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You are here: Home / Jazz Lessons / Scale Studies / Diatonic Fourth Patterns Lesson
Diatonic Fourth Patterns Lesson

Diatonic Fourth Patterns Lesson

$9.99

SKU: 203 Category: Scale Studies Tags: diatonic fourths, jazz improvisation, scale patterns, scale practice, video lesson
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Description

Diatonic fourth patterns are a must for any serious student of jazz.  Years ago I remember hearing recordings of Eddie Harris and Joe Farrell from the 70’s.  They were using larger intervals in there solos that sounded really interesting and cool to me but I wasn’t sure what they were doing.  Later,  I found out that they were using lines with fourths in them.  The reason fourths are so distinct and unique sounding is that they break away from the interval of the third that is so common in jazz.   Playing lines in fourths breaks away from the common third and creates lines that are very different sounding.  They are valuable because they give you  melodic material you can use that is unique and modern sounding.  By working on your diatonic fourths you will  equip yourself with a thorough knowledge of the major scale as you improve your technique.

In this lesson,  I show you 4 common patterns using diatonic fourths.  The key to getting more advanced lines into your improvisation is to first master these diatonic fourth patterns by getting them under your fingers and in your ears.  I give you all the tips on how to best do this and demonstrate them for you on the soprano sax with some background music. This lesson also includes a 12 page pdf of the patterns in every key so that you may master them in all 12 keys.  This is a fundamental lesson that you don’t want to miss.  If you have been playing for years and have never worked on your diatonic fourths, it’s not too late. Enjoy!  (Video)

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Lesson Sample

https://public.neffmusic.com/Diatonic%20Fourth%20Patterns%20clip.mp4

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Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

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