prefer the dry recording of the Vintage more than the dry recording of the NY mouthpiece. That’s my opinion anyways……

All of this makes it a hard call for me to decide which mouthpiece I like better.  If I was playing in a dry practice room I would probably go with the Vintage model because of it’s added fattness.  That being said, most of us play outside of a dry practice room and in the real world there is added room reverb many times. I could imagine the NY model killin’ it in a big auditorium or ballroom for instance although the Vintage would also so it’s a hard call……..

Johannes Gerber NY Alto Saxophone Mouthpiece

I would be interested in any opinions you might have between the Vintage sound clip and the NY sound clip.  You can leave your thoughts below in the comments section. I appreciate any input or insight you might have as we all hear different things and have different impressions.

To make your choice even harder if you decide to try a Gerber alto mouthpiece, Johannes emailed me and said he also has a new NY Bro’s model also that he is very excited about………I’ll be sure to add that review if I get one to try also.

If you read this review, listen to the clip and want to try the Johannes Gerber NY Alto Saxophone Mouthpiece you can contact Johannes Gerber through his website or through his facebook page.  I also see him on Ebay selling mouthpieces quite often.  If you get one please come back and let us all know what you think in the comments section below!  Thanks again to Johannes Gerber  for creating such great playing mouthpieces!

https://cdn.neffmusic.com/2016/GerberNYAltoWS.mp3

 

Johannes Gerber NY Alto Saxophone Mouthpiece-Dry Recording

https://cdn.neffmusic.com/2016/GerberNYAltoWSRev.mp3

Johannes Gerber NY Alto Saxophone Mouthpiece-Reverb

Filed Under: Alto Medium Baffle Reviews Tagged With: Alto Saxophone, Johannes Gerber, Ny model, review, sax mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. Avatarvincent gaglio says

    November 5, 2016 at 8:35 pm

    Very nice , love this too.

    Reply
    • SteveSteve says

      November 6, 2016 at 8:27 pm

      Sorry Vincent. It seems like you get your heart set on one and then I confuse you with another review………..I hope not………

      Reply
  2. Avatarvincent gaglio says

    November 7, 2016 at 4:40 am

    There’s just so much out there, that it’s hard for me . In search of the Holy grail????, (maybe)….. you are not confusing me at all. vinny

    Reply
  3. AvatarAnon says

    December 18, 2016 at 2:15 pm

    You should try the SK New York Custom mouthpiece. It seems interesting and I think there is a clip of David Mann rocking with it on YouTube.

    Reply
  4. Avatarvincent gaglio says

    December 18, 2016 at 3:11 pm

    I will look at it

    Reply
  5. Avatarvincent gaglio says

    December 19, 2016 at 9:29 pm

    The SK NEW YORK CUSTOM looks great and David Mann is awesome on this MP

    Reply
  6. AvatarAnon says

    December 20, 2016 at 4:19 pm

    I know right? David Mann is a beast on that mouthpiece. I can’t seem to decide between this, the SK or the Retro Revival New York mouthpiece. Any thoughts?

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Jack Tyler on The Boston Sax Shop Red Label Custom Tenor Saxophone Reeds Review
  • Manas on Rico Metalite M7 and M9 Tenor Saxophone Mouthpiece Review
  • Steve on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Johnny Hedlund on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Bart on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025