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You are here: Home / Jazz Lessons / The Blues / Guide Tone Blues Lesson
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Guide Tone Blues Lesson

Guide Tone Blues Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 400 Category: The Blues Tags: blues, guide tones, jazz improvisation, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Over the years, many of you have probably heard of the terms “guide tone lines” and “voice leading”.  In this lesson, I take you through an exercise to work on these resolutions without thinking about it too much. I never really worked on guide tones very much as a student but through the years I have worked a ton on this exercise that I am giving you in this lesson.  I not only use it on a blues but over every tune I work on.

Using the concept of “enclosures” to surround the target resolutions, you will become very familiar with the way notes want to resolve and move through a chord sequence.

This lesson comes with a PDF over a blues in C with 10 lines written across 3 pages.  I demonstrate all the examples on the tenor saxophone but you can apply these concepts to all instruments. (37 Minute Video Lesson & PDF)

 

2 reviews for Guide Tone Blues Lesson

  1. Avatar
    Rated 5 out of 5

    Matthew Staples (verified owner) – August 27, 2013

    Being able to navigate the guide tones over a blues is a good precursor to being able to play smoothly over the changes, and an essential tool for every blues/jazz musician. Steve has taken the time to prepare a PDF that outlines 10 different guide tone lines over a D Blues. This itself is worth its weight in gold, but he also takes the time to play through each guide tone line and explain the note choices and how they fit over the chord. Overall, this is an excellent lesson and one that I plan on learning in all 12 keys. Now, it’s off to the shed to work on these guide tone lines!

  2. Avatar
    Rated 5 out of 5

    John W (verified owner) – November 3, 2013

    This lesson provides a clear description of guide tones and how and when to use them. The information is presented in such a way that its applicability is not limited to just blues. Steve also explains how to encapsulate notes which, for me, was a key missing concept and one that will add agility to my playing. This lesson really cleared things up. Awesome value!

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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

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