• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / SYOS Gabi Rose Signature Series Tenor Saxophone Mouthpiece Review

SYOS Gabi Rose Signature Series Tenor Saxophone Mouthpiece Review

April 12, 2025 by Steve 3 Comments

Today, I am reviewing another tenor saxophone mouthpiece from SYOS mouthpieces in France.  This is the SYOS Gabi Rose signature model 8* deep purple tenor saxophone mouthpiece I will be reviewing.

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece

The SYOS company hit the saxophone mouthpiece scene a few years ago and immediately caught the world’s attention by producing these really bright colored 3D printed saxophone mouthpieces.  I must admit, that at first, I was very skeptical of plastic 3D mouthpieces, but after reviewing quite a few SYOS mouthpiece (20 SYOS mouthpiece reviews to date) over the years (SYOS Mouthpiece Reviews), I have come to respect the SYOS business model and the quality and playability of the SYOS saxophone mouthpieces I have tried out.

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece (photo by Dan Visintainer)

This Gabi Rose signature model tenor saxophone mouthpiece I am reviewing today is bright purple and is an 8* tip opening.  Although, I requested the 8* tip and bright purple color for this mouthpiece review, the SYOS Gabi Rose model mouthpiece can come in any of nine tip openings from 5-9 and in a variety of ten attention getting colors.

The SYOS website describes the SYOS Gabi Rose as:

“This SYOS Gabi Rose tenor saxophone mouthpiece has a rollover baffle a little higher than usual, which gives an extra punch to the sound. With a medium chamber Gabi’s piece is bright and edgy without excess. It keeps some warmth and flexibility.” 

Gabi Rose plays with a 7* tip opening although I am reviewing the 8* tip opening today.

SYOS Gabi Rose Signature Series Tenor Saxophone Mouthpiece Characteristics

Before we get to the playing of the SYOS Gabi Rose tenor sax mouthpiece, let me give you a few tidbits of info from the SYOS website on these SYOS saxophone mouthpieces.

First of all, you have three choices when you visit the SYOS website and order a sax mouthpiece.  You can order a “SYOS Signature Mouthpiece” which is basically what the mouthpiece that the player whose name is on the mouthpiece plays.

If, however, you want to be unique and are on a quest to find your own unique sound, you might want to pick the second choice of ordering a custom mouthpiece from SYOS which I have to say looks like a pretty cool process.  Here’s what you do on the SYOS website:

  1. First, you choose what saxophone you play. Soprano, Alto, Tenor or Bari Sax
  2. Second, you choose whether you are a beginner, intermediate or professional sax player
  3. Third, you choose what type of music you play (you can pick more than one category)
  4. Fourth, this is the coolest part, you choose your sound preferences.  There is a slider for tone that goes from very dark to very bright.  You can choose where in that tone spectrum you feel you would like to be.  There is also a slider to choose how powerful you want to be.  The slider goes from soft to powerful.   Now here’s the coolest part because as you are reading this you might be confused about how you might choose what you want or you might be confused about what your preferences are.  SYOS gives you a bunch of examples with sound clips!   How cool is that?  The following list of player are listed and rated for tone and power. Ben Webster, Chris Potter, Coleman Hawkins, Dexter Gordon, Joe Henderson, Michael Brecker, Sonny Rollins, Stan Getz and Wayne Shorter. (Can I just point out at this point,  how awesome Chris Potter must feel about being included in this list!)
  5. You click “Submit” and wait by your mailbox for your custom mouthpiece that will answer all your dreams to be delivered.

A third option, is that you can order a SYOS Originals saxophone mouthpiece.  They make three mouthpieces for each saxophone (soprano, alto and tenor saxophone) called Smoky (darker and warmer), Steady (medium) and Spark (brighter and louder).  I have reviewed all of these SYOS Originals saxophone mouthpieces in the past and they were excellent.

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece

Here is a few comments about the material SYOS mouthpieces are made from in case you are curious:

We use ABS plastic to craft our mouthpieces: this material allows us to get the highest degree of precision, with an improved resistance and durability. And you can get that in 18 colors to build a perfect style on stage!

