• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / SYOS In a Sentimetal Mood Titanium Tenor Saxophone Mouthpiece Review

SYOS In a Sentimetal Mood Titanium Tenor Saxophone Mouthpiece Review

September 23, 2026 by Steve 1 Comment

Today, I am excited to be reviewing another tenor saxophone mouthpiece from SYOS saxophone mouthpieces in France.  This is the SYOS “In a Sentimetal Mood” titanium model 8 tenor saxophone mouthpiece.  Unlike all the other SYOS mouthpieces that I have reviewed over the years, this SYOS mouthpiece is totally different because it is made of titanium!   This is my first titanium saxophone mouthpiece that I have ever played so I have no idea what to expect.

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

The SYOS company hit the saxophone mouthpiece scene a number of years ago and immediately caught the world’s attention by producing these really bright colored 3D printed saxophone mouthpieces.  I must admit, that at first, I was very skeptical of plastic 3D mouthpieces, but after reviewing quite a few SYOS mouthpieces (20 SYOS mouthpiece reviews to date), I have come to respect the SYOS business model and the quality and playability of the SYOS saxophone mouthpieces I have played.

Now, SYOS has changed the playing field once again by releasing a 3D printed titanium tenor saxophone mouthpiece!

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

The “In a Sentimetal Mood”  titanium tenor saxophone mouthpiece I am reviewing today is a dark metallic color and is an 8 tip opening.

According to the internet, Titanium is special because it combines extreme strength with very low weight and superior corrosion resistance.  Titanium matches the strength of steel while weighing about 45% less. Titanium is also generally safe for the body and is used for medical implants.

Interesting…….but why haven’t titanium saxophone mouthpieces been around before?  A quick Google search led me to the answer…..

Actually, companies do occasionally make titanium saxophone mouthpieces, but they are extremely rare, ultra-limited collector’s items because titanium is notoriously difficult and expensive to manufacture.
Manufacturing Difficulties
  • Extreme Hardness: Titanium is very tough and highly resistant to manual abrasion and cutting tools. Traditional machining wears out tools quickly. 
  • Specialized Equipment: Standard lathes and milling machines struggle to shape titanium properly, requiring advanced or specialized tooling. 
  • High Cost: Raw titanium stock and the specialized processing required make production costs skyrocket compared to standard brass or hard rubber.

So, how did SYOS make a titanium tenor saxophone mouthpiece?   Well, by utilizing laser metal fusion technology, an advanced metal 3D printing technology given to them by aliens from another planet.  Ok, I made up that last part…….or did I……

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece Box

Here is a few comments about the SYOS “In a Sentimetal Mood” titanium tenor saxophone mouthpiece from the SYOS website:

A REVOLUTION

The first 3D printed titanium mouthpiece by Syos

This mouthpiece is manufactured using Laser Metal Fusion, an advanced metal 3D printing technology used in aerospace and high-precision engineering. Fine titanium powder is fused layer by layer with a high-precision laser, allowing us to create internal geometries with an extraordinary level of precision.

This process gives us something extremely important for a mouthpiece: perfect consistency.

The geometry we design is exactly the geometry you play.

Once printed, each mouthpiece is carefully refined and polished to achieve a beautiful silky matte finish that feels smooth, elegant, and extremely comfortable in the mouth. Every piece is then individually laser engraved and inspected.

The result is striking the moment you hold it. A mouthpiece that looks as precise as it plays.

Clean lines.
Perfect finish.
A material that feels both powerful and refined.

This is titanium done right.

The Inside of the SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece Box

Ok, so let’s get to the “In a Sentimetal Mood” titanium tenor saxophone mouthpiece I received. The mouthpiece came well protected in the SYOS box pictured above.  The mouthpiece comes with a silver plated ligature and cap that fit the mouthpiece perfectly.  I assume the ligature and cap are not titanium as well because they are silver plated.

There is an engraved S (SYOS) on the top of the SYOS “In a Sentimetal Mood”saxophone mouthpiece and a “In a Sentimetal Mood” engraved signature on the side of the mouthpiece.  The tip opening of 8 is marked on the bottom side of the shank of the mouthpiece.

The SYOS “In a Sentimetal Mood” titanium tenor saxophone mouthpiece felt really light compared to other metal tenor sax mouthpieces I have reviewed.  The weight of the titanium mouthpiece feels heavier than hard rubber but not as heavy as a brass tenor saxophone mouthpiece.

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

The SYOS “In a Sentimetal Mood” titanium mouthpiece is longer than many of the other tenor saxophone mouthpieces I have reviewed.  The extra length of the mouthpiece makes the window of the mouthpiece look smaller in relation to the length of the mouthpiece but when I hold it up to some other tenor sax mouthpieces for a comparison, the window of the SYOS “In a Sentimetal Mood” mouthpiece is actually longer than the windows of those other tenor saxophone mouthpieces.

Although the mouthpiece window is longer, the bottom of the window is more narrow than the bottom of a typical window on an Otto Link tenor saxophone mouthpiece.

