• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / SYOS Take the A Tenor Saxophone Mouthpiece Review

SYOS Take the A Tenor Saxophone Mouthpiece Review

November 22, 2023 by Steve 6 Comments

Today, I am reviewing another tenor saxophone mouthpiece from SYOS mouthpieces in France.  This is the SYOS “Take the A” signature model 8* tenor saxophone mouthpiece which is modeled after the old SYOS Chad LB model which I reviewed in the past (Chad LB SYOS mouthpiece review).

The SYOS company hit the saxophone mouthpiece scene a number of years ago and immediately caught the world’s attention by producing these really bright colored 3D printed saxophone mouthpieces.  I must admit, that at first, I was very skeptical of plastic 3D mouthpieces, but after reviewing quite a few SYOS mouthpieces (20 SYOS mouthpiece reviews to date), I have come to respect the SYOS business model and the quality and playability of the SYOS saxophone mouthpieces I have played.

SYOS “Take the A”  8* Tenor Saxophone Mouthpiece

This “Take the A” signature model tenor saxophone mouthpiece I am reviewing today is dark blue and is an 8* tip opening.  Although, I requested the 8* tip opening and the dark blue color for this mouthpiece review, the SYOS “Take the A” tenor sax mouthpiece can come in any of nine tip openings from 5-9 and in a variety of ten attention getting colors.

As I wrote earlier, the SYOS “Take the A” tenor saxophone mouthpiece is based off of the SYOS Chad LB model that I first reviewed years ago SYOS Chad LB Tenor Saxophone Mouthpiece Review.  The Chad LB model is no longer in production as Chad has moved on to create his own line of mouthpieces but the SYOS “Take the A” is the same design and specifications as the original Chad LB model.  Here is what SYOS writes in the description of the “Take the A” tenor saxophone mouthpiece:

“Our best seller is back! This mouthpiece has changed its name but not its quality! Based on the mouthpiece we designed a few years ago for Chad Lefkowitz-Brown (Chad LB), this mouthpiece will give you edge and power with a nice amount of brightness.”-SYOS website

 

SYOS “Take the A”  8* Tenor Saxophone Mouthpiece

Before we get to the playing of the SYOS “Take the A” tenor sax mouthpiece, let me give you a few tidbits of info from the SYOS website on these SYOS saxophone mouthpieces.

First of all, you have three choices when you visit the SYOS website and order a sax mouthpiece.  You can order a “SYOS Signature Mouthpiece” which is basically what the mouthpiece that the player whose name is on the mouthpiece plays.

If, however, you want to be unique and are on a quest to find your own unique sound, you might want to pick the second choice of ordering a custom mouthpiece from SYOS which I have to say looks like a pretty cool process.  Here’s what you do on the SYOS website:

  1. First, you choose what saxophone you play. Soprano, Alto, Tenor or Bari Sax
  2. Second, you choose whether you are a beginner, intermediate or professional sax player
  3. Third, you choose what type of music you play (you can pick more than one category)
  4. Fourth, this is the coolest part, you choose your sound preferences.  There is a slider for tone that goes from very dark to very bright.  You can choose where in that tone spectrum you feel you would like to be.  There is also a slider to choose how powerful you want to be.  The slider goes from soft to powerful.   Now here’s the coolest part because as you are reading this you might be confused about how you might choose what you want or you might be confused about what your preferences are.  SYOS gives you a bunch of examples with sound clips!   How cool is that?  The following list of player are listed and rated for tone and power. Ben Webster, Chris Potter, Coleman Hawkins, Dexter Gordon, Joe Henderson, Michael Brecker, Sonny Rollins, Stan Getz and Wayne Shorter. (Can I just point out at this point,  how awesome Chris Potter must feel about being included in this list!)
  5. You click “Submit” and wait by your mailbox for your custom mouthpiece that will answer all your dreams to be delivered.

