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You are here: Home / Reviews / Mouthpiece Reviews / 10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece Review

10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece Review

January 15, 2024 by Steve 7 Comments

Today, I am reviewing an exciting new tenor saxophone mouthpiece from 10mFan saxophone mouthpieces that is designed with a new innovative octagon shaped chamber by 3-D technology.  This is the 10mFan Cabernet 7* tenor saxophone mouthpiece.   I have already reviewed a number of great 10mFan tenor, alto and soprano saxophone hard rubber mouthpieces in the past that you can find here as well as the great playing 10mFan Fireball alto saxophone mouthpiece that is made with the same 3-D technology as this 10mFan Cabernet tenor saxophone mouthpiece.

10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece

This will be the first 10mFan tenor saxophone mouthpiece I am reviewing that is made with this new 3-D technology as well as the first tenor saxophone mouthpiece I have ever tried with an octagon shaped chamber so I am very curious to see what Mark Sepinuck at 10mFan came up with in regard to this new Octagon Series Cabernet tenor saxophone mouthpiece.

Whenever Mark Sepinuck, at 10mFan mouthpieces, comes out with a new saxophone mouthpiece model, I am always really excited to try it out because all of his 10mFan saxophone mouthpieces that I have tried have been great!  Mark is always thinking about how he can meet the needs of the sax playing community with new, uniquely designed and originally crafted saxophone mouthpieces and this new 10mFan Octagon Series of saxophone mouthpieces is no exception to Mark’s standard for using innovative and original designs for each of his saxophone mouthpieces.

Mark sent me a 10mFan Fireball 6 & 7 alto saxophone mouthpiece and a 10mFan Cabernet 7* tenor saxophone mouthpiece to try out.  The mouthpieces came well packaged in sturdy cardboard tubes to protect them during shipping.  This review is of the 10mFan Cabernet 7* tenor saxophone mouthpiece.

10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece

The first surprise about these mouthpieces as I unpacked them was how solid and weighty they are.  Many of the other 3-D mouthpieces on the market that I have reviewed have been very light in weight compared to hard rubber mouthpieces of the same size and shape but these new 10mFan Octagon Series mouthpieces felt as solid and weighty as a hard rubber saxophone mouthpiece to me.

Here’s a description of the new 10mFan Octagon Series saxophone mouthpieces from the 10mFan website:

“The most revolutionary and proprietary saxophone mouthpiece chamber design in the marketplace!   If you know anything about saxophone mouthpiece design, most of the magic happens at the chamber!!!

That’s why all of my German barstock 10MFAN hard rubber sax mouthpieces play different than any of the vintage saxophone mouthpieces. They don’t blow like a Link or a Berg or a Meyer or any other sax mouthpiece, because of the internal designs, including the chambers. They may not appear super different to you, to your eye, but there’s a lot going on there.…. and that’s why my sax mouthpieces sound and blow like 10MFAN mouthpieces, and NOTHING else.

I wanted to take that further with these 3-D printed mouthpieces, and actually do a super unique chamber design with a totally different shape, size, and  added “chamber panels”, that have never been attempted before in the mouthpiece world.

These are saxophone mouthpieces using state of the art 3-D technology and design. These are not done on cheap home machines.  These mouthpieces have real weight (they actually weigh more than my hard rubber mouthpieces), a truly unique octagon chamber with “chamber panels” all around on the inside of the chamber, and are 100% infill, so they are stable. This proprietary design concept has never been done in the saxophone mouthpiece world, and it continues to carry on with my 10MFAN design commitment to innovation over imitation.

I have tried many different shapes with the chambers and the octagon chamber was a dream come true. Those of us who got to try these designs here with both a normal round chamber and octagon chamber felt the same exact way too. The octagon chamber with “chamber panels” sounded phenomenal with added clarity and speed. The totally unique chamber and chamber panels give the throat a squeeze like nothing else in the marketplace, ever before.  The combination of the sound bouncing off of the “chamber panels”, how the air interacts with the chamber, the size and shape of the chamber, the totally unique “squeeze” throat using 3-D technology has allowed me to make this unique internal design.

I design mouthpieces and I know when something plays great and when the designs work great…..and these two mouthpieces both play great and the designs work fantastic!!!!-Mark Sepinuck

The 10mFan Cabernet tenor saxophone mouthpiece is available in 6 tip openings:

6* – .095
7 – .100
7* – .105
8 – .110
8* – .115
9* – .125

10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece

Here’s a more specific description of the Cabernet tenor saxophone mouthpiece from the 10mFan website:

“This mouthpiece was designed for a killer straight ahead classic tenor saxophone sound, with lots of warmth, really good power, nice resistance to push against, and FOCUS. But, it can also be used for pop music which is blowing everyone’s minds right now, because the baffle is low and people don’t understand how I could make a mouthpiece that could do this with this design.That’s what making innovative original designs is all about!!! Because of that focus, the intonation is locked in. If you want less resistance, just go to a softer reed.
Think Bob Berg, Pharoah Sanders, Coltrane, focus! It’s incredibly heartwarming to be able to put out this mouthpiece because it is so different from all my 10MFAN hard rubber mouthpieces. This mouthpiece will have more focus like a vintage metal Otto Link…. and for me, more power and body available.