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

The SYOS “In a Sentimetal Mood” titanium tenor saxophone mouthpiece looks very well made.  The table, rails and tip rail look even to the eye.  The curve of the tip rail matches pretty closely with the curve of my tenor saxophone reeds.

The baffle is what I would consider a high baffle that is about 7/8ths of an inch long.  At that point, it meets a precise curved edge and then the baffle continues at a greater angle down towards the rear of the mouthpiece chamber.  That baffle slope, through the chamber, has a slight curve to it from side to side and the baffle floor narrows as it descends towards the baffles termination at the rear of the chamber.

I would describe the mouthpiece chamber as a medium chamber.  From the bore end of the mouthpiece, the chamber looks smaller than a typical Otto Link sized chamber.  When you look from the front of the mouthpiece, it is pretty easy to see how the baffle cuts through the chamber floor to make the chamber smaller.   The sidewalls are scooped out nicely from the tip heading towards the chamber area.

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

The first tenor saxophone reed I tried on the SYOS “In a Sentimetal Mood” tenor saxophone mouthpiece was a BSS (Boston Sax Shop) 3 silver label tenor saxophone reed.  On an 8 tip opening, I would usually use a 2 1/2 or 3 strength tenor saxophone reed but the 3 reed worked so well that I didn’t even try the 2 1/2 reed.

Due to the extended length of the mouthpiece body that I wrote about above, tenor saxophone reeds do not hang over the back of the table like they do on many other tenor saxophone mouthpieces.  This extended length of the body also means that you have more room to place the ligature towards the back end of the reed if you so desire.

The extra length of the mouthpiece body also means that the mouthpiece can be pushed further on to the neck cork and not barely hanging off the end of the cork like some other high baffled mouthpieces do.

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

Let’s get to how the SYOS “In a Sentimetal Mood” titanium tenor saxophone mouthpiece played.  I have to admit, I was shocked by how differently this SYOS mouthpiece played compared to how I had imagined it would.  I saw that really high and long baffle and thought that the SYOS titanium mouthpiece would be a paint peeler as far as tone.  I thought that this mouthpiece would be overly bright and incredibly loud, end of story, but when I first played the SYOS Titanium “In a Sentimetal Mood” tenor saxophone mouthpiece, I was surprised to find it to have a beautifully focused tone with a wide dynamic range.

The SYOS Titanium “In a Sentimetal Mood” had a beautiful tone that I found rich and full of character.   Yes, it had increased brightness and edge when pushed but at a softer to medium volume it had a lush and full sound that sounded great on jazz ballads and fast jazz lines.

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

The higher baffle and medium chamber definitely gives the SYOS Titanium “In a Sentimetal Mood” tenor saxophone mouthpiece a ton of power and focus when the mouthpiece is pushed without sacrificing tone.  I would give it a 10 for volume on my 1-10 volume scale that I use to describe the volume potential of a saxophone mouthpiece.

One of the best attributes of this mouthpiece is that the high notes and altissimo notes didn’t get all thin and weak sounding.  They still retained a thick, full core to their tone and sounded fat and round in tone.

Usually, mouthpieces with this type of baffle and chamber have a low end that is wanting, but the SYOS Titanium “In a Sentimetal Mood” mouthpiece had a beautiful and lush sound that sounded killer with added sub-tone on a ballad.

Check out the third clip below on the melody of “Man with a Horn”.  The tone is rich, full, round and full of character on that ballad.  For a high baffled mouthpiece, I really dug it’s ballad tone a lot more than I thought I would.

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

The intonation on the SYOS “In a Sentimetal Mood” tenor sax mouthpiece was excellent and within normal parameters and the tone was even and balanced throughout the range of the saxophone.

The articulation was clean, immediate and smooth when playing fast jazz lines with jazz articulation.  In the first sound clip below, I play the melody of Donna Lee at the 1:57 mark and the jazz articulation is smooth and precise sounding during that fast melodic line.

The SYOS Titanium “In a Sentimetal Mood” tenor saxophone mouthpiece really takes off when it comes to power and altissimo playing.  The altissimo range is effortless to reach and traverse through.  The mouthpiece makes it easy to bend notes, use vibrato and play at varying dynamics which means that the Titanium “In a Sentimetal Mood” tenor sax mouthpiece makes it easier to express yourself.

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

I’ve included six sound clips of the  “In a Sentimetal Mood” tenor saxophone mouthpiece for you to check out.  All six sound clips were recorded with a BSS (Boston Sax Shop) #3 Silver Label tenor saxophone reed.

I recorded a clip of my usual lines, licks and melodies I play in every mouthpiece review for the first sound clip so you can compare the lines to other mouthpiece clips here on my website.  This first sound clip has reverb added.

The second sound clip is the same as the first but this is a dry recording with no reverb added.  Most times, with a high baffled mouthpiece, I prefer the sound clips with reverb but I think in this case, I prefer the dry recording of the SYOS “In a Sentimetal Mood” mouthpiece.  That says a lot, because I usually don’t dig the dry recordings of high baffled tenor saxophone mouthpieces.  They usually sound too bright and thinner in tone when recorded dry but this is not true of this SYOS “In a Sentimetal Mood” tenor sax mouthpiece.

