• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Medium Baffle Reviews / Saxquest “The Core” Tenor Saxophone Mouthpiece Review

Saxquest “The Core” Tenor Saxophone Mouthpiece Review

March 5, 2016 by Steve 15 Comments

Today, I am reviewing the new “The Core” hard rubber tenor saxophone mouthpiece from Saxquest. Mark Overton over at Saxquest came out with two new hard rubber tenor sax mouthpieces a few months ago called “The Bridge” (hand faced by Eric Falcon) and “The Core” (hand faced by James Bunte).

Mark said that the purpose  behind making these two mouthpieces was to try to recapture the sound and playability of the 60’s era “Blue Note” tenor sound.

Saxquest “The Core” Tenor Saxophone Mouthpiece

Here’s a quote from Mark Overton at Saxquest about “the Core” tenor sax mouthpiece that I found interesting:

“The Core is a piece that embodies the very best characteristics of an Early Babbitt (I’m sure you recognized the baffle configuration with the characteristic “thumb print” pattern). But also utilizes the chamber configuration of a great Calrsbad vintage hard rubber Brilhart. This mouthpiece is actually manufacture at Babbitt using a specially designed core mandrel exclusive to this mouthpiece. It is then hand faced by James Bunte. (I think he’s one of our current “unknown” master mouthpiece facing experts.)  The piece has a unique easy blowing character to it and is perhaps slightly darker in overall sonics when compared to The Bridge. But it also projects and allows for an incredible flexibility regarding tone shaping and expression.”

“These two pieces (The Bridge and the Core) are definitely different but represent, to the best of my ability, a similar sound concept, that ultimately depends on the player. I’ve seen people respond differently over the years to both versions of a great vintage Otto Link. Some gravitate towards a Florida vintage slant and other gravitate towards the early Babbitt concept. “The Bridge” and “The Core” were designed to give players both modern and consistent opportunities to experience both concepts at a price that won’t break the bank.-Mark Overton

Saxquest “The Core” Tenor Saxophone Mouthpiece

The Saxquest Core and Bridge mouthpieces came together and upon inspection looked very similar to my eyes. To be honest, it is hard for me to pinpoint the differences between them.  They both have medium rollover baffles. The “Core” baffle does look slightly higher to my eye although they are so similar that it is hard to tell.  The chamber size looks almost identical to me, although I would be curious if one is slightly larger or smaller than the other.

The side rails  are scooped out heading into the chamber and the tip and side rails are thin and even.

The two mouthpieces were very reed friendly and the shape of the tip matched the reeds perfectly.

Saxquest “The Core” Tenor Saxophone Mouthpiece

I used the same D’Addario Select Jazz Unfiled 3S reed on the Core that I used on the Bridge review (I call it a Rico in the audio clip out of habit but they are made by D’Addario now according to the new box the reeds come in).  Rigotti Gold reeds also played well on the Core mouthpiece, but I felt like the D’Addario reeds had a richer sound to my ear which I really liked.

I found the sound of the Core to be in the same ball park as a rich and thick sounding vintage Otto Link mouthpiece.  I find it interesting that the Core is modeled after the vintage hard rubber EB (Early Babbitt) Otto Links as my experience with many EB Links has been that they are really bright in many cases so that was what I was expecting from the Core.  I didn’t find the Core very bright at all however which makes me wonder if the main difference is this fact pulled from the Mark Overton quote above “(The Core) also utilizes the chamber configuration of a great Carlsbad vintage hard rubber Brilhart”  I don’t know what the differences between the EB Link chambers and a Carlsbad Brilhart chamber are but I would be interested to know………..)

Saxquest “The Core” Tenor Saxophone Mouthpiece

In comparison to the Bridge which I just reviewed also, the Core is a bit darker and to my ear a little more spread sounding.  I could get some nice volume out of it and as I pushed it louder it did get a little bit brighter but it still held on to that rich character of tone.

The Core,  seemed to have more “character”  in the tone to me than the Bridge.   It’s tone seemed more grainy, textured and complex than the Bridge although the trade off is that the Bridge had that tight focus and purity to the sound I thought.   I think the extra richness and character in the Core sound made me feel like I was pushing a thicker tone when playing louder which I really liked.

