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You are here: Home / Jazz Lessons / The Blues / Guide Tone Blues Lesson
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Guide Tone Blues Lesson

Guide Tone Blues Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 400 Category: The Blues Tags: blues, guide tones, jazz improvisation, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Over the years, many of you have probably heard of the terms “guide tone lines” and “voice leading”.  In this lesson, I take you through an exercise to work on these resolutions without thinking about it too much. I never really worked on guide tones very much as a student but through the years I have worked a ton on this exercise that I am giving you in this lesson.  I not only use it on a blues but over every tune I work on.

Using the concept of “enclosures” to surround the target resolutions, you will become very familiar with the way notes want to resolve and move through a chord sequence.

This lesson comes with a PDF over a blues in C with 10 lines written across 3 pages.  I demonstrate all the examples on the tenor saxophone but you can apply these concepts to all instruments. (37 Minute Video Lesson & PDF)

 

2 reviews for Guide Tone Blues Lesson

  1. Avatar
    Rated 5 out of 5

    Matthew Staples (verified owner) – August 27, 2013

    Being able to navigate the guide tones over a blues is a good precursor to being able to play smoothly over the changes, and an essential tool for every blues/jazz musician. Steve has taken the time to prepare a PDF that outlines 10 different guide tone lines over a D Blues. This itself is worth its weight in gold, but he also takes the time to play through each guide tone line and explain the note choices and how they fit over the chord. Overall, this is an excellent lesson and one that I plan on learning in all 12 keys. Now, it’s off to the shed to work on these guide tone lines!

  2. Avatar
    Rated 5 out of 5

    John W (verified owner) – November 3, 2013

    This lesson provides a clear description of guide tones and how and when to use them. The information is presented in such a way that its applicability is not limited to just blues. Steve also explains how to encapsulate notes which, for me, was a key missing concept and one that will add agility to my playing. This lesson really cleared things up. Awesome value!

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Lesson Sample

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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

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