• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Low Baffle Reviews / Johannes Gerber Vintage Alto Mouthpiece Review

Johannes Gerber Vintage Alto Mouthpiece Review

October 28, 2016 by Steve 7 Comments

Today, I am reviewing another great mouthpiece by Johannes Gerber in South Africa. Mr. Gerber has been making mouthpieces for many years and I reviewed a great tenor saxophone mouthpiece of his a few years ago, the Gerber Slant model  as well as the Gerber Solo LC soprano saxophone mouthpiece  last year.   Johannes Gerber has a great reputation amongst sax players as well as craftsman for his excellent work and attention to detail.  (As well as being one of the best mouthpiece photographers ever!!  I had to use his photos for the review as mine are lame in comparison………)   The mouthpiece being reviewed today is the Gerber Vintage Alto saxophone mouthpiece.  Mr. Gerber was kind enough to send me a free sample to review for you today.  It has a  6 tip opening.

Johannes Gerber Vintage Alto Mouthpiece

Like the other Gerber mouthpieces I have tried over the years,  this Vintage Alto mouthpiece looks great out of the box.  Just looking at it by eye, everything looks clean, even and perfect.  The table, rails and tip look even and precise.   The baffle has a slight rollover that angles straight down to the chamber and the sidewalls are scooped out smoothly.  The Gerber Vintage Alto mouthpiece looks to have a medium chamber to my eyes.  Johannes Gerber does some of the best finishing work in the business and it shows on this mouthpiece.  Perfect in every way………..

Johannes Gerber Vintage Alto Mouthpiece

I have to be honest and say that the Gerber Vintage alto mouthpiece didn’t really work for me at first.  All I had for alto reeds was one box of Java 2 1/2 reeds which were way too soft and a bunch of Rigotti Gold reeds of assorted sizes from 2 1/2 strong to 3 medium.  The problem was that they all felt too soft to me.  The 3 medium played ok but felt a bit dead to me.  Luckily,  earlier this week I was cleaning out my desk and I found a box of forgotten Woodstone 3 1/2 reeds in a drawer.  It had 2 unplayed reeds in it and I immediately thought of the Gerber alto mouthpieces I had.  (I also have a Gerber NY model alto mouthpiece that I will be reviewing within the next day or two also……)

I wet the Woodstone reed, put it on the Gerber mouthpiece and played……….I was in heaven.   It played perfectly for me.  “I can work with this” I thought.   I played it for about an hour and then recorded the clip below.  As usual, I tried to get a good range and variety of lines and sounds in the recording so you can get a good feel for what this mouthpiece sounds like for me.

Johannes Gerber Vintage Alto Mouthpiece

The recording was made in my new house and although the room is big, I find the recordings in this room to be a bit dry.  There is no reverb or effects on the dry clip at all but many of you have said that is what you prefer to hear so here you go.  I also added the same clip with a bit of reverb added for the other half of you who like  it with reverb.

Johannes Gerber Vintage Alto Mouthpiece

The sound of the Gerber Vintage leans to the brighter side of an alto tone.  The middle to high register are beautiful sounding in my opinion.  There is a “singing” “pure”quality to the tone that I love.  The 2:55-2:58 part of the clip has a “Dave Binney” type quality to the tone down low.   I’m not sure how to describe it but I was reminded of him when I listened back to the clip. At 3:35 I do my typical routine to see how a piece articulates for me and the Gerber Vintage Alto passed the test. Very clean and smooth articulation.

The tone when pushed could get very loud and powerful which I think comes out at times in the recording.  I found the tone unique in that it has a bit of the “hallow” sound in the tone that I noticed in the Gerber soprano piece I reviewed last year.  Kind of like a  bit of that Kenny Garrett hallowness if you know what I mean.  I know this stuff is confusing but those are my impressions.

Johannes Gerber Vintage Alto Mouthpiece

In this clip I tried to play similar ideas as I do in the Gerber NY Alto Mouthpiece review which is to follow this one.  I did this as much for me as for you because I had a heck of a time figuring out which mouthpiece I liked more.  I’ll talk more about the qualities of the NY model in that review.

Johannes Gerber Vintage Alto Mouthpiece

If you read this review, listen to the clip and want to try the Gerber Vintage Alto mouthpiece you can contact Johannes Gerber through his website or through his facebook page.  I also see him on Ebay selling mouthpieces quite often.  If you get one please come back and let us all know what you think in the comments section below!  Thanks again to Johannes Gerber  for creating such great playing mouthpieces!

https://cdn.neffmusic.com/2016/GerberVintageAltoWS1.mp3

 

Johannes Gerber Vintage Alto Mouthpiece-Dry Recording

https://cdn.neffmusic.com/2016/GerberVintageAltoWSRev.mp3

Johannes Gerber Vintage Alto Mouthpiece-Reverb

Filed Under: Alto Low Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: alto sax, Alto Saxophone, Johannes Gerber, mouthpiece, vintage model

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarVincent gaglio says

    October 29, 2016 at 6:51 am

    So sweet, I love it. If I played 25 % of what you just did, it be ama zing love b the sound , I will look forward to hearing the NY

    Reply
  2. AvatarKevin Ledbetter says

    November 3, 2016 at 3:02 pm

    Steve, I liked them both. For general use, like a combo setting I would prefer the Vintage.
    Maybe a big band setting where I needed to cut more I could use the New York.
    I still think the Vintage has enough cut when pushed to cover all the bases, so if I
    could only get one I’d get the Vintage.
    Kevin L

    Reply
    • SteveSteve says

      November 6, 2016 at 8:29 pm

      I think you are right Kevin. The Vintage certainly has cut and power but the NY has a little more. The true test is playing it in those settings and seeing if it passes the test……..

      Reply
  3. AvatarMorgan G says

    November 7, 2016 at 4:19 am

    Hi Steve. I have been playing a Johannes Gerber Vintage 6 tip opening as my main alto piece for close to a year now. The vintage gives me the perfect mix of playability, tone and intonation. This mouthpiece is a definite keeper. Johannes’s attention to detail is simply world class. His trade mark “Hand finished like no other” is very true indeed. I can vouch for that. And he is a great guy to deal with as well. Regards. Morgan G

    P.S. Great playing Steve!!

    Reply
  4. Avataredwin says

    May 18, 2018 at 11:16 am

    Having tried many mouthpieces over the years for that ‘perfect’ sound i decided to give the Gerber vintage a try.This has become my first choice when gigging.I am absolutely impressed by my countrymans craftmanship.

    Reply
  5. AvatarAnnes says

    December 6, 2018 at 6:47 pm

    Hi, how do you compare this to the retro revival newyorker

    Reply
    • SteveSteve says

      December 8, 2018 at 11:33 am

      Annes, From my memory of the Retro Revival New Yorker and the Johannes Gerber Vintage alto mouthpiece I believe they are both in a similar category. I don’t remember one playing better or worse than the other. They are very similar sound wise and design wise. Steve

      Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1 Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1
    Rated 5 out of 5
    by Stuart
  • Mastering Altered Pentatonics (Digital PDF Book) Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Jim Ramsey
  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.75 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Tom Schneider on Vermont Wooden Toy Factory Saxophone Mouthpiece Stand Review
  • Eric Poulos on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review
  • Giuseppe C. on SYOS Max Ionata Signature Tenor Saxophone Mouthpiece Review
  • Mark White on The Boston Sax Shop Red Label Custom Tenor Saxophone Reeds Review
  • Steve on Morgan Kind of Blue Cannonball Adderley Alto Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026