• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / Benjamin Allen Brighter 10E+ Tenor Saxophone Mouthpiece

Benjamin Allen Brighter 10E+ Tenor Saxophone Mouthpiece

December 6, 2014 by Steve 4 Comments

Today, I am reviewing another hard rubber tenor saxophone mouthpiece from Benjamin Allen. It is the 10E model but it is a Ben’s brighter version of this model.  This model doesn’t have a name yet so for the sake of this review I will just call it the 10E+.

Benjamin Allen mentored under “Doc” Tenney and after Doc’s death decided to carry on his tradition and dedication to the mouthpiece making craft.  Ben decided to come out with a 10E model in honor and memory of Paul “Doc” Tenney” himself as a reflection of Doc’s work and mentorship.    Here are a few words from Ben’s site on the 10E:

“I have placed every ounce of my knowledge, skill, and training into making this mouthpiece worthy of carrying the mighty initials “10E”– I do not and will not ever take this obligation lightly. While my model “10E” is an exceptional mouthpiece reminiscent of Doc’s Jazzmaster, it is still not Doc’s work–it is my own. But I firmly believe this mouthpiece will fully reveal Doc’s outstanding mentoring and my dedication to the craft.”

Benjamin Allen Brighter 10E+ Tenor Saxophone Mouthpiece

Here are some more bullet points from Ben’s website about the 10E model tenor saxophone mouthpiece he makes:

BULLET POINTS ABOUT THE MODEL 10E:

  • This mouthpiece has a truly large chamber, yet it retains a nice level of relative focus and density to its spectral coloration and envelope.
  • The walls are undercut, but there is a slight squeeze going into the chamber.
  • The facing curve is moderately resistant on this mouthpiece.
  • The beak design is based on a standard Otto Link.
  • The ramp is undercut and the side rails are slightly thinned and balanced.
  • The tip rail profile is significantly thinner that Dr. Tenney’s (this does not make it better; it’s different)
  • My concept of “neutrality” is ever so slightly more brilliant than Dr. Tenney’s concept.
  • Each mouthpiece is handmade and hand adjusted to ensure each piece approaches playing perfection.
  • All steps are completed in the United States.
  • Each mouthpiece is made of American hard rubber–sorry, but there is no plastic in my pieces.

Ben actually sent me three 10E mouthpieces to try and review.  One is the 10E model which I already reviewed and one is this brighter version of that model that I will review today.  The other 10E he sent was an absolute monster of a mouthpiece at a .135 tip opening.   I hope to review that in a few days after I take an adrenaline shot straight to my heart to pump me up  and maybe some steroids for recording the audio clip! (Actually, it was much easier to play than I had imagined……more on that later…….)

Benjamin Allen Brighter 10E+ Tenor Saxophone Mouthpiece

When you open the package, there is nothing about this mouthpiece that says  ” this is the greatest mouthpiece to ever exist and will change the future of saxophone sound forever”  It isn’t shiny and doesn’t have glitter or anything.  It’s pretty nondescript.  It looks like your average black hard rubber mouthpiece with the words “Benjamin Allen” and “New Orleans” engraved on the top.  When you turn the mouthpiece over and look at it in the light it looks perfect though. Not one ounce of asymmetry or imperfection.  The table, rails and tip rail look even and perfect.  The tip rail is thin and even as are the the side rails and baffle.

The 10E tenor sax mouthpiece has an ever so slight rollover baffle that then angles down into the large chamber.  It almost seems like it goes straight to the back of the chamber but there is a slight scoop in the chamber at the bottom.  The side rails are scooped out smooth and evenly.  There is a slight protrusion around the back of the chamber where the chamber meets the bore as you look at the chamber from the tip.

To be honest, although this Brighter 10E sounds and plays very different than the original 10E as I look at them side by side it is hard for me to tell a difference between the two.  The baffles and chambers look almost identical to me.  There is a big difference in how they play and sound so I’m rather perplexed by what the differences are………….

 

Benjamin Allen Brighter 10E+ Tenor Saxophone Mouthpiece

OK,  on to reviewing the sound and playability of the Brighter 10E+.  In the review of the original 10E I commented on how it is one of those mouthpiece that can slip by you if you are not careful.   The 10E+  is not like that.  It is very easy to play and like all of Ben’s mouthpieces I have is very reed friendly.  I found the tone brighter and much more powerful sounding.  Although it does seem louder decibel wise to me,  I also think the brighter tone seems to carry and cut through more.

The intonation was excellent and like the 10E the tone was very even throughout the range.  Although the tone was brighter than the 10E it has a very sweet and buttery sound to me.   The altissimo was very fat and round sounding to me. No harshness or edge up there, just round, fat and sweet sounding notes.

The low notes still retain that dark lush 10E sound in my opinion. The Rigotti Gold 3 Strong reed I used on the 10E seemed harder to me on this 10E+ mouthpiece which makes me wonder if the facing curve is different than the 10E.  It would be interesting to me if the extra brightness and pop came from a different facing curve or not………..  I ended up picking out a Rigotti Gold 3 Light reed for this clip.*

* I just got a response email from Ben saying that the extra brightness is due a difference in the baffle area of .005 to .010 higher.  He says the extra brightness is caused from air flow compression………..Interesting!

Benjamin Allen Brighter 10E+ Tenor Saxophone Mouthpiece

The Benjamin Allen 10E+ Tenor Saxophone Mouthpiece was great to play. If you like the sound of the clip below and the mouthpiece catches your interest then please contact Ben and give it a try. You can contact Benjamin Allen at his website at Allenmouthpieces.com  Tell him Steve sent you………….Great work Ben!!

Let me know what you think in the comments below. Thanks, Steve

https://cdn.neffmusic.com/2015/February/BE10EBright.mp3

As I listen to this clip the mouthpiece sounds very nice but I would like to add another clip with louder more hardcore playing to see what the piece sound like in that style.  I’ll post the clip hear also after I record it.

Benjamin Allen Brighter 10E+ Tenor Saxophone Mouthpiece

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: 10E+, Benjamin Allen, Doc Tenney, hard rubber, jazz saxophone, tenor mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarTim Zannes says

    December 6, 2014 at 11:01 pm

    You sound great on this one Steve. Very fat but also clear. I have the Dragoti and the 10E and now I want to get one of the 10E+ models from listening to your playing on it. This one sounds very versatile.

    Reply
    • SteveSteve says

      December 8, 2014 at 9:58 am

      Thanks Tim. Yes, this is one is really good. I’m playing the .135 10E today. Hopefully I can a clip of that up later today and then I can start reviewing the Dargradi pieces………….

      Reply
  2. AvatarRicky Eastman says

    November 14, 2022 at 6:01 am

    I do hope you kept this one… Sounds perfect for you.

    Reply
    • SteveSteve says

      November 14, 2022 at 11:13 am

      Yep, I still have this one…….

      Reply

Leave a Reply to Tim Zannes Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I have NEVER seen material like yours.  Amazing!!
Jerry
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Leo on Phil-Tone Tenor Mouthpiece
  • Randy Cosby on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Brian at GetASax on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Brian at GetASax on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Steve on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025