There are lots of fat sounding tenor mouthpieces out there, and my hard rubber 10MFAN mouthpieces certainly fit in that category, but I’ve been asked by many players over the years to put out something that has much more focus, where the sound stays right in front of the player,  and doesn’t get spread…..but still with a really big sound available when you want it!  So here it is!!!!!

The Cabernet has resonance, fullness, focus, and power.  It won’t be as wide sounding as a Slant or a Reso Chamber, because that’s NOT what I wanted here. I wanted more focus with this mouthpiece, but also really good power. This is different from anything I’ve put out, and I’m very excited about it. This mouthpiece has a low rollover baffle that allows for so much beauty in the sound, but still with plenty of presence and sparkle to carry that beautiful, rich classic tenor saxophone sound.

The vintage Otto Link players who wish their sound had more focus to it rather than spread, will LOVE this piece. This mouthpiece is going to please players who are using a whole TON of different straight ahead tenor mouthpieces. This mouthpiece just KILLS!-Mark Sepinuck

10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece

The new 10mFan Cabernet tenor saxophone mouthpiece has the traditional three rings on the shank that all of the 10mFan saxophone mouthpieces have but they are only on the bottom of the shank and are not white.  It also has “10mFan” and “Octagon Series” engraved on the top of the mouthpiece.  On the bottom corners of the mouthpiece next to the mouthpiece table is engraved “Cabernet” on one corner and “7*” on the other corner.

The mouthpiece looks great and right up to the normal everyday 10mFan standards of excellence.  From day one, Mark Sepinuck has been very serious about producing top of the line saxophone mouthpieces of the highest standards.  Even though this Cabernet tenor sax mouthpiece is made with a new 3-D technology, the Cabernet still holds up to the standards that matter in regard to the way the mouthpiece plays.  The table, rails, tip and baffle area all look perfectly balanced, even and precise.  In fact, these mouthpieces, like the 10mFan hard rubber mouthpieces, are all finished by the expert mouthpiece refacers, Brian Powell and Erik Greiffenhagen.

10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece

The table, rails and tip rail look as good as any hard rubber mouthpiece I have seen and the surface area of these areas are as smooth and precise as a hard rubber mouthpiece.  The baffle is glossy smooth for the first 1/4 inch of baffle and then there is some texture to the material from that point of the baffle down into the chamber of the mouthpiece.  Mark address this fact in his description of the mouthpiece where he writes:

“The tables are flat, and the rails are symmetrical and measure properly. The baffles are hand worked so that the mouthpieces play their best. We do not remove all the 3-D lines on the inside floor of the mouthpiece because there is no need to remove more material, when the mouthpieces play perfect after they are hand finished. (To continue to grind the floor makes no sense, so we don’t do that).”-Mark Sepinuck

10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece

The 10mFan Cabernet tenor saxophone mouthpiece is what I would consider a low baffle mouthpiece with a nice gradual rollover to the baffle in that first 1/4 inch.  After the rollover, the baffle then continues at an angle down to the rear of the mouthpiece chamber where it levels out. As the baffle travels to the bottom of the octagon shaped chamber, it narrows along the way.

The sidewalls on either side of the baffle feel slightly scooped out when I touch them with my fingers. Even though the sidewalls feel like they have a slight scoop to them, as the sidewalls travel inwards as they approach the octagon chamber and the baffle floor narrows, these two factors give the Cabernet mouthpiece a “squeezed throat” as Mark describes above and as you can see in the next two photos below.

10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece

The chamber of the 10mFan Cabernet tenor mouthpiece is indeed an Octagon shape having eight sides to the chamber.  This is indeed original and unique to the mouthpiece world as I have never seen a tenor sax mouthpiece with this octagon shaped chamber before.

The octagon shape to the chamber area stops where it meets the round bore of the mouthpiece.  Obviously, this is necessary for the 10mFan Octagon Series Cabernet tenor sax mouthpiece to fit onto a round neck cork.

10mFan Cabernet Octagon Series Saxophone Mouthpiece Chamber Shape (mouthpiece cut in half to show chamber)

One of the best attributes to the 10mFan line of saxophone mouthpieces are the precise facing curves used on each mouthpiece.  Mark uses the best mouthpiece craftsman in the business to fine tune every mouthpiece and make sure the facing curves are perfect.  A perfectly balanced and even facing curve allows more reeds to play consistently and favorably and that was my experience with the Cabernet tenor saxophone mouthpiece.