The plastic we use to make SYOS mouthpieces has been certified non-toxic in laboratory (EN 71 and CE 1907/2006 standards). In fact, the same kind of plastic is used to make toys for children, which can be put in mouth without any risks. At the opposite, with the “ebonite” plastic, some sulfuric acid releases are observed when the mouthpiece is old, which gives it a yellow-green color.

And finally, here is a quote about the manufacturing process and how the minute details affect your tone which I found interesting:

For wind instruments, it’s the internal geometry of the bore that gives all the acoustic properties. We work at 1/100th millimeter to adjust the shape and the length of the baffle, the chamber section and size, the tip opening, the facing length… We study and compute the effect of all these parameters on the sound, to predict the timbre of each combination of them.

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece

Ok, so let’s get to reviewing this SYOS Gabi Rose 8* tenor sax mouthpiece I received. The mouthpiece came in the usual SYOS drawstring bag and was well protected in the package it came in.  SYOS did not send a slide on ligature with the mouthpiece because they are probably aware that I am not a big fan of slide on ligatures by this point. (I’ve mentioned it in almost every SYOS review…….)

The SYOS Gabi Rose tenor saxophone mouthpiece felt really light as you would expect a plastic mouthpiece to feel.  The table had a little bit of texture to it that I could feel with my fingers and you can see in the photos.  Whatever process they use to make these sax mouthpieces does leave some texture marks on the mouthpiece.  You can see fine lines going across the table and fine lines going down the baffle as if the machine that cut the mouthpieces left these lines on the plastic.  This texture does not effect the sealing of the reed to the mouthpiece on all the SYOS mouthpieces I have reviewed though so I personally wouldn’t worry about it.

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece

The SYOS Gabi Rose 8* tenor saxophone mouthpiece looks well made.  The table, rails and tip rail look pretty even to the eye.  The curve of the tip rail matches pretty closely with the curve of my tenor saxophone reeds although the outside corners of the tip rail do extend a bit further than the width of the reed but it is nothing to be concerned with as the reed passes the suction test perfectly.

The baffle is what I would consider a medium high baffle that is about an inch long.  At that point, the baffle rolls over and then continues at a greater angle down towards the rear of the mouthpiece chamber.  That baffle slope, through the chamber, has a slight curve to it from side to side and the baffle floor narrows as it descends towards the baffles termination at the rear of the chamber.

The beginning of the baffle behind the tip rail is interesting because it starts descending at a lower angle and then hits that curved line which is a little bit higher.  This creates an indentation in the baffle right behind the tip rail which is about 1/8th of an inch long.  I have sometimes seen this occurring when  players and or mouthpiece craftsmen add baffles to mouthpieces.  The baffle after that 1/8th inch line is almost like an added baffle in shape and size.

I would describe the mouthpiece chamber as a medium to medium small chamber.  From the bore end of the mouthpiece, the chamber looks smaller than a typical Otto Link sized chamber.  When you look from the front of the mouthpiece, it is pretty easy to see how the baffle cuts through the chamber floor to make the chamber even smaller.  The mouthpiece chamber is definitely smaller in diameter than the bore of the mouthpiece.

The sidewalls are scooped out nicely from the tip to the chamber area.  The sidewalls look to angle in slightly as they connect to the medium-small chamber on the sides.

There is a nicely engraved S (SYOS) on the top of the sax mouthpiece and a Gabi Rose signature on the side of the saxophone mouthpiece.  The tip opening is marked with a 8* on the bottom side of the shank of the mouthpiece.

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece

The first tenor saxophone reed I tried on the SYOS Gabi Rose 8* tenor saxophone mouthpiece was a Rigotti Gold 2 1/2 Strong tenor saxophone reed. The Rigotti Gold reed played great on the Gabi Rose mouthpiece and is the reed I used for the sound clips below.  The 8* tip opening (.115) played really well with the 2 1/2 Rigotti Gold reeds!

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece

I found the tone of the SYOS Gabi Rose signature 8* tenor saxophone mouthpiece to be darker and warmer than many of the other SYOS tenor saxophone mouthpiece I have tried. I think the only other SYOS tenor sax mouthpiece I have played in this darker side of the tone spectrum was the SYOS Tivon Pennicott tenor saxophone mouthpiece.  Unfortunately, it has been so long since I tried the Tivon Pennicott mouthpiece that I can’t remember enough about it to really compare that mouthpiece to this Gabi Rose tenor mouthpiece.

