• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Ken Okutsu Traditional Tenor Saxophone Mouthpiece Review

Ken Okutsu Traditional Tenor Saxophone Mouthpiece Review

April 17, 2015 by Steve 16 Comments

Today, I am reviewing my third hard rubber tenor saxophone mouthpiece from Ken Okutsu in Japan. It is the Traditional model and has a 7 tip opening which is .104. ( I call it a 7* tip in the recordings below because .104 is close to the traditional 7* size).   I already reviewed my first two Okutsu mouthpiece which were the High Baffle Model and the Tradition II Model.

Ken Okutsu Traditional Tenor Sax Mouthpiece

Here is the description and features from the Okutsu website:

Features

  • Medium rollover baffle and large chamber
  • The beautiful vintage sound.
  • All mouthpieces are crafted by CNC machinery for incredible accuracy and finished by hand carefully.
  • Concave Table. It makes the tone full and rich. The practical life span of reeds is lengthened.
  • Material is the highest quality(hard rubber).

Ken Okutsu Traditional Tenor Sax Mouthpiece

The Okutsu mouthpieces are hard rubber and come in a protective plastic case.  Within the case they are wrapped in a black velvet bag.  I received three tenor mouthpieces and one alto mouthpiece from Mr. Okutsu.  The tenor mouthpieces are the Traditional model, the Traditional II model and the High Baffle model.  I kind of like how simplistic and straight forward the model names are.   The Traditional model looks to the darkest, then the Traditional II looks to have a slightly higher rollover baffle.  Finally, the High Baffle model has the highest baffle as the name implies.

The mouthpieces look good to my eye.  The hard rubber is shiny and without any imperfections. The gold engraving is neat and clean.  The rails, tip rail, table and baffle look very well crafted and even.

Ken Okutsu Traditional Tenor Sax Mouthpiece

The Traditional  model was very reed friendly to me.  I had no trouble trying different reeds on it and all the reeds passed the suction test when first put on and then later after playing awhile.  The Okutsu mouthpieces have a concave table which many player’s and mouthpiece manufactures have preferred over the years.  In recent years,  it seems like I am getting a lot of mouthpiece with flat tables instead of concave.  Now that I’m writing this review, I am curious  as to what the differences are  between the two table in regard to playability, response and sound……….In the Okutsu bullet points above, the Concave table is listed as making the tone full and rich and increasing the life of reeds………….Interesting!

 

Ken Okutsu Traditional Tenor Mouthpiece

I thought the Ken Okutsu Traditional tenor sax mouthpiece played great although after playing the Traditional II all day yesterday, the Traditional didn’t at first feel powerful to me.  That happens a lot to players that are used to a higher baffle mouthpiece, they try a lower baffled piece and it seems like it isn’t powerful or is dead. Many times the issue is that the player is used to a weaker and smaller airstream.  They didn’t have to blow as hard and as much with the higher baffle and became used to that air stream.  The solution is to spend time on the new mouthpiece to readajust to the air requirements of the new mouthpiece.  The Traditional mouthpiece became very powerful and full sounding as I played it for about half an hour.  (In fact, I just took a break from typing and played my tenor with the mouthpiece still on it and the sound is huge and powerful……now I can’t believe my first impression was that it had no power!)   I’m now used to the Traditional model and going back to the Traditional II or the High Baffle Model will be an adjustment for me probably.

Although this Tradition Model has a lower roll over baffle than the Traditional II I would still consider it a medium baffled mouthpiece.  You can see in the picture below how it still has a pretty substantial baffle to it.

The Okutsu Traditional model had a nice focused core to the sound like the Traditional II but it is slightly darker and more spread to my ears.   The low notes are fatter I think and high notes have less of that brassy ring I noticed in the Traditional II and High Baffle models.   I would say the tone was still in the middle of the dark to bright spectrum like the Traditional II but this mouthpiece leaned a little further to the dark side.  That being said, if I blew harder and made my bottom lip flatter and harder against the reed,  I could still get a nice bright edge from this mouthpiece when I wanted. Lay back a tad and soften up the bottom lip and it has a great vintage hard rubber Otto Link vibe to it.

