• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Medium Baffle Reviews / Drake “Jerry Bergonzi” Tenor Saxophone Mouthpiece

Drake “Jerry Bergonzi” Tenor Saxophone Mouthpiece

April 6, 2013 by Steve 16 Comments

Today,  I am reviewing a mouthpiece made by Aaron Drake of Drake Mouthpieces.  This  new mouthpiece is the Jerry Bergonzi model.  I have been a fan of Jerry Bergonzi’s since my first days at Berklee College of Music in Boston (1986).  Up until that time, I had only been an alto sax player.  I had bought a Couf tenor saxophone the year before after I had discovered the sounds of Michael Brecker but all I was playing at Berklee was the alto sax.  I remember talking to few friends about music and they told me about Jerry Bergonzi and what an amazing tenor player he was.  “He was the guy I had to check out!” I was told.   I remember going into the record store and buying a bunch of albums with Jerry on them (I don’t have those albums anymore but I believe there were a bunch with the words “Con Brio” and “Gonz” on them)  I took these albums home and played them endlessly for months.  I had no idea what Jerry was playing and they totally blew my young impressionable mind.

Drake “Jerry Bergonzi” Tenor Saxophone Mouthpiece

A few years later, I was lucky enough to study with Jerry for a year or two.  I had switched to the tenor sax after college because 9 out of 10 gig calls were for a tenor player and I wanted to be able to pay my rent………  I learned so much in those weekly lessons with Jerry!  Mr. Bergonzi is an amazing teacher and a great guy.  I used to go out with friends and fellow students to hear him play around town whenever we could.

Jerry Bergonzi has a very unique and personal sound.  His tone reminds me of a Coltrane type of sound.  To my ears it has a bright dry quality to it.  The only way I can get closer to his sound concept is by playing with much harder reeds.  To be honest, whenever I try to do that I exhaust myself.  His sound concept is very different than mine but when I heard that Drake was coming out with a Jerry Bergonzi model,  I was very interested in trying it………..

The Drake Bergonzi tenor sax mouthpiece was hard for me to review and critique because it seemed a bit hard to nail down description wise.  Most mouthpieces I try out I can pretty quickly put in a certain category.  Bright, Dark, Fat, Focused, etc……..   With the Drake Bergonzi model I found that as soon as I labeled it as dark, I found myself thinking it was bright.  As soon as I decided it was bright, it was sounding dark to me.  It had a mix of a fat spread sound that I found very focused also……………..You get the point…………  There is a quote of Jerry’s on the Drake website that I think sums it up:

“What I look for in a mouthpiece is the ability to shape the sound that I hear in my head with the ease of articulation. Drake’s mouthpieces do that for me”– Jerry Bergonzi

The key words that stick out to me are “the ability to shape the sound that I hear”.  I found myself trying to figure out this mouthpiece but maybe what I was trying to figure out was myself……(I know……really Zen right?)  I think what I was experiencing is that the sound of this mouthpiece is able to be shaped and molded so easily that I was experiencing different qualities depending how I was playing.

Drake “Jerry Bergonzi” Tenor Saxophone Mouthpiece

The Drake Bergonzi model was as perfect as I have found all of Aaron Drakes mouthpieces to be.  The tip, rails,table and baffle were all immaculate.  Everything was even and symmetrical.  The baffle sloped down perfectly into a large chamber.  The craftsmanship was superb.

After hearing Dave O’Higgin’s advice on Sax on the Web, I decided to try an 8* version of the Drake Bergonzi model.  I usually play 7*-8 tip openings but Dave told me that he was playing 7*’s also and he felt the 8* was perfect for him.  I think the 8* was indeed a good choice for me.  It didn’t feel huge to me but was easy to get used to.

Drake “Jerry Bergonzi” Tenor Saxophone Mouthpiece

It took me a while to dial in the reed choice for this mouthpiece.  I tried a variety of reeds and brands.  I found that Rigotti Gold 3’s, Rico Jazz Select 3M’s, and Vandoren Java 3’s played well on the Bergonzi 8* but I found that the sound was very different than what I go for.  It leaned more towards a Bergonzi type of sound with those harder reeds. The harder the reed the brighter and drier I felt the sound got.  This isn’t a bad thing in the least but it just isn’t my sound on the tenor.   If you are going for a Bergonzi type sound I really think this mouthpiece will get you there with a 3-4 reed………

I finally locked in my reed choice when I tried an Ishimori Woodstone 3 reed on it. The Woodstone 3 reeds are a bit softer and more easy blowing than the other  size 3 reeds I had tried but it wasn’t as soft as the 2 1/2’s.