While this mouthpiece did have a some brightness to the tone when pushed,  it still retained a beautifully fat tone that had a warmness that was complex and rich.  This balance of the warm, complex and rich with the slight brightness made the brightness more balanced and beautiful to listen to in my opinion.

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece

Usually, mouthpieces with this type of baffle and chamber have a low end that is wanting, but the SYOS Gabi Rose mouthpiece had a gorgeously fat low range of the saxophone that I really enjoyed.  The fatness and warmth of tone really helped the fast lines to sound smooth and the notes flowed together like butter.

The higher baffle and medium-small chamber definitely gives this mouthpiece some nice power and focus when the mouthpiece is pushed.  The SYOS Gabi Rose signature model has a nice brightness when pushed while still remaining warm and fat but one of the best attributes of this mouthpiece is that the high notes and altissimo notes didn’t get all thin and weak sounding.  They still retained a thick, full core to their tone and were round and full sounding.

The intonation was excellent and within normal parameters and the tone was even and balanced throughout the range of the saxophone.  The articulation was clean, immediate and nice and smooth when playing fast jazz lines with jazz articulation.

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece

The SYOS Gabi Rose tenor saxophone mouthpiece is a great mouthpiece that balances on that fine line between a fat, warm tone with added brightness and power for jazz playing.  Check out my sound clips below of this SYOS Gabi Rose tenor sax mouthpiece and decide for yourself.

If you like the sound and look of the Gabi Rose signature model 8* tenor saxophone mouthpiece by SYOS, you can find them at the SYOS website.  (Neffmusic also gets a small commission from each sale when you use this link which helps support this website).

The SYOS website has a ton of artists and signature models available so if the Gabi Rose model isn’t your cup of tea, there are a ton of other saxophone mouthpieces to choose from.  Or, like I wrote above, you can be courageous and go for a custom sax mouthpiece made specifically for you.  The amazing thing is that SYOS has a 30 day return policy which is unheard of in the sax mouthpiece industry.

If you have played or end up playing a SYOS Gabi Rose Signature tenor saxophone mouthpiece or have any other thoughts or comments about this review, I would love to hear what you think in the comments below.  Thanks,   Steve

https://cdn.neffmusic.com/2025/04/SYOSGabiRose.mp3

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece-Rigotti Gold 2 1/2 Strong Reed-No Reverb Added

https://cdn.neffmusic.com/2025/04/SYOSGabiAltReverb.mp3

SYOS Gabi Rose Signature Series 8* Tenor Saxophone Mouthpiece-Rigotti Gold 2 1/2 Strong Reed-Short Altissimo Clip-Slight Reverb Added

Gabi Rose Playing the SYOS Gabi Rose Signature Series 7* Tenor Saxophone Mouthpiece

Disclosure:  I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog.  I also receive a small commission when you purchase from the SYOS link above that helps to support this site. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Gabi Rose, mouthpiece, review, Signature Model, SYOS, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarTed says

    April 13, 2025 at 10:28 pm

    I was interested in this review and most are pretty interesting. I’m not hearing what you are. I’ll try my headphones.

    Reply
    • SteveSteve says

      April 16, 2025 at 10:04 pm

      Well, I thought it sounded pretty good…….and it certainly played well for me.

      Reply
  2. AvatarPaul Fessenden says

    April 26, 2025 at 8:15 pm

    I really like the sound of this mouthpiece. Pretty ballsy.The nice thing about those SYOS mouthpieces is the price is right.

    Reply

Leave a Reply to Paul Fessenden Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Mastering Altered Pentatonics (Digital PDF Book) Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Jim Ramsey
  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.75 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Greg D on JS Custom Nova 7* Tenor Saxophone Mouthpiece Review
  • Andrew Bowie on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Giuseppe C. on JS Custom Nova 7* Tenor Saxophone Mouthpiece Review
  • Ian on JS Custom Nova 7* Tenor Saxophone Mouthpiece Review
  • Robert Rockwell III on JS Custom Nova 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026