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Guide Tone Blues Lesson

Guide Tone Blues Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 400 Category: The Blues Tags: blues, guide tones, jazz improvisation, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Over the years, many of you have probably heard of the terms “guide tone lines” and “voice leading”.  In this lesson, I take you through an exercise to work on these resolutions without thinking about it too much. I never really worked on guide tones very much as a student but through the years I have worked a ton on this exercise that I am giving you in this lesson.  I not only use it on a blues but over every tune I work on.

Using the concept of “enclosures” to surround the target resolutions, you will become very familiar with the way notes want to resolve and move through a chord sequence.

This lesson comes with a PDF over a blues in C with 10 lines written across 3 pages.  I demonstrate all the examples on the tenor saxophone but you can apply these concepts to all instruments. (37 Minute Video Lesson & PDF)

 

2 reviews for Guide Tone Blues Lesson

  1. Avatar
    Rated 5 out of 5

    Matthew Staples (verified owner) – August 27, 2013

    Being able to navigate the guide tones over a blues is a good precursor to being able to play smoothly over the changes, and an essential tool for every blues/jazz musician. Steve has taken the time to prepare a PDF that outlines 10 different guide tone lines over a D Blues. This itself is worth its weight in gold, but he also takes the time to play through each guide tone line and explain the note choices and how they fit over the chord. Overall, this is an excellent lesson and one that I plan on learning in all 12 keys. Now, it’s off to the shed to work on these guide tone lines!

  2. Avatar
    Rated 5 out of 5

    John W (verified owner) – November 3, 2013

    This lesson provides a clear description of guide tones and how and when to use them. The information is presented in such a way that its applicability is not limited to just blues. Steve also explains how to encapsulate notes which, for me, was a key missing concept and one that will add agility to my playing. This lesson really cleared things up. Awesome value!

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Lesson Sample

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Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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