*As a side note,  I want to write how impressed I am with Mark’s commitment to excellence.  He could have just chosen to mass produce these 3-D mouthpieces and sell them as is to the masses for a cheaper price point without any hand work.  But instead, he is sticking with his business model of sending every mouthpiece to Brian Powell and Erik Greiffenhagen to have them put the finishing touches on each mouthpiece and to make sure the areas that matter the most in relation to playing are fine tuned and as perfect as can be.

10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece

The 10mFan Cabernet tenor sax mouthpiece played great with a Rigotti Gold 2 1/2 strong tenor saxophone reed on it. Playing the Cabernet sax mouthpiece was a very unique experience for me as it has a unique feel and response to it when compared to a typical round chamber tenor sax mouthpiece.  I assume this is because of the octagon chamber shape of the Cabernet mouthpiece coupled with the squeezed throat.

I have provided four sound clips below (more than I usually do) because I felt like the Cabernet tenor sax mouthpiece played and sounded different when played at a softer volume as compared to a louder volume and I wanted to provide those sound clips so that you also could hear the difference in the sound between the clips.

At a softer more laid back volume, the Cabernet sounded warmer and had a lushness to the tone that I really enjoyed. It was full and focused but it sounded and felt like the tone was wrapped in a nice velvety blanket at times.  Like the outside edges of the tone were soft and buttery to me without being spread sounding.   The tone seemed to sit in that midway point between dark and bright to me and could be leaned either way depending on what I wanted from the tone.  You can hear what I am describing here in the 3rd and 4th sound clips I think.

10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece

When I played the Cabernet at medium to full volume (1st and 2nd sound clips), it sounded and felt like the Cabernet mouthpiece became even more focused like the increased air being blown was having to travel through that squeezed throat and the focus, volume, power and brightness were multiplied.   In the first clip, I can hear a bit more edge and brightness in the tone that leans towards a more Coltranesque type of tenor saxophone tone that I don’t hear as much in the softer volumes of sound clips 3 & 4.

When recording sound clip #2 (Wailing Altissimo), I made my self laugh when I recorded because I played for about a minute, then stopped and thought, “How high is this baffle again?” I took the reed off the mouthpiece and looked at the baffle while shaking my head because the baffle looked pretty low to my eyes.  I was surprised I could get that much brightness and power out of the Cabernet with that low of a baffle profile.  It is amazing what effect a squeezed mouthpiece throat can have!

I felt like that squeezed throat and focus of the Cabernet really allowed me to shape the tone in that altissimo range of the tenor saxophone so that I could more easily manipulate the notes in that range of the saxophone when compared to a mouthpiece with a more spread tone.  I think you can hear this clearly in sound clip #2 entitled “Wailing Altissimo” by how expressive and effortless the lines sound.  At least, that was my experience while playing and then listening back to sound clip #2.

10mFan Cabernet Octagon Chamber Tenor Saxophone Mouthpiece

The 10mFan Cabernet tenor saxophone mouthpiece also played great when playing faster jazz lines.  The tone was smooth and even from note to note and the articulation was precise and crisp for me. I love how the Cabernet sounded on “Moose the Mooche” on the 3rd clip at the :36-:50 mark of the clip but I also dig how “Donna Lee” sounded on the 1st sound clip at 2:14-2:28 at a super fast speed.  On most mouthpieces, I would have to slur the lines at that speed and was pleasantly surprised that I could still use jazz articulation on those lines even at that really fast tempo.  I usually can’t do that on most mouthpieces at that speed.

The low notes were nice and round sounding on the recording and sounded beautiful and fat with some sub-tone added to those notes.   On the 4th sound clip with reverb, you can hear me go down to sub-tone low Bb a couple of times and fade out the note to ppp with no issues what-so-ever.

The intonation on the Cabernet tenor sax mouthpiece was terrific and the pitch felt locked in and stable on my Selmer Super Balanced Action tenor saxophone.

As usual, I posted two clips with reverb added to them so you can hear what the 10mFan Cabernet tenor saxophone mouthpiece might sound like with reverb added.  This is actually very close to how it sounds if I played it in my garage, basement or bathroom.  I love how the Cabernet sounds with the reverb, but it sounds just as good on the sound clips with no effects in my opinion. These two clips with reverb are unique and not just taken from the “no effects” clips so worth a listen I think.