The reverb added sound clip gives you a hint of what the SYOS “In a Sentimetal Mood” titanium tenor saxophone mouthpiece might sound like in a hall with natural reverb and the dry recording gives you a hint of how the saxophone mouthpiece might sound like in a dry practice room with no natural reverb.  Both scenarios are important because you don’t want to be in a practice room and hate the sound you are producing and you certainly don’t want to be in a concert hall hating the sound you are producing.

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

The third sound clip was recorded with the same reed and is more of an R&B altissimo style clip with reverb added that I try to add to all of my mouthpiece reviews so you can hear what the mouthpiece sounds like in that altissimo range and in that genre of music.

The fourth, fifth and sixth sound clips are of me playing the melodies to 3 different ballads on the SYOS Titanium “In a Sentimetal Mood” tenor saxophone mouthpiece.  As good as this mouthpiece sounds on the R&B and funk lines, it is amazing that is sounds so good on the jazz ballads as well.

SYOS “In a Sentimetal Mood” 8 Tenor Saxophone Mouthpiece

In my opinion, the SYOS Titanium “In a Sentimetal Mood”  tenor saxophone mouthpiece is an amazing tenor saxophone mouthpiece for those of you looking for a great tenor saxophone mouthpiece that can do it all on a gig where you have to play jazz standards and then later morph into full tilt modern and funk tenor sax playing.

The tone of the SYOS Titanium “In a Sentimetal Mood” is thick and lush sounding at softer volumes or thick, powerful and focused sounding at louder volumes.   This is a terrific all-round tenor saxophone mouthpiece that can cover all the bases for any variety of gigs or recording sessions you might have.

SYOS mouthpieces have done an absolutely incredible job creating this SYOS Titanium “In a Sentimetal Mood” tenor saxophone mouthpiece.  The fact that they created this incredible titanium mouthpiece using 3D printing boggles my mind even more.  Great job, SYOS!

If you like the sound and look of the SYOS Titanium “In a Sentimetal Mood”  tenor saxophone mouthpiece, you can find them at the SYOS website.  (Neffmusic also gets a small commission from each sale when you use this link which helps support this website).

If you try a SYOS Titanium “In a Sentimetal Mood” tenor saxophone mouthpiece or have any thoughts, comments or questions on this review,  I would love to hear what you think in the comments below.  Thanks,   Steve

https://cdn.neffmusic.com/2026/09/SYOSTitanium8-Reverb.mp3

SYOS “In a Sentimetal Mood” Tenor Saxophone Mouthpiece-BSS 3 Silver Label Reed-Reverb Added

https://cdn.neffmusic.com/2026/09/SYOSTitanium8.mp3

SYOS “In a Sentimetal Mood” Tenor Saxophone Mouthpiece-BSS 3 Silver Label Reed-No Effects Added

https://cdn.neffmusic.com/2026/09/SYOSTitanium8AltissimoReverb.mp3

SYOS “In a Sentimetal Mood” Tenor Saxophone Mouthpiece-BSS 3 Silver Label Reed-Altissimo Lines with Reverb Added

https://cdn.neffmusic.com/2026/09/SYOSTitaniumManwithaHornReverb.mp3

SYOS “In a Sentimetal Mood” Tenor Saxophone Mouthpiece-BSS 3 Silver Label Reed-Man with a Horn-Reverb Added

https://cdn.neffmusic.com/2026/09/SYOSTitaniumMyOneandOnlyReverb.mp3

SYOS “In a Sentimetal Mood” Saxophone Mouthpiece-BSS 3 Silver Label Reed-My One and Only Love-Reverb Added

https://cdn.neffmusic.com/2026/09/SYOSTitaniumInaSentimentalMoodReverb.mp3

SYOS “In a Sentimetal Mood” Saxophone Mouthpiece-BSS 3 Silver Label Reed-In a Sentimental Mood-Reverb Added

Disclosure:  I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog.  I also receive a small commission when you purchase from the SYOS link above that helps to support this site. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Mouthpiece Reviews, Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: In a Sentimetal Mood, mouthpiece, review, Signature Model, SYOS, tenor saxophone, Titanium

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarLukas Hein says

    September 24, 2026 at 12:41 am

    Why do you say the full name and brand of the mouthpiece every time? Is it to help google find your review? It’s kinda tough to read but I understand if that’s the purpose. Anyway you always do great reviews and sound awesome.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I have NEVER seen material like yours.  Amazing!!
Jerry
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1 Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1
    Rated 5 out of 5
    by Stuart
  • Mastering Altered Pentatonics (Digital PDF Book) Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Jim Ramsey
  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.75 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Lukas Hein on SYOS In a Sentimetal Mood Titanium Tenor Saxophone Mouthpiece Review
  • Stefano Moretti on Lebayle LRII Tenor Saxophone Mouthpiece
  • Robbie on Rico Metalite M7 and M9 Tenor Saxophone Mouthpiece Review
  • Ferran on “My Favorite Things” Solo- Theo Wanne Gaia Soprano Mouthpiece
  • Stefano on Mouthpiece Cafe Bergonzi Slant Tenor Mouthpiece

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026