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You are here: Home / Jazz Lessons / The Blues / Guide Tone Blues Lesson
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Guide Tone Blues Lesson

Guide Tone Blues Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 400 Category: The Blues Tags: blues, guide tones, jazz improvisation, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Over the years, many of you have probably heard of the terms “guide tone lines” and “voice leading”.  In this lesson, I take you through an exercise to work on these resolutions without thinking about it too much. I never really worked on guide tones very much as a student but through the years I have worked a ton on this exercise that I am giving you in this lesson.  I not only use it on a blues but over every tune I work on.

Using the concept of “enclosures” to surround the target resolutions, you will become very familiar with the way notes want to resolve and move through a chord sequence.

This lesson comes with a PDF over a blues in C with 10 lines written across 3 pages.  I demonstrate all the examples on the tenor saxophone but you can apply these concepts to all instruments. (37 Minute Video Lesson & PDF)

 

2 reviews for Guide Tone Blues Lesson

  1. Avatar
    Rated 5 out of 5

    Matthew Staples (verified owner) – August 27, 2013

    Being able to navigate the guide tones over a blues is a good precursor to being able to play smoothly over the changes, and an essential tool for every blues/jazz musician. Steve has taken the time to prepare a PDF that outlines 10 different guide tone lines over a D Blues. This itself is worth its weight in gold, but he also takes the time to play through each guide tone line and explain the note choices and how they fit over the chord. Overall, this is an excellent lesson and one that I plan on learning in all 12 keys. Now, it’s off to the shed to work on these guide tone lines!

  2. Avatar
    Rated 5 out of 5

    John W (verified owner) – November 3, 2013

    This lesson provides a clear description of guide tones and how and when to use them. The information is presented in such a way that its applicability is not limited to just blues. Steve also explains how to encapsulate notes which, for me, was a key missing concept and one that will add agility to my playing. This lesson really cleared things up. Awesome value!

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Testimonials

I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

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