A third option, is that you can order a SYOS Originals saxophone mouthpiece.  They make three mouthpieces for each saxophone (soprano, alto and tenor saxophone) called Smoky (darker and warmer), Steady (medium) and Spark (brighter and louder).  I have reviewed all of these SYOS Originals saxophone mouthpieces in the past and they were excellent.

SYOS “Take the A”  8* Tenor Saxophone Mouthpiece

Here is a few comments about the material SYOS mouthpieces are made from in case you are curious:

We use ABS plastic to craft our mouthpieces: this material allows us to get the highest degree of precision, with an improved resistance and durability. And you can get that in 18 colors to build a perfect style on stage!

The plastic we use to make Syos mouthpieces has been certified non-toxic in laboratory (EN 71 and CE 1907/2006 standards). In fact, the same kind of plastic is used to make toys for children, which can be put in mouth without any risks. At the opposite, with the “ebonite” plastic, some sulfuric acid releases are observed when the mouthpiece is old, which gives it a yellow-green color.

And finally, here is a quote about the manufacturing process and how the minute details affect your tone which I found interesting:

For wind instruments, it’s the internal geometry of the bore that gives all the acoustic properties. We work at 1/100th millimeter to adjust the shape and the length of the baffle, the chamber section and size, the tip opening, the facing length… We study and compute the effect of all these parameters on the sound, to predict the timbre of each combination of them.

SYOS “Take the A”  8* Tenor Saxophone Mouthpiece

Ok, so let’s get to the “Take the A” tenor saxophone mouthpiece I received. The “Take the A” mouthpiece came in the usual SYOS drawstring bag and was well protected in the package it came in.  SYOS sent a dark blue slide on ligature with the mouthpiece as well although I used a Vandoren Optimum ligature on the mouthpiece for the sound clips just because I like to have the ability to move the ligature around and adjust the tightness of it.

The “Take the A” tenor saxophone mouthpiece felt really light as you would expect a plastic mouthpiece to feel.  The table had a little bit of texture to it that you can see with the eye but the table feels smooth to the touch when I slide my finger over it.  Whatever process they use to make these sax mouthpieces does leave some slight texture marks on the mouthpiece.  You can see fine lines going across the table and fine lines going down the baffle as if the machine that cut the mouthpieces left these lines on the plastic.  This texture does not effect the sealing of the reed to the mouthpiece on all the SYOS mouthpieces I have reviewed so I personally wouldn’t worry about it.

SYOS “Take the A”  8* Tenor Saxophone Mouthpiece

The SYOS “Take the A” tenor saxophone mouthpiece looks well made.  The table, rails and tip rail look even to the eye.  The curve of the tip rail matches pretty closely with the curve of my tenor saxophone reeds.  The outside corners of the tip rail do extend a tiny bit further than the width of the reed but it is nothing to be concerned with as the reed passes the suction test perfectly.

The baffle is what I would consider a high baffle that is about 5/8ths of an inch long.  At that point, it meets a curved edge and then the baffle continues at a greater angle down towards the rear of the mouthpiece chamber.  That baffle slope, through the chamber, has a slight curve to it from side to side and the baffle floor narrows as it descends towards the baffles termination at the rear of the chamber.

SYOS “Take the A”  8* Tenor Saxophone Mouthpiece

I would describe the mouthpiece chamber as a medium or even medium-small chamber.  From the bore end of the mouthpiece, the chamber looks smaller than a typical Otto Link sized chamber.  When you look from the front of the mouthpiece, it is pretty easy to see how the baffle cuts through the chamber floor to make the chamber even smaller.  The mouthpiece chamber is definitely smaller in diameter than the bore of the mouthpiece.  The sidewalls are scooped out nicely from the tip heading towards the chamber area.

There is an engraved S (SYOS) on the top of the sax mouthpiece and a “Take the A Mouthpiece” signature on the side of the saxophone mouthpiece.  Usually, the tip opening is marked on the bottom side of the shank of the mouthpiece on SYOS mouthpieces but this mouthpiece does not have a tip opening engraved on it for some reason.

