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You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / RS Berkeley Chris Potter Legends Series Tenor Sax Mouthpiece

RS Berkeley Chris Potter Legends Series Tenor Sax Mouthpiece

April 10, 2015 by Steve 30 Comments

Today, I am reviewing another RS Berkeley Legends Series tenor saxophone mouthpiece that was sent to me by Les Silver at RS Berkeley.  RS Berkeley has come up with the revolutionary idea of trying to find mouthpieces that were played and loved by jazz legends (deceased and still living)………and then copying them exactly so that we could try an exact replica of the mouthpiece that one of our musical idols played or in this case………still play.  It’s an exciting concept (yet very scary because if we play the exact mouthpiece our hero played and still sound like crap ……….well,  let’s just say it’s a wake up call……..)

This new Legends Series mouthpiece was made for one of the living legends on tenor sax today. Chris Potter!! Chris is one of the best tenor sax players on the scene today and I have been a big fan of his for the last 14 years or so.  I was really looking forward to trying this mouthpiece!

RS Berkeley Chris Potter Legends Series Tenor Sax Mouthpiece

The exciting thing about this project is that it sounds like Chris Potter brought his favorite tenor mouthpiece to RS Berkeley to have it copied exactly!  What’s even cooler is that Chris Potter is still alive!  So you know that he must have played it the copies afterwards and approved of them. From the quotes below, it sounds like he liked it even better than the original mouthpiece!

Here is  a quote from Chris Potter, a snippet from the RS Berkeley website and a quote from Les Silver on the Chris Potter Legends Series mouthpiece and it’s development:

“I was very pleased the first time I played this mouthpiece and was amazed to find it’s even a little better than the vintage piece it was based on for the sound I’m trying to get. It has a good, clear response in all registers and most importantly, it offers me the flexibility of tone color that thus far I had only been able to find in older mouthpieces. I hope you enjoy playing it as much as I do.” – Chris Potter

Material: Metal, Natural

Tip Opening: .105″

Legends Series mouthpieces are officially licensed mouthpiece reproductions modeled after the originals used by the world’s most iconic musicians. The creation of the Legends Series line begins with and features 3D scanning and post processing services by Konica Minolta’s 3D Scanning Labs, state of the art laboratory. Konica Minolta technicians capture highly precise scan data, capturing the unique characteristics of each original piece, thus matching the exact geometry of the original. Once the scan process is completed, the scan data is paired with highly specialized software to clean, align and create high quality CAD models. From an archival standpoint, Konica Minolta’s 3D scan models of the mouthpieces are exact representations of the original. The formal production process begins once the CAD models arrive in the RS Berkeley shop, where molds are then crafted. Master mouthpiece maker and designer, Jack Onque oversees every element of the process, from design to hand finishing to ensure the highest possible quality and accuracy of each authentic reproduction. Our new revolutionary process allows the reed to seat better on the lay portion of the mouthpiece, providing an air tight bond that enables improved vibration on the rails and tip opening. The process also frees up the chamber, delivering uniformed resonance and maximum projection.

Legends Series mouthpieces are designed and crafted in the United States.

“Here is exactly what happened with Chris. We made him 8 mouthpieces for him to try. He came over to our warehouse in Berkeley Heights, NJ. last August. We put the 8 mouthpieces on a table, and just let Chris try the mouthpieces and see what he thinks. He took each mouthpiece out, put his reed on and played each one. The only thing Chris cared about  was how did they sound. The almost impossible happened. Chris loved all 8 mouthpieces. A perfect score. How could this happen. Maybe I was dreaming.  Chris picked out two of them, and asked if he could take  two of the mouthpieces and play them that night with Pat Metheny.  When Chris came on stage I saw he was using the mouthpiece we made for him.  After the concert, I went back stage to speak to  Chris. Chris said to me “The mouthpiece you made for me sounds better then the original” -Les Silver

RS Berkeley Chris Potter Legends Series Tenor Sax Mouthpiece

The Chris Potter model tenor sax mouthpiece comes in a .105 tip opening.  That is the only tip opening offered for it. It is brass with some type of textured finish to it.  I’m not sure what they call it but when I hold it in my hand the texture of it  reminds me of holding a piece of chalk.  One downside to this finish is that it seems to darken and stain quite easily from saliva.

The 3D scanning and creation process used to make this mouthpiece copies every single detail of the original mouthpiece.  I noticed a slight indentation in the beak of the mouthpiece and thought maybe someone had played it for a while before I got it.  I later found out that that indentation was on Chris Potter’s original mouthpiece and so came through in the copies also…….seems like a strange touch but it is an exact copy so……….

