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Hearing the Changes Lesson 2-Bass Notes

Hearing the Changes Lesson 2-Bass Notes

$9.99

Category: Ear Training Tags: ear training, hearing chords, practice habits, saxophone, video lessons
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Hearing the Changes Lesson 2-Bass Notes is the second lesson in a series of lessons on developing the ability to figure out the changes to a song by ear. This is not a lesson that will immediately give you perfect pitch or the ability to hear all chords tomorrow,  but rather this is a lesson on steering you down the path of improving your ear and getting better at hearing and recognizing changes in the moment.

Lesson 1 & 2 originate from a sax player that I played with many years ago that  came on my gig as an additional horn.  The band played a standard that he didn’t know at all.  After I played the melody and took a solo he came in to solo and played a great solo through the changes.   During the break, I talked to him and asked him how he soloed so well on a tune he didn’t know and he responded that during the melody and my solo he was listening and figuring out the bass notes of the tune. Once he had those pretty much down it was pretty easy to figure out the chords.  I was blown away! No one had ever taught me to listen to the bass notes to figure out a tune.  Before this time I was just hearing a vague cloud of sound and trying to figure out what notes on my sax sounded good against it.   It never occurred to me to listen to the bass notes to figure out the roots as common sense as that sounds.

In Hearing the Changes Lesson 2-Bass Notes,  we continue down the road to hearing bass notes and figuring out the chord qualities associated with them.   I continue to  take you through transcribing the chords of a random Aebersold track by first figuring out the root notes played by the bass and then trying to figure out the chord qualities by ear but also by using a bit of theory common sense. In this lesson you will start to learn the process that I go through to try to figure out chords without a chart.  (37 Minute Video Lesson, final handwritten PDF of chords to mystery tune)

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Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

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