The intonation on the Core was great and the tone was very even throughout the range of the horn as you can hear in the clip at the bottom of the page.

As I listen back to the Core and Bridge review clips I realize that I am playing at a medium volume for most of the clips.  I’ve been having a few health issues that make it harder to blow harder over the last 6 month but I think it would be good to do another clip in the future (on a good day) on both mouthpieces at more of a wailin’ volume……….(I’ll let you know…………)

Saxquest “The Core” Tenor Saxophone Mouthpiece

A couple of observations about the clip:  For the first 1:50 of the clip I get caught up in a repeated phrase that I thought was cool and had trouble letting go of because I liked it so much. I usually try to show more variety so I apologize for going so long with one idea, I just liked the groove……….At the 1:51-1:58 mark I use slightly more air as I was pretty laid back up to this point and I think you can hear how the tone fills up and thickens even more which I love. At 2:10-2:15 I am just playing some slow jazz lines but what sticks out to me are the low notes at that section.  I love how full and rich they sound.  Even though they pass by quickly I love how thick they are!

The Core tenor saxophone mouthpiece is another great affordable option for those looking for a vintage hard rubber sound without the vintage hard rubber price tag.  I really appreciate how Mark Overton, James Bunte and the guys at Saxquest have worked hard to not just give us some alternatives to the vintage mouthpieces but also tried to put their own spin on these mouthpieces to make them unique.

If you read this review, listen to the clip and want to try the Saxquest “The Core” tenor saxophone mouthpiece you can contact Saxquest at this link.   Great job Mark Overton, James Bunte, Zac Minor, Ben Reece and everyone else at Saxquest!

https://cdn.neffmusic.com/2016/Core.mp3

 

Saxquest “The Core” Tenor Saxophone Mouthpiece

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Core, jazz sax, Mark Overton, mouthpiece, Saxquest, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarIan Nevins says

    March 6, 2016 at 9:12 am

    Yeah Steve, I bought one of these a few months back. For me The Core just has a little something special about it. I’m hearing that in your recording as well.

    Reply
  2. AvatarRalf says

    March 8, 2016 at 4:26 am

    Thank you for your review Steve!
    I ordered “TheCore” about 2 or 3 month ago as a 7* but the tip opening I received is a bit larger, about 0.112. I really do love this mouthpiece.
    I tried Rigotti Gold reeds, Hemke, Rigotti Barré (they do sound really good with this mouthpiece, very unique… Unfortunatly Rigotti stopped producing them)
    For the last four weeks I also use D’Addario Select Jazz Unfiled 2H. These work great.

    Reply
  3. AvatarDavid says

    March 8, 2016 at 7:53 pm

    Hi Steve,
    Thanks for the review. I’m curious why you didn’t mention the TM 42 from a few years ago, also faced by Mr. Bunte, since Brilhart is also mentioned as an inspiration for The Core. But with no metal shank ring. I wonder how the chamber differs from a regular Babbit Link. Anyway, it sounds great when you and Ian Nevins play it.

    Reply
    • SteveSteve says

      March 9, 2016 at 8:42 am

      David,
      I just didn’t think about the TM 42. I had just reviewed the Bridge so that was fresh on my mind and I had received them together to review. I still have my TM 42. Mine is a bit darker than the Core or Bridge. I’ll have to play them side to side to give a more detailed opinion. Steve

      Reply
  4. AvatarCornelius Campbell says

    March 18, 2016 at 11:23 am

    Hey Steve you sound great as usual! Would you consider the chamber to be a large or med/large chamber on the Core piece?

    Reply
  5. AvatarW. Eugene Renn says

    May 24, 2016 at 3:12 pm

    Great sound on your ‘Core’ demo. I play a Buescher Aristocrat (1944) tenor with an Otto Link 6* (NY). (Still gigin’ at 88). What mouthpiece would you recommend for a “Lester Young” ballad sound ? I would appreciate your thoughts.
    Thanks,
    Gene

    Reply
    • SteveSteve says

      May 27, 2016 at 9:57 am

      Gene,
      I’m not sure on that one. I found this article a while ago that I thought was interesting. http://stuffsax.blogspot.com/2014/01/lester-youngs-mouthpiece-ive-got-one.html The writer goes into quite a bit of detail about Lester’s mouthpiece and even talks about other similar mouthpieces. Very interesting!