10mFan Cabernetl Octagon Series Tenor Saxophone Mouthpiece

If you like the sound and look of the 10mfan Octagon Series Cabernet tenor saxophone mouthpiece, you can order one of them from Mark Sepinuck at 10mFan.com.  I think this is a terrific all-round tenor saxophone mouthpiece choice for those of you who want a more focused tenor sax mouthpiece that can cover all the bases.  I would love playing a jazz gig or even a Top 40 gig on the 10mFan Cabernet tenor saxophone mouthpiece and recording these sound clips for this review was so much fun.  You can listen to the clips below and decide for yourself.  I think they speak louder than any words I can write in this review……..

If you have any questions about the Cabernet model tenor sax mouthpiece or any of the other 10mFan mouthpieces, you can contact Mark Sepinuck through his website. Mark Sepinuck is a treasure trove of information about saxophone mouthpieces and is quite happy to answer any questions you might have about them.

*If you have played or end up playing a 10mFan Cabernet tenor saxophone mouthpiece or have any other thoughts or comments about this review, I would love to hear what you think in the comment section below this review.  Thanks,  Steve

*To hear the most detail from these clips it is best to listen to them from a computer with nice audio speakers or headphones rather than from an iPhone or laptop speakers.  It makes a world of difference!

https://cdn.neffmusic.com/2024/10mFanCabFullClip2.mp3

1.) 10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece-Rigotti Gold 2 1/2 Strong Reed-Full Sound with No Effects

https://cdn.neffmusic.com/2024/10mFanCabReverbFull.mp3

2.) 10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece-Rigotti Gold 2 1/2 Strong Reed-Wailing Altissimo with Reverb Added

https://cdn.neffmusic.com/2024/10mFanCabernetMellow2.mp3

3.) 10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece-Rigotti Gold 2 1/2 Strong Reed-More Mellow and Laid Back Playing with No Effects

https://cdn.neffmusic.com/2024/10mFanCabReverbLaidBack.mp3

4.) 10mFan Cabernet Octagon Series Tenor Saxophone Mouthpiece-Rigotti Gold 2 1/2 Strong Reed-Laid Back Bluesy Playing with Reverb Added

Disclosure:  I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Mouthpiece Reviews, Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: 10mFan, Cabernet, octagon chamber, review, saxophone mouthpiece, tenor sax

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarBrian Powell says

    January 22, 2024 at 5:23 pm

    Thanks Steve! You sound great on these new 10Mfan pieces, and I appreciate the kind words!

    Reply
  2. AvatarMark Sepinuck says

    January 22, 2024 at 5:26 pm

    Thank you, Steve!
    What a beautiful review, as always.
    So much passion and depth behind what you are doing and I’m really appreciative for this wonderful review.
    For the warm player, this piece will be warm and yummy. For the guy who blows more medium, it will do that for you. For the players who blows brighter, they will be able to also take this piece to a different place that the other guys can’t take it to.
    It doesn’t force you to go somewhere, it just allows you to do what you do and I love that it can be really warm, but have plenty of punch and brights for the guys that are able to get that from their playing.
    I’m one of those guys that plays warmer with a big sound, and this piece allows me to do my thing and doesn’t push me to go somewhere else. If I had the ability to make pieces much brighter, I would be able to get that from this piece, but I am definitely more in the Jug school, for sure.

    Steve, thank you again for the beautiful review!

    Reply
  3. AvatarGlenn says

    January 22, 2024 at 8:55 pm

    Hey Steve – have been hoping you’d review this piece – bought one this morning 🙂 I know lots of players are killin’ it with this piece on ewe-toob and I have learned to have a great respect for Mark’s comments but I was waiting for a more insightful appraisal.

    Thanks
    Glenn – Melbourne

    Reply
  4. AvatarChris says

    January 23, 2024 at 1:29 pm

    Great review. I’m curious how this mouthpiece compares to the Phil-Tone Rift you reviewed a while ago, especially in the altissimo range. Thanks.

    Reply
    • AvatarGlenn says

      January 23, 2024 at 6:39 pm

      Hey Chris – the Rift is on our radar most definitely and will most probably be our next investment 🙂

      Reply
  5. AvatarMark Sepinuck says

    September 23, 2024 at 6:30 am

    There are loads of videos up on my 10MFAN website now from all different players using the Cabernet mouthpiece. In my search to always move the needle forward, I have found a super strong, food safe polymer that has taken these pieces to a whole new place. We. have switched to this in a bright green color, and it’s absolutely fantastic!!!! I am always in search of the next best thing, and this material takes the pieces there. I could not be happier! Come and listen to the videos at: http://www.10mfan.com

    Reply
  6. AvatarGiulio Carmassi says

    October 12, 2024 at 11:34 am

    Can’t say enough good things about the Cabernet!
    It records amazing well. It’s easy to play and intonate. And it really fits my sound concept. Focused, complex, super malleable. I ended up preferring it to my Robusto, and after many tests, i found that the 8* tip plus Nexus #3 reeds, was the winning combo for me.

    Reply

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I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
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Kenyon Carter
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
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I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
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Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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