One aspect I loved about all three Okutsu saxophone mouthpieces is their smooth buttery sound. Even though each mouthpiece could get brighter to varying degrees, I felt like the tone still had a soft edge to it that I really liked.  All three mouthpiece felt as smooth as “butter” when playing fast throughout the range of the horn.

Ken Okutsu Traditional Tenor Sax Mouthpiece

The Ken Okutsu Traditional Tenor Saxophone Mouthpiece was great to play.  This is another great mouthpiece for players who want the best of both worlds.  It’s not as bright as the Okutsu High Baffle and Traditional II mouthpieces I reviewed earlier but it still has plenty of power when you blow hard.   I would suggest this mouthpiece to guys who love hard rubber and love playing jazz but maybe have to delve into the more pop stuff once in awhile.  If you play and even balance of pop and jazz you could go with the Traditional II and if you play mostly pop with not much jazz maybe the High Baffle model.  That is just my opinion though, if you like a brighter kind of jazz sound like Brecker playing a standard then I think the High Baffle model could get you in that ballpark also………….

Every time I review a bunch of mouthpiece from the same maker I always have some readers email me and ask “…..but which one is the best, or which is your favorite of the three?”  In this case I really can’t answer that question.  Seriously, when I first received the mouthpieces I played all three and immediately loved the High Baffle model.  When I was reviewing it I thought, this is my favorite of the three.  Then when I was reviewing the Traditional II model I thought the same thing.  Now today I played the Traditional and thought the exact same thing.  I would hate to be in a store trying to decide which of these to buy!!  I’d be in there for hours!!

If you like the sound of the clip below and the mouthpiece catches your interest then please contact Ken Okutsu and give it a try. You can contact Mr. Okutsu at his website at Okutsumouthpieces.com. Tell him Steve sent you………….Great work Mr. Okutsu!!

Let me know what you think in the comments below. Thanks, Steve

https://cdn.neffmusic.com/2015/April/KOTrad.mp3

Ken Okutsu Traditional Tenor Sax Mouthpiece

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: hard rubber, Ken Okutsu, review, sax, saxophone, tenor mouthpiece, Traditional model

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarBill Bryant says

    April 18, 2015 at 11:05 am

    Very nice. Price? Availability in USA?

    Reply
  2. AvatarWarren says

    May 2, 2015 at 1:44 am

    Love your contributions Steve, keepsw aus well informed….and of course your playing is so good!!!

    ps
    hate the reverb, dry is best lol
    no reverb pleeeeezzzzzze !!!

    Reply
  3. AvatarTim Zannes says

    May 5, 2015 at 12:26 pm

    Steve. This one sounds (and you sound) great! I think I like you on this piece the best of anything you have put up here.

    Reply
  4. AvatarBob Wagner says

    June 1, 2015 at 11:56 pm

    After hearing your clip on the Trad II I went ahead and ordered one. It took a little less then 5 weeks to get it in the mail. It has quickly become my favorite piece, especially on my old Martin Comm III. The workmanship is absolutely first rate. It’s very easy to order one through Mr. Okutsu’s website. With the current exchange rate the cost in US $ came to just under $230. I consider that to be an outstanding value. Thanks for reviewing these.

    I really hear only a slight difference between the Trad and the Trad II, but I’m wondering if you felt a difference playing them? You sound great on both, regardless. Have you tried the alto version?

    Reply
    • SteveSteve says

      June 2, 2015 at 12:29 pm

      Hi Bob,
      I’m so glad to hear of your great experience with Mr. Okutsu and am glad you love the mouthpiece! I did feel and hear a difference when going from the Traditional to the Traditional II but I would hate to have to only choose one to take to a desert island that is for sure. I really like both of them. I actually have 4 of the Okutsu alto mouthpieces on my desk as I write this. I’ve been playing the Traditional for the last week. It plays great and gives a great Phil Woods type bop sound. Hope to put up a review in the next few weeks. Thanks, Steve

      Reply
  5. AvatarDavid Mastin says

    July 17, 2015 at 9:42 pm

    hello Steve.
    I have been trying for years to find a vintage berg in the attempt to get a sonny rollins style sound, but I am having no luck. Do you know of any mouthpieces that could help me out with achieving a sixties sonny rollons sound

    Reply
  6. Avatarcornelius campbell says

    July 28, 2015 at 12:43 am

    First things first, Steve I greatly appreciate your mouthpiece reviews! Based on your reviews I have purchased the TM42, and the Ken Okutsu traditional. After falling completely in love with the Okutsu I wait like a kid on christmas morning for your reviews of the okutsu alto mouthpieces. C’mon Steve let me hear it.