      Reply
  6. AvatarDave Parasz says

    October 12, 2016 at 11:48 am

    Hi Steve,
    The white plastic mouthpiece described in the above article reminds me of an alto piece my sax teacher kindly lent me when I first got a school loaner horn, and he must have thought the old vintage piece would be an improvement on the one that came with the horn. While practicing in my bedroom one evening, I took a break and carefully laid the sax on my bed. When I returned only a few minutes later, my mom’s poodle was up on the bed happily crunching away at my teacher’s mouthpiece. Imagine my horror! He must have thought it was a bone, so I can attest to that piece’s brittleness.

    Reply
  7. AvatarPaul Harper says

    December 12, 2016 at 3:29 pm

    Well, I just ordered one of these based on the fact that you sound so nice and also comfortable playing this mpc. Love the sound you are getting. Thanks for this review!

    Reply
  8. Avatarricanna says

    January 4, 2017 at 4:24 am

    Great tone as always! And I find it awkwardly fun to play this recording at the same time with your other recording using “The Bridge”… maybe you’re in similar mood on these 2 recordings, that when played together it sounded kind of coherent.

    Reply
    • SteveSteve says

      January 6, 2017 at 12:05 pm

      Hi Ricanna,
      Yes, I recorded those two clips one after the other so I had the same ideas floating around in my head………..

      Reply
  9. AvatarParker Loops says

    September 2, 2018 at 1:47 am

    Hello Steve, that really is a great sounding mouthpiece. Thank you for this great website. http://www.neffmusic.com/blog/2013/04/drake-jerry-bergonzi-tenor-saxophone-mouthpiece/
    I love this Drake Bergonzi mouthpiece clip too. Do you still own both, and if so, which do you prefer. Thanks again, Parker Loops

    Reply
    • SteveSteve says

      September 2, 2018 at 10:07 am

      Parker, I still have a Saxquest Core. The Drake Bergonzi I was just borrowing from Drake for the review. I was thinking of selling the Core a few months ago when someone asked to buy it and then I played it and realized again how great it is so decided to keep it. Steve

      Reply
  10. AvatarPareker Loops says

    September 21, 2018 at 11:57 am

    Hi Steve, I purchased myself a Saxquest “The Core” 9* I like it better than my Bergonzi 10*
    Your site helps make sales for these great mouthpiece makers. Thanks again!

    Reply
  11. AvatarAndrew W Jack says

    October 30, 2023 at 1:24 pm

    I recently picked up a link Connoisseur EB 7* from Saxquest after hearing your clips and reading your review of it here. They no longer carry it, so I was lucky to pick it up as a “Trial/Test” piece for a great discount. It is exceptionally nice. Crisp clear writing. Nicer cosmetically than the new one out of box you gave a run on here.
    Now realizing how similar the Core and The Bridge are to it, I understand why they stopped carrying the link. It is simply competition to their pieces, that basically play the same.

    I collect 7* facing pieces and just did not have the Link EB in my line up.
    I play daily on a 1942 Tone Master 7*, that is a Doc Tenney creation, along with my 7* Tenney Jazz master. Both are priceless to me.
    So….
    Just saying, there are quite a number of great playing new pieces out there.
    I truly doubt most listeners could tell which one “Sounds Better” without actually giving it a play themselves. Your input here is extremely reliable.

    Reply

Leave a Reply to Cornelius Campbell Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I have NEVER seen material like yours.  Amazing!!
Jerry
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Mastering Altered Pentatonics (Digital PDF Book) Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Jim Ramsey
  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.75 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Joel on Rico Metalite M7 and M9 Tenor Saxophone Mouthpiece Review
  • Steve on 9 Great Alto Saxophone Mouthpieces to Compare
  • Giuseppe C. on JS Custom Nova 7* Tenor Saxophone Mouthpiece Review
  • Fabio Amaral on 9 Great Alto Saxophone Mouthpieces to Compare
  • Steve on JS Custom Nova 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026