SYOS “Take the A”  8* Tenor Saxophone Mouthpiece

The first tenor saxophone reed I tried on the SYOS “Take the A” tenor saxophone mouthpiece was a Rigotti Gold 2 1/2 strong tenor saxophone reed. That is usually the strength reed I would use on an 8* tip opening but that reed was way too soft for me.  I next tried a Rigotti Gold 3 light reed which played very nicely.  The first two recording below were recorded with this reed.

The second two sound clips were done with a slightly harder Rigotti Gold 3 medium tenor saxophone reed.  I included these sound clips because the 3 medium reed played nicely as well and gave the tone and response a bit of a different flavor that some might like better than the 3 light reed.

SYOS “Take the A”  8* Tenor Saxophone Mouthpiece

I have to admit, I don’t remember much about the SYOS Chad LB model since I reviewed it a little over four years ago (before Covid was a word in our vocabulary). I remember that the Chad LB model was pretty bright and powerful when pushed and that it played easily for me but that is about it.

Since I don’t remember the details about that mouthpiece, I am not going to try to compare the new “Take the A” SYOS mouthpiece to the old one except in generalities.  I will take SYOS’s word that it is the same design as that old Chad LB model tenor saxophone mouthpiece.

SYOS “Take the A”  8* Tenor Saxophone Mouthpiece

I found the tone of the SYOS “Take the A” signature tenor saxophone mouthpiece to be similar in power and brightness as I remember the old SYOS Chad LB mouthpiece being.  The tone had a substantial mass to it that I found tough sounding and thick when pushed.

The higher baffle and smaller chamber definitely gives the “Take the A” mouthpiece a ton of power and focus when the mouthpiece is pushed.  One of the best attributes of this mouthpiece is that the high notes and altissimo notes didn’t get all thin and weak sounding.  They still retained a thick, full core to their tone and sounded meaty and strong.

Usually, mouthpieces with this type of baffle and chamber have a low end that is wanting, but the SYOS “Take the A” tenor saxophone mouthpiece had a focused and fat low range of the saxophone that I really enjoyed.  When the low end is played with volume the low notes are thick, full and focused.   On the other end of the spectrum, the low end could also provide a lush sub-tone that was very beautiful and expressive.

The intonation was excellent and within normal parameters and the tone was even and balanced throughout the range of the saxophone.  The articulation was clean, immediate and nice and smooth when playing fast jazz lines with jazz articulation.

SYOS “Take the A”  8* Tenor Saxophone Mouthpiece

I do play a few more R&B style lines on these sound clips and I think the SYOS “Take the A” saxophone mouthpiece would absolutely kill on those types of gigs. It has the power and crisp brightness to really cut through the mix in those loud playing situations in my opinion and the altissimo range of the sax just cranks!

As usual with my reviews, I have included two sets of sound clips below.  Each set of sound clips has a clip with reverb added which I usually prefer for high baffled mouthpieces and one clip that has no reverb on it so you can hear how the SYOS “Take the A” sounds dry (without effects of any sort).

I personally prefer the sound clips with reverb as that sound is most likely what I would use in a live playing situation.  The reverb sound clips also give you an idea of how the SYOS “Take the A” might sound in a big hall, bathroom or garage with a robust natural reverb going on.

SYOS Take the A  8* Tenor Saxophone Mouthpiece

If you like the sound and look of the “Take the A” signature model tenor saxophone mouthpiece by SYOS, you can find them at the SYOS website.  (Neffmusic also gets a small commission from each sale when you use this link which helps support this website).

The SYOS “Take the A” tenor saxophone mouthpiece is a great mouthpiece that can really wail for modern pop and funk playing but also can be flexible enough to play in a jazz setting if you like a brighter jazz tenor saxophone tone (Ex. Bob Berg, Michael Brecker and Chad LB).    Check out my sound clips below of the SYOS “Take the A” tenor saxophone mouthpiece and decide for yourself if it might be worth a try for you.