    Reply
    • SteveSteve says

      July 28, 2015 at 1:18 pm

      That’s great to Cornelius. I’m working on the alto reviews this week so hopefully you can hear them soon. Steve

      Reply
  7. AvatarBill Bryant says

    September 17, 2015 at 3:24 pm

    I just got a Traditional in *7 facing. Very nice. Just the sound I was looking for.

    Reply
  8. AvatarJim UK says

    March 28, 2017 at 5:45 am

    Hi Steve,

    Yet another great mouthpiece review. I was so impressed by the colour and thickness of tone I contacted Ken and ordered a piece from him. Lovely chap, I said I heard your clip. 2 month wait but it will be worth it.

    In the past I bought a Phil Engleman and an Eric Falcon pieces from previous reviews all spot on and perfectly described by you steve.

    Many thanks

    Jim

    Reply
  9. AvatarJames says

    June 23, 2017 at 3:23 pm

    Dear Steve,

    I love listening to your mouthpiece demo always so interesting. About 3 months ago I listened to your Tenor review on the Ken Okutzu Mouthpiece.

    Oh my gosh, they are every bit of good in the flesh, I ordered the traditional Model from Ken and 2 months later it arrived. I have had in excess of 30 mouthpieces over the years and this one is phenomenal. Rich and dark velvet quality in the tone and is so so so much pleasure to play. People who have known my playing for years are saying my god that’s a beautiful sound. Steve thank you so much. I can finally say goodbye for searching. Ken your a genius.

    Warm regards

    James

    Reply
    • SteveSteve says

      July 2, 2017 at 9:28 am

      James, I agree! Ken Okutsu has something special with his mouthpieces. I still have his tenor pieces that I reviewed. I can’t let them go……….Steve

      Reply
  10. AvatarGiuseppe says

    June 11, 2018 at 6:54 am

    Hello Steve, I’m trying to compare these Traditional and Traditional II with the Aizen LS which, however, seems to me to be recorded at a lower level.
    Both Okotsu seems darker and fuller and more powerful; I’m wrong?
    I know it’s a difficult question, but you, in order of preference from the favorite, how would you put them?
    Okotsu seems to me more suitable for me also as a measure because it starts from 0.087.
    Thank you.
    Giuseppe.

    Reply
    • SteveSteve says

      June 11, 2018 at 7:56 am

      Giuseppe,
      I still have the Okutsu Traditional and Traditional II as I really like the both of them. I had to send the Aizen LS back and I really can’t remember anything about that one besides what’s on the review. Steve

      Reply
  11. AvatarGiuseppe says

    June 11, 2018 at 1:01 pm

    Thanks Steve, this answer, in practice, already answers by itself!
    I also have the doubt whether to buy them both … Traditional and Traditional II, more linkish, as you write!
    Giuseppe.

    Reply
  12. AvatarMurray Middleman says

    October 15, 2020 at 11:10 am

    Hi Steve , Beautiful tone on the Ken O ( Japan) Traditional 7 Hard Rubber .mouthpiece . Nice and warm and centered . Thanks for the review and the test playing .
    Best wishes, Murray

    Reply

Leave a Reply to David Mastin Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I have NEVER seen material like yours.  Amazing!!
Jerry
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Ari on Geller Blackbird Ebonite Tenor Saxophone Mouthpiece Review
  • Peter van Raak on Selmer Jazz Tribute 7* Tenor Saxophone Mouthpiece Review
  • Willem van Gelder on Theo Wanne Lakshmi Gold Tenor Saxophone Mouthpiece Review
  • Predrag on Drake Vintage Resin NY Jazz Tenor Mouthpiece
  • Noel P on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025