• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Saxophone Stuff / Jazzlab Saxholder Neckstrap Review

Jazzlab Saxholder Neckstrap Review

November 14, 2012 by Steve 7 Comments

Today, I will be reviewing a new neckstrap by Jazzlab called the saxholder.  This is a revolutionary neckstrap that is designed so that there is no pressure whatsoever on the neck and upper spine of the player.

A few years ago, I started having numbness and tingling in my hands and arms.  I would get really bad pains in my upper back and my right shoulder also.  After months of just trying to grin and bear it, I went to a Neurologist and had an MRI done.  Afterward, the Neurologist told me that I had some herniated discs at C4 and C5 and that I would need surgery to have them fixed.   I never did have surgery in that area because the issues come and go but ever since that time, I have been looking for an alternative to my saxophone neckstrap. Many times I would feel  pain in the center of my upper back after I had been playing for an hour or two so I thought a new neckstrap might help.

Over the coming months I tried a variety of neckstraps but they were all different varieties of a strap that hung around your neck.   Some were more comfortable than others but in the end I still felt the back pain after playing for a while.

Around this time,  I heard of the Saxholder neckstrap on SOTW (Sax on the Web).  Players were raving about how great it was and how it took the weight of the sax off of the neck.   I saw a used one for sale on that Forum and bought it immediately.

Now, I have to admit that when I first got the Saxholder,  it felt very strange to me.   I have had over 33 years of sax weight hanging from my neck when I play.  It felt strange to not have that weight there around my neck.   Over the next few days though,  I started to feel comfortable with the Saxholder.   Most of all, I wasn’t feeling any upper back or neck pain!

The way the Saxholder works is by putting the weight of the sax  on your shoulders and traps rather than your neck.  There is a bar that hangs down and presses slightly into your stomach area to also help support the weight.   This is a little strange at first but you get used to it.  You can adjust the length of that bar just by pulling it out or pushing it in.

The bars that go over your shoulder are padded with thick rubber.  You can also bend them easily so that they form to the shape of your shoulders.  Even though the weight is on your shoulder, it feels evenly distributed between the two shoulder bars and the stomach bar.

The one downside to the Saxholder is that the strap does not work well when you are sitting down and have the horn to the side.   It throws the balanced weight on your shoulders off