If you have played or end up playing a SYOS “Take the A” Signature tenor saxophone mouthpiece or have any other thoughts or comments about this review, I would love to hear what you think in the comments below.  Thanks,   Steve

*I introduce the clips by stating that this is the “Take the A Train” tenor sax mouthpiece but that is incorrect.  The correct name is the “Take the A” mouthpiece.

https://cdn.neffmusic.com/2023/SYOSATrain3LightReverb2.mp3

SYOS “Take the A” Tenor Saxophone Mouthpiece-Rigotti Gold 3 Light Reed-Reverb Added

https://cdn.neffmusic.com/2023/SYOSATrain3Light2.mp3

SYOS “Take the A” Tenor Saxophone Mouthpiece-Rigotti Gold 3 Light Reed-(Same clip as above but with no effects added)

 

https://cdn.neffmusic.com/2023/SYOSATrain3MedReverb.mp3

SYOS “Take the A” Tenor Saxophone Mouthpiece-Rigotti Gold 3 Medium Reed-Reverb Added

https://cdn.neffmusic.com/2023/SYOSATrain3Med.mp3

SYOS “Take the A” Saxophone Mouthpiece-Rigotti Gold 3 Medium Reed-(Same clip as above but with no effects added)

Disclosure:  I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog.  I also receive a small commission when you purchase from the SYOS link above that helps to support this site. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Mouthpiece Reviews, Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Chad LB, mouthpiece, review, Signature Model, SYOS, Take the A, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarPaul says

    November 23, 2023 at 10:48 am

    Hi Steve, Well, personally, I don’t like the sound of it. It just doesn’t say “Ya Man” to me. So therefore I’m out. (Shark Tank Quote)

    Reply
    • SteveSteve says

      November 23, 2023 at 9:08 pm

      Thanks for taking the time to post your opinion. I totally understand. We are all different and have different tastes.

      Reply
  2. AvatarAngelo Yodice says

    November 25, 2023 at 1:54 pm

    Hi Steve, thank you for the review. I did a Syos trial test on the Chad LB model( It is now called “Take The “A” model since Chad now endorses his own make of mouthpieces and saxophones affiliated with the Boston Sax shop. For the price point the Chad LB it is a decent mouthpiece.
    While you have 30 days to trial test a Syos mouthpiece I ordered another mouthpiece which is part of Syos model called the signature series.
    It is a mouthpiece that bares the name of Morington Lockett. The feature I like best of this model is the fact that it has a longer raised baffle.
    As you know this feature( high baffle) causes the air stream to move faster resulting in additional volume and projection. And that’s what I was looking for additional power, volume & projection. I finally chose the ML model and I’m very satisfied with the performence of this unit up & down the range of my Selmer MarkVI tenor.
    Maybe you can in the future give us a review on the Morington Lockett piece.
    Have a wonderful holiday season!

    Reply
  3. AvatarGiuseppe C. says

    November 28, 2023 at 1:09 pm

    I like a lot the Max Ionata Syos model, also.

    Reply
  4. AvatarMcCarter R Cosby says

    November 29, 2023 at 1:19 pm

    I’m looking for a loud bright sounding mouthpiece 8 or 9 250 to 300 $$ price range

    Reply
  5. AvatarSkip Pruitt says

    June 4, 2024 at 9:57 pm

    I play the old Chad LB model #8 with Vandoren V16 2.5 and Vandoren optimum ligature and it sounds good. I posted a clip of me playing with the National Symphony Orchestra during a Marvin Gaye tribute on my Skip Pruitt IG account. It works for that soulful R&B vibe. I’m considering getting a #7 since I play more alto than tenor.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I have NEVER seen material like yours.  Amazing!!
Jerry

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Steve M on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review
  • Giuseppe C. on Theo Wanne Essentials Jazz 7* Tenor Saxophone Mouthpiece Review
  • Arya Boustani on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review
  • Gerrit Schwab on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review
  • Allen Halstead on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025