The Chris Potter mouthpiece has nice even side rails and a thin tip rail.   It has a rollover baffle that slides down into what I would consider a Florida Link size chamber.  The side rails are scooped out and the chamber is smooth with no imperfections or edges.  The side of the mouthpiece is engraved with “Chris Potter” in cursive engraving.

RS Berkeley does not reveal what mouthpiece is being duplicated in their advertising but this Chris Potter mouthpiece looks very similar to many Florida Otto Links I have.  That would be my guess………..

RS Berkeley Chris Potter Legends Series Tenor Sax Mouthpiece

The Chris Potter Legends series mouthpiece played very well with most reeds I tried on it.  I gravitated to a Rico Select Jazz 3S Unfiled reed but I also played it with Rigotti Gold 3 Light and 3 Mediums and it played great with those also.  Although the mouthpiece played well from the beginning,  I did notice that there was more resistance in this mouthpiece than in my other Otto Links that have been refaced.  The facing curve feels much longer than most of my other mouthpieces also.  I had no problems with reeds or getting suction using the suction test though.

RS Berkeley Chris Potter Legends Series Tenor Sax Mouthpiece

In this case,  the resistance I sensed and felt was a great resistance.  To me, it’s like the analogy of waving your hands around in the air as opposed to waving them around when under water.  There is resistance under water.  You are pushing against something and you see immediate results.  You feel the force and consistency of the water and you can easily create movement and waves within that element.  Playing with a healthy resistance is similar to that in my mind. The sound can be more easily manipulated and shaped. With the Chris Potter Legends mouthpiece I felt like I could use my air more effectively and efficiently to shape the tone and soundI was producing.

RS Berkeley Chris Potter Legends Series Tenor Sax Mouthpiece

The RS Berkeley Chris Potter plays great!  It is similar in sound concept to a some of the great Florida Links I have owned and played.  That being being said,  I consider this mouthpiece to lean to the darker side of the tone spectrum. One of the things I loved about playing this mouthpiece was that it didn’t get much brighter or edgier when I blew harder.   The tone is round, full and rich sounding. The upper end of the horn has a beautiful round tone that doesn’t thin out in my opinion and the low end is rich and fat sounding.  I think the longer facing curve also allows me to take in more mouthpiece and get a much bigger sound as I experiment with it.

The other element I hear in the sound is what I would describe has a “hollowness”.   I’m not sure how to describe that word or quality but I did a review of a double ring Otto Link in the past that I thought also had that quality in it’s tone.  Someone in the comments of that review commented on how they loved the hollow sound that double ring link had and that word sounded like a good description.

RS Berkeley Chris Potter Legends Series Tenor Sax Mouthpiece

The RS Berkeley Chris Potter Legends series tenor saxophone mouthpiece was great to play. If you like the sound of the clip below and the mouthpiece catches your interest then give it a try. You can contact Les Silver at his website at rsberkeley.com or purchase a Chris Potter Legends Series mouthpiece at TenorMadness.com Tell them Steve sent you………….Great work Les and everyone at RS Berkeley!!…….(next you should do Michael Brecker’s Guardala mouthpiece!!)

Let me know what you think in the comments below. Thanks, Steve

Audio Player
https://cdn.neffmusic.com/2015/April/PotterRico3SFinal.mp3
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Use Up/Down Arrow keys to increase or decrease volume.

RS Berkeley Chris Potter Legends Series Tenor Sax Mouthpiece

PS.  For those interested Chris Potter is also playing the RSBerkeley mouthpiece in this performance and video from NYU. (Make sure you listen to Body  & Soul at the end also……)

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: chris potter, legends series, review, rs berkeley, saxophone mouthpiece, tenor sax

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarAndy Berry says

    April 10, 2015 at 2:19 pm

    Hi Steve,

    I really like the review. From speaking to my local RS Berkeley dealer in the UK, I can tell you that it is based on a Florida Link. I love the sound that you get from it. To me it sounds like early Redman (as you can tell from with a direct comparison to his version of Tears in Heaven) but it sounds a bit cleaner in the Altissimo register to me (although that may just be to do with your playing vs his). Great review, looking forward to the next. 🙂

    Reply
    • SteveSteve says

      April 10, 2015 at 4:14 pm

      Thanks Andy! I love early Redman on that link……….

      Reply
  2. AvatarJoel Frahm says

    April 11, 2015 at 6:44 pm

    Man, you really sound great on this piece, Steve. Super warm, and nice character too. I’ll have to check them out.