It played easy enough to get a clear vibrant sound but offered enough resistance that I could push against to shape the sound.  I tried all the Rigotti Gold 2 1/2 sizes also but those just felt too soft for this saxophone mouthpiece.

Drake “Jerry Bergonzi” Tenor Saxophone Mouthpiece

This is the description of the Drake Bergonzi model from the Drake website:

This model has been developed through a close collaboration between Aaron Drake and Jerry Bergonzi.  It has taken over two years to refine the various design elements incorporated in this model.  The fundamental design is based on Jerry’s personal EB from the 1960’s.  The classic “crescent” shaped baffle transitions to a re-calibrated floor contour and ultimately a round large chamber.  The tip and side rails are finished to the exact specifications that Jerry prefers – this slightly wider contour helps to generate a thickness and stability in the sound and attack.  The addition of the banding on the shank helps to focus the core vibrational frequencies and generates greater projection.

Drake “Jerry Bergonzi” Tenor Saxophone Mouthpiece

Now the hard part, trying to describe the sound.  I did feel like the tone was darker in the lower register.  It got brighter as I went above second octave A.  The tone was very thick, full  and had a dry aspect to it to my ears.   It was very easy to play in the altissimo and to get around the horn.   I would actually say that the altissimo was much easier to play than many other Otto Links and “Link” type mouthpieces I have reviewed on this site.   It was very easy to play fast and the tone was smooth and even around the horn.

The 8* also had a lot of room to be pushed.  It could play really loud and full.  I felt that the more air I put into it the bigger and more focused the sound got. The intonation was great and within normal limits.

I will say that you should take these words on sound as just words and opinions of mine.  The true test is to listen to the clip below and to judge for yourself.  I have run into sax players that say a sound is dark when I think it is bright, or they say it is so focused when I think it is spread sounding so………..listen to the clip and decide for yourself what words describe the sound.

Drake “Jerry Bergonzi” Tenor Saxophone Mouthpiece

I really enjoyed playing this Drake Jerry Bergonzi Tenor mouthpiece.  If you like the sound and look of this mouthpiece you can try contacting Aaron Drake to see if you can try one yourself.  Here is the website for the Drake Bergonzi saxophone mouthpiece.

Let me know what you think in the comments below.  Thanks, Steve

https://public.neffmusic.com/DrakeJB.mp3

Drake “Jerry Bergonzi” Tenor Saxophone Mouthpiece

 

 

 

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: aaron drake, hard rubber, jerry bergonzi, saxophone mouthpiece, tenor sax

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. Avatarpan says

    April 7, 2013 at 1:14 am

    Great review steve, this mouthpiece to my ears had more
    warmness and a fuller midrange area than the christlieb model.
    Did you find this model enough versatile for many styles or you
    think is a strictly jazz model?

    Reply
    • stevesteve says

      April 11, 2013 at 8:40 pm

      Pan,
      I would use it for Jazz although it does have enough power and oomph to lean over into other styles of music I think. Even with the power though, it still is darker than I like for Rock and funk playing. The Christlieb had more brightness and edge to it.

      Reply
  2. AvatarDerek says

    April 8, 2013 at 2:19 pm

    Nice review and playing (of course). I have had a Drake Bergonzi 8* since the end of last year. I have never got on with HR pieces but This mpc is just great, easy to play all over the horn, classic sound, very well made and I think value for money. I use RJS 2M, as anything harder, for me, although fine to play, just tire me out too quickly. I guess I just don’t play enough!!

    Reply
  3. AvatarWalter says

    April 11, 2013 at 6:42 am

    Hi Steve, thanks for another great review! Could You give a short comment concerning the difference to Aaron’s Son of Slant?

    Reply
    • stevesteve says

      April 11, 2013 at 8:49 pm

      Walter, It’s been years since I played the SOS mouthpiece. I can’t really remember how it played for me. I guess the best thing to do is to listen to the clips and see what differences you can hear. I know Aaron has another Son of Slant piece out with a bigger chamber than the original SOS I reviewed years ago……..

      Reply
  4. AvatarAustin says

    April 13, 2013 at 8:44 am

    I was just about to email you to ask for a review on this one when I checked the site and there already was one! Do you plan on keeping it? How does it compare to your EB? Next to the Gerber this is my favorite HR piece on your website for me.

    Reply
    • stevesteve says

      April 15, 2013 at 11:23 am

      Austin, The Jerry Bergonzi is brighter than my EB link. I bit more focused than it also. The EB has a more spread sound to it. I didn’t keep the JB as I always tend to go with metal mouthpieces for some reason. I think because I like how focused they are in general.

