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Hearing the Changes Lesson 2-Bass Notes

Hearing the Changes Lesson 2-Bass Notes

$9.99

Category: Ear Training Tags: ear training, hearing chords, practice habits, saxophone, video lessons
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Hearing the Changes Lesson 2-Bass Notes is the second lesson in a series of lessons on developing the ability to figure out the changes to a song by ear. This is not a lesson that will immediately give you perfect pitch or the ability to hear all chords tomorrow,  but rather this is a lesson on steering you down the path of improving your ear and getting better at hearing and recognizing changes in the moment.

Lesson 1 & 2 originate from a sax player that I played with many years ago that  came on my gig as an additional horn.  The band played a standard that he didn’t know at all.  After I played the melody and took a solo he came in to solo and played a great solo through the changes.   During the break, I talked to him and asked him how he soloed so well on a tune he didn’t know and he responded that during the melody and my solo he was listening and figuring out the bass notes of the tune. Once he had those pretty much down it was pretty easy to figure out the chords.  I was blown away! No one had ever taught me to listen to the bass notes to figure out a tune.  Before this time I was just hearing a vague cloud of sound and trying to figure out what notes on my sax sounded good against it.   It never occurred to me to listen to the bass notes to figure out the roots as common sense as that sounds.

In Hearing the Changes Lesson 2-Bass Notes,  we continue down the road to hearing bass notes and figuring out the chord qualities associated with them.   I continue to  take you through transcribing the chords of a random Aebersold track by first figuring out the root notes played by the bass and then trying to figure out the chord qualities by ear but also by using a bit of theory common sense. In this lesson you will start to learn the process that I go through to try to figure out chords without a chart.  (37 Minute Video Lesson, final handwritten PDF of chords to mystery tune)

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Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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Paul
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Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
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I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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