    Reply
    • SteveSteve says

      April 13, 2015 at 3:08 pm

      Thanks Joel! I appreciate you stopping by. Now I’m just hoping someday they can sell Chris Potter’s technique also…………Steve

      Reply
  3. AvatarDetroit Dave says

    April 11, 2015 at 10:50 pm

    I’m holding out for the Joel Frahm model!

    Reply
  4. AvatarPaul Harper says

    April 13, 2015 at 1:49 pm

    Steve,
    You sound really great on this piece – warm, round, fat, just beautiful. And it felt like you didn’t want to stop playing! A good sign. I’m gonna have to check these out.
    Thanks for the review!

    Reply
    • SteveSteve says

      April 13, 2015 at 2:36 pm

      Thanks Paul! Yeah, I had fun playing this. Very cool mouthpiece to try……..

      Reply
  5. AvatarMike Hutchings says

    April 20, 2015 at 7:50 am

    Hi Steve, Just listened to all your recent tenor mouthpiece reviews and you sound bloody awesome on all of them! I’m now going to lie down in a darkened room!!
    Thanks for all the Newsletters, Best Wishes to you and family, Mike.

    Reply
  6. AvatarJohn Whalen says

    April 20, 2015 at 12:22 pm

    Hi Steve, any comment on volume aspect of this piece? Sounds quite warm – maybe too quiet for swing band setting you think? (My Link STM is not quite loud enough for big band it is but pretty close). Love the sound of this piece.

    Reply
  7. AvatarCourtney Nero says

    April 25, 2015 at 9:14 pm

    Steve, how does the Chris Potter Legends mouthpiece compare against the Phil-Tone/Wanne Tribute in sound, feel, resistance, etc. especially since both are based on a Fl Link?

    Reply
    • SteveSteve says

      April 28, 2015 at 3:11 pm

      Courtney,
      I would say the Potter piece is more resistant and the Tribute is more freeblowing. I think I could get edgier on the Potter piece and the Tribute was more smooth sounding if that makes sense. I think the chambers are very similar as they are both from Florida Links but the facing curves feel very different when playing to me. If I still had a Tribute and could play it side by side with the Potter piece I could give more details I think but I don’t unfortunately………

      Reply
  8. AvatarCourtney Nero says

    May 7, 2015 at 10:08 pm

    Forgot to ask before…did the Potter mpc come with a ligature? If not, which lig did you find that fit the mpc well?

    Reply
    • SteveSteve says

      May 16, 2015 at 10:11 am

      Courtney,
      Mine didn’t come with a ligature. I just used a silver Selmer 404 ligature I believe. I think I say on the beginning of the mouthpiece clip. Steve

      Reply
  9. AvatarWalter says

    December 30, 2015 at 10:18 am

    Hi Steve when I hear Chris Potter play (heard him live a few times) to me he sounds very bright most of the time. In your review you mentioned that this piece leans to the darker spectrum of Link sounds ? Just wondering since this is a Chris Potter Legacy piece so I would think it would be at least leaning to the brighter side (not saying we can sound like him :-). Can you compare it to a Robusto metal or Andy Sheppard Autograph?
    Second thing I am wondering is how the mouthpiece projects ? Will it have enough power to be played in for example a big band setting ? Also on forums people say that Chris playes (or played) a Link 9 compared to this piece which is a 7* . I’m wondering why this would then have Chris’ name linked to it..? Any idea?

    Reply
    • SteveSteve says

      December 30, 2015 at 11:21 pm

      Hi Walter,
      I agree on Chris sounding brighter in many recordings I have of him but I also have recordings where he sounds more neutral sounding to my ear. He sounds much brighter to me on the later clips where he is playing the new VI he picked up with a Link mouthpiece.For me, the Legends series piece was more neutral or darker than many of my links. Those have a bit more brightness and bite when pushed and I felt like this piece kept the same core sound to it even when pushed hard. It didn’t want to get edgy or much brighter for me. I feel like it projects fine and I could get a typical Otto Link type volume out of it. I have no idea about the rumors of Chris playing a Link 9 but from what I understand he gave this specific mouthpiece to RS Berkeley to copy and then even played the copies afterwards to see how they turned out. I heard that he was very happy with the results………

      Reply
  10. AvatarWalter Maas says

    September 27, 2016 at 9:44 am

    Hi Steve
    Would it be possible to describe how this piece compares to the Phil-Tone Mosaic which you also reviewed ? Which one would you or do you prefer?

    Reply
    • SteveSteve says

      September 28, 2016 at 4:15 pm

      Walter,
      The Mosaic was one of my favorites but at the time I reviewed it I couldn’t afford to buy one so I didn’t. I think the Berkeley CP piece as a very classic dark vintage link sound with focus. The Mosaic seemed brighter to me but also fatter and more spread sounding from what I remember. I didn’t play them side by side so it is hard to compare them more than that from memory. I still have the Chris Potter piece………..

