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You are here: Home / Jazz Lessons / The Blues / Guide Tone Blues Lesson
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Guide Tone Blues Lesson

Guide Tone Blues Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 400 Category: The Blues Tags: blues, guide tones, jazz improvisation, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Over the years, many of you have probably heard of the terms “guide tone lines” and “voice leading”.  In this lesson, I take you through an exercise to work on these resolutions without thinking about it too much. I never really worked on guide tones very much as a student but through the years I have worked a ton on this exercise that I am giving you in this lesson.  I not only use it on a blues but over every tune I work on.

Using the concept of “enclosures” to surround the target resolutions, you will become very familiar with the way notes want to resolve and move through a chord sequence.

This lesson comes with a PDF over a blues in C with 10 lines written across 3 pages.  I demonstrate all the examples on the tenor saxophone but you can apply these concepts to all instruments. (37 Minute Video Lesson & PDF)

 

2 reviews for Guide Tone Blues Lesson

  1. Avatar
    Rated 5 out of 5

    Matthew Staples (verified owner) – August 27, 2013

    Being able to navigate the guide tones over a blues is a good precursor to being able to play smoothly over the changes, and an essential tool for every blues/jazz musician. Steve has taken the time to prepare a PDF that outlines 10 different guide tone lines over a D Blues. This itself is worth its weight in gold, but he also takes the time to play through each guide tone line and explain the note choices and how they fit over the chord. Overall, this is an excellent lesson and one that I plan on learning in all 12 keys. Now, it’s off to the shed to work on these guide tone lines!

  2. Avatar
    Rated 5 out of 5

    John W (verified owner) – November 3, 2013

    This lesson provides a clear description of guide tones and how and when to use them. The information is presented in such a way that its applicability is not limited to just blues. Steve also explains how to encapsulate notes which, for me, was a key missing concept and one that will add agility to my playing. This lesson really cleared things up. Awesome value!

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Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

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