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You are here: Home / Jazz Lessons / Ear Training / Hearing the Changes Lesson 2-Bass Notes
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Hearing the Changes Lesson 2-Bass Notes

Hearing the Changes Lesson 2-Bass Notes

$9.99

Category: Ear Training Tags: ear training, hearing chords, practice habits, saxophone, video lessons
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Hearing the Changes Lesson 2-Bass Notes is the second lesson in a series of lessons on developing the ability to figure out the changes to a song by ear. This is not a lesson that will immediately give you perfect pitch or the ability to hear all chords tomorrow,  but rather this is a lesson on steering you down the path of improving your ear and getting better at hearing and recognizing changes in the moment.

Lesson 1 & 2 originate from a sax player that I played with many years ago that  came on my gig as an additional horn.  The band played a standard that he didn’t know at all.  After I played the melody and took a solo he came in to solo and played a great solo through the changes.   During the break, I talked to him and asked him how he soloed so well on a tune he didn’t know and he responded that during the melody and my solo he was listening and figuring out the bass notes of the tune. Once he had those pretty much down it was pretty easy to figure out the chords.  I was blown away! No one had ever taught me to listen to the bass notes to figure out a tune.  Before this time I was just hearing a vague cloud of sound and trying to figure out what notes on my sax sounded good against it.   It never occurred to me to listen to the bass notes to figure out the roots as common sense as that sounds.

In Hearing the Changes Lesson 2-Bass Notes,  we continue down the road to hearing bass notes and figuring out the chord qualities associated with them.   I continue to  take you through transcribing the chords of a random Aebersold track by first figuring out the root notes played by the bass and then trying to figure out the chord qualities by ear but also by using a bit of theory common sense. In this lesson you will start to learn the process that I go through to try to figure out chords without a chart.  (37 Minute Video Lesson, final handwritten PDF of chords to mystery tune)

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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

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