• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / Ken Okutsu Focus Core Alto Saxophone Mouthpiece Review

Ken Okutsu Focus Core Alto Saxophone Mouthpiece Review

July 31, 2015 by Steve 3 Comments

Today, I am reviewing my second hard rubber alto saxophone mouthpiece from Ken Okutsu in Japan. It is the Focus Core model and has a 6 tip opening which is .075. (In the sound clip below I mistakenly say it is a Focus Tone but that was a mistake on my part…….sorry Ted Klum…….)   I already reviewed four Ken Okutsu tenor mouthpieces which were all excellent so I have been very curious to review these alto mouthpieces also.

Four New Ken Okutsu Alto Saxophone Mouthpieces

Here is the description and features from the Okutsu website:

Features

  • Long rollover baffle, and almost straight inner side walls and extra small chamber.
  • Bright and clear, contemporary sound.
  • The extra small chamber makes very focused tone.
  • All mouthpieces are crafted by CNC machinery for incredible accuracy and finished by hand carefully.
  • Concave table. It makes the tone full and rich. The practical life span of reeds is lengthened.
  • Material is the highest quality ebonite (hard rubber).

Ken Okutsu Focus Core Alto Saxophone Mouthpiece

The Okutsu mouthpieces are hard rubber and come in a protective plastic case.  Within the case they are wrapped in a black velvet bag.  I received four alto saxophone mouthpieces from Mr. Okutsu.  The alto mouthpieces are the Traditional model, the Traditional II model, the Focus Core model and the High Baffle model.  I kind of like how simplistic and straight forward the model names are.   The Traditional model looks to be the darkest of the four, then the Traditional II looks to have a slightly higher rollover baffle.  The Focus Core has an even higher baffle and the chamber is much smaller. Finally, the High Baffle model has the highest baffle as the name implies although the chamber is bigger than than the Focus Core model.

The mouthpieces look good to my eye.  The hard rubber is shiny and without any imperfections. The gold engraving is neat and clean.  The rails, tip rail, table and baffle look very well crafted and even. (Although you can see a scratch on the table in the picture below, I do not think the mouthpiece was shipped this way…….my wife decided to clean up my office one day when I was gone and put a bunch of my mouthpiece in a desk drawer.  This was one of the casualties I believe…….)

Ken Okutsu Focus Core Alto Saxophone Mouthpiece

The Focus Core model looks to have a very small chamber on it.   The baffle is much higher than the Traditional II  and Traditional models.  The baffle is long and is still pretty high even when it gets to the chamber opening.  This makes the floor of the chamber much higher than on the Traditional and Traditional II which  I believe is what gives this mouthpiece that “focused core” sound that the name describes. As I look at the mouthpiece from the bore side the chamber opening looks even smaller than a Selmer Soloist which has one of the smaller chamber openings out there.

 

Ken Okutsu Focus Core Alto Saxophone Mouthpiece

I thought the Ken Okutsu Focus Core alto sax mouthpiece played great with a Rigotti Gold 3 Light reed. I found that it had a little more resistance than the Traditional and Traditional II but I believe that is from the smaller chamber opening. I think the smaller chamber opening squeezes the air stream down into a tight core and gives this mouthpiece more volume, brightness and core sound because of it. Due to the smaller chamber opening there is an added resistance as your air fights to get through the chamber I think.  I don’t think this is a bad thing though since this mouthpiece takes plenty of air and gets super loud.  It just feels like you are blowing against something a little more substantial than the Traditional model or Traditional II model.

Ken Okutsu Focus Core Alto Saxophone Mouthpiece

The Ken Okutsu Focus Core Alto Saxophone Mouthpiece was great to play.  This is a great mouthpiece for players who want a brighter focused tone that can cut through the mix.  There is loads of power in this mouthpiece.  I kept the sound clip a bit tame because I didn’t want to peak the  recording levels but this piece can really be powerful and knock down some walls if played full force! This is a great mouthpiece for those who want to go in that Sanborn direction but still be able to ease out of that sound when needed.

If you like the sound of the clip below and the mouthpiece catches your interest then please contact Ken Okutsu and give it a try. You can contact Mr. Okutsu at his website at Okutsumouthpieces.com. Tell him Steve sent you………….Great work Mr. Okutsu!!

Let me know what you think in the comments below. Thanks, Steve

Audio Player
https://cdn.neffmusic.com/2015/July/KOFCAltoClip.mp3
00:00
00:00
00:00
Use Up/Down Arrow keys to increase or decrease volume.

Ken Okutsu Focus Core Alto Sax Mouthpiece

Filed Under: Alto High Baffle Reviews Tagged With: Alto Saxophone, Focus Core, Ken Okutsu, review, sax mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarNick says

    March 10, 2024 at 5:27 pm

    Hey Steve, I like the Claude Lakey sound but it’s not without its issues. I am wondering if this is an option to get a similar sound and feel?

    Reply
    • SteveSteve says

      March 11, 2024 at 7:20 pm

      Sure, it gets you in that territory of really bright alto sax tone. It’s a bit too bright for my tastes but if you want to go that bright then this is a great mouthpiece for it.

      Reply
      • AvatarNick says

        March 11, 2024 at 8:37 pm

        Thank you! And thank you for this site, whenever I’m anxious, I read mouthpiece reviews and listen to clips 🙂

        Reply

Leave a Reply to Steve Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

1 2 3 4 5
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
1 2 3 4 5
I have NEVER seen material like yours.  Amazing!!
Jerry
1 2 3 4 5

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
1 2 3 4 5
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
1 2 3 4 5
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
1 2 3 4 5

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
1 2 3 4 5
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
1 2 3 4 5
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
1 2 3 4 5
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
1 2 3 4 5
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
1 2 3 4 5

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
1 2 3 4 5
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
1 2 3 4 5

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
1 2 3 4 5
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
1 2 3 4 5
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
1 2 3 4 5
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
1 2 3 4 5

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
1 2 3 4 5
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
1 2 3 4 5
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
1 2 3 4 5

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
1 2 3 4 5
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
1 2 3 4 5

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
1 2 3 4 5
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
1 2 3 4 5
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Start
Stop
NextPrev

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Steve on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Jeremy on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Steve on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Jeremy on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Axel Koch on Meyer Bros New York Connoisseur Series Alto Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025