      Reply
  11. AvatarShirish Malhotra says

    October 11, 2016 at 5:18 am

    Great playing! Can I ask you what fjngering you use for the top C at the end? PS I have your approach note books and they are great!!

    Reply
    • SteveSteve says

      October 24, 2016 at 4:34 pm

      Shirish,
      The last C was fingered 1 and 3 of the left hand and 2 of the right hand with the octave key pressed. Steve

      Reply
  12. AvatarHarry says

    December 5, 2018 at 7:56 am

    Hi Steve, thanks a lot for Your serious and obviously most reliable mpc reviewing.
    Despite having been quite content during the last 10 yrs with two vintage Otto Links no usa no. 8 I noticed Your review and coldn’t resist to try a Berkeley CP with my Selmer SBA … and that’s it. Stunning, versatile super sound, and running with almost all reeds I tried. D’addario select 3H turned out to match best. Again Thank You!

    Reply
    • SteveSteve says

      December 8, 2018 at 11:37 am

      Harry, That’s great to hear. The CP piece is a great mouthpiece. Glad you love it! Steve

      Reply
  13. AvatarGiuseppe says

    December 7, 2018 at 6:56 am

    Hi Steve,
    a question: the Legend series mouthpieces are a perfect copy of the originals mouthpieces of some important musicians; but is only the aesthetic “form”of the piece identical to the original or is also the “material”, used to build them, the same identical material and league of the original mouthpiece?
    Am I wrong or even the material used in a mouthpiece affects the sound stamp and, therefore, on the performance of the “imitated” mouthpiece, to perfection?
    Thanks for an answer.
    Giuseppe.

    Reply
    • SteveSteve says

      December 8, 2018 at 11:31 am

      Giuseppe, The Legend pieces are copies of the originals but I don’t believe copies of the exact “material”. I believe brass is made of copper and zinc from what I understand but the percentages of those can vary. The Chris Potter piece is brass and so is the Otto Link that it is a copy of so I don’t think the material would make any difference in that regard. Steve

      Reply
  14. AvatarGiuseppe says

    December 8, 2018 at 12:17 pm

    Thanks for the clarification, Steve.
    I also think that for the brass mouthpieces the sound and the “material” should be “more or less” the same, even if varying the percentages of copper or zinc could change the sound (more copper sound darker); for those in hard rubber but maybe something changes …
    It would be interesting if we also went back to information on the exact composition of the original material.

    Reply
  15. AvatarWalter Maas says

    December 10, 2018 at 3:45 am

    Only reason I turned away from this piece is the material, it turns ugly and seems unhygenic to me. It lacks any kind of plating as far as I can see(?)

    Reply
    • SteveSteve says

      December 11, 2018 at 12:37 pm

      Walter, Yes, I don’t like that either. I had mine gold plated by Matt Marantz. It looks similar in texture but is gold now. Hasn’t tarnished so far but I really haven’t played it since getting it back………

      Reply
  16. AvatarDavid Evans says

    February 21, 2019 at 6:34 pm

    Would you say the anomaly in the piece (as copied from the original) is like a slight tip dent in the right side (from underneath)? I got one in the mail today and it looks a bit more irregular than the photo you posted with your review. Thanks for your time. And, I appreciate your review of the piece. It t does indeed play like a FL Link.

    Reply
    • SteveSteve says

      February 21, 2019 at 11:50 pm

      David, I’m not sure what you mean by “slight tip dent in the right side (from underneath)”. Do you mean on the baffle or on the beak of the mouthpiece where your teeth go?

      Reply
  17. AvatarHarry says

    February 25, 2019 at 3:40 am

    Hi Steve,
    I am still and even more enthusiastic about this mpc, although the bronze has got a really ugly surface in the meantime. Therefore two questions . How much did the gold plating cost? And more important: did it change any property?
    Harry

    Reply
    • SteveSteve says

      February 25, 2019 at 9:05 am

      Harry, I had Matt Marantz gold plate mine. The Legends mouthpiece is raw brass from what I understand. I don’t think it is Bronze. You would have to contact Matt to see how much it costs. I had four mouthpieces done. The Chris Potter Legends mouthpiece still looks a little strange because it has that sandy texture to it but the gold has kept it from tarnishing which is what I wanted. The plating did not change the mouthpiece at all that I can detect. Matt is a mouthpiece refacer and maker so he is very knowledgable and careful when it comes to protecting the mouthpiece facing. Steve

      Reply

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