      Reply
  5. AvatarMachado says

    April 17, 2013 at 7:32 pm

    Nice review Steve.

    The piece sounds pretty at home when you play it and you definitely personify it and give it your own flare.

    How does this stack up to the countless other pieces you’ve tried over the years?

    Reply
    • stevesteve says

      April 18, 2013 at 9:07 am

      Thanks Machado, I liked it a lot. It is up there with my favorites for hard rubber. I usually lean towards metal mouthpieces on tenor but if I went to hard rubber I would consider getting one. Maybe in an 8 tip opening.

      Reply
  6. AvatarAngelo Yodice says

    June 4, 2013 at 8:25 pm

    Hello Steve, keep up the good work. Steve I’m just wondering if you can do a review on a metal Tenor Brancher( made in France) mouthpiece.
    Their featured on the SaxForte web site. The owner of the site is a sax player and he speaks very highly of this mouthpiece. He’s very easy to talk to and has been around the block a few times.
    The problem is that you can not hear on his web site what the piece sounds like.
    Thank you,
    Angelo – L.I., N.Y. Tenor/Soprano

    Reply
    • stevesteve says

      June 6, 2013 at 4:16 pm

      No, I’ve never tried a Brancher mouthpiece. Sorry……..

      Reply
  7. AvatarLarry Weintraub says

    August 7, 2013 at 7:16 pm

    Steve: The Jerry Bergonzi HR mpc sounds very good, very Linl like. You said it was based on Jerry’s Early Babbitt HR Link. Do you know which mpc Jerry really plays? I’ve seen videos and it definitely looks like he’s playing a HR Link.

    Btw- just incase you don’t know or other people don’t know a Early Babbitt Link is really a FL Link. The mpcs were made and faced in FL by Ben Harrod. He had sold Otto Link mpcs to Babbitt. The EB’s were then sent to Elhart, IN from Pompano Beach, FL. Babbitt polished them, maybe did the engraving, boxed them and sold them. This was sometime in the mid-late 70’s. The mpcs that Babbitt made after the EB’s were sold were quite different than other Links made in FL and NYC. For 1 thing the length of the metal mpcs were not the same like the FL’s and NYC’s. The bigger the tip opening the longer the mpc was. He basically took a great product and ruined it. Everything was done by machine, there was no hand work at all.

    I hear with the new “Vintage” Links that there is some handwork involved, however I haven’t seen one to play.

    Like you I prefer a metal mpc and use a 60’s vintage metal FL Link 8*.

    Reply
  8. AvatarStefano says

    March 8, 2015 at 6:31 pm

    Hello Steve… I happened to be the sax assistant to Jerry for a week in a Jazz festival in Orsara Italy. He had 2 mpcs EB and slant, 10 opening, and explained his views about rails and – especially – the tip.Now the big issue with reproducing those mpcs is that most folks play 7*or perhaps up to 8* (besides not being skilled as Jerry). So the imitation has to stop several steps before “the real thing” in terms of opening.

    Jerry had done a similar cooperation work before with MPC Café. I happen to own his very own piece that he sold in Italy as being a 7* thus just too closed for him. MPC Café is plastic i believe rather than HR.

    All this said, I think the Drake recording you posted has a double soul: kind of dark inthe bottom range and then crisper and perhaps a bit too dry to me in the upper stack. Always very focused. Again, perhaps too much to me. Could it be recording chain you use as well?

    I like better other essay I heard on Drake’s site and you tube, mostly I like the “son of slant” model and sound.
    Thanks for your wonderful reference work … Stefano

    Reply
  9. AvatarSaxophone player says

    March 23, 2015 at 7:45 am

    If one wants to sound like Jerry, and if Jerry plays an EB, why not just buy an EB….instead of something based on an EB….. ?

    Reply
    • SteveSteve says

      March 24, 2015 at 9:54 am

      Well, EB’s are starting to get up in that 600-800 price range lately. A lot of players don’t want to spend that kind of money if they can get a great copy that sounds and plays the same for a lot less………… Steve

      Reply
  10. AvatarWarren Keller says

    May 25, 2018 at 5:18 pm

    This is an absolutely gorgeous sound. I’m going to try a lightly-used 8 version of this one partly based on your recording Steve, and having wanted to try some of Aaron’s work. I was going to buy a new Power Resonance version but I’m going to try this one first. Great sound Neff, thanks.

    Reply

Leave a Reply to steve Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Dominique on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review
  • Felipe on Drake Jerry Bergonzi Master Series Power Resonance 7* Tenor Saxophone Mouthpiece Review
  • Steve on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Jeremy on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Steve on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025