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Hearing the Changes Lesson 2-Bass Notes

Hearing the Changes Lesson 2-Bass Notes

$9.99

Category: Ear Training Tags: ear training, hearing chords, practice habits, saxophone, video lessons
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Hearing the Changes Lesson 2-Bass Notes is the second lesson in a series of lessons on developing the ability to figure out the changes to a song by ear. This is not a lesson that will immediately give you perfect pitch or the ability to hear all chords tomorrow,  but rather this is a lesson on steering you down the path of improving your ear and getting better at hearing and recognizing changes in the moment.

Lesson 1 & 2 originate from a sax player that I played with many years ago that  came on my gig as an additional horn.  The band played a standard that he didn’t know at all.  After I played the melody and took a solo he came in to solo and played a great solo through the changes.   During the break, I talked to him and asked him how he soloed so well on a tune he didn’t know and he responded that during the melody and my solo he was listening and figuring out the bass notes of the tune. Once he had those pretty much down it was pretty easy to figure out the chords.  I was blown away! No one had ever taught me to listen to the bass notes to figure out a tune.  Before this time I was just hearing a vague cloud of sound and trying to figure out what notes on my sax sounded good against it.   It never occurred to me to listen to the bass notes to figure out the roots as common sense as that sounds.

In Hearing the Changes Lesson 2-Bass Notes,  we continue down the road to hearing bass notes and figuring out the chord qualities associated with them.   I continue to  take you through transcribing the chords of a random Aebersold track by first figuring out the root notes played by the bass and then trying to figure out the chord qualities by ear but also by using a bit of theory common sense. In this lesson you will start to learn the process that I go through to try to figure out chords without a chart.  (37 Minute Video Lesson, final handwritten PDF of chords to mystery tune)

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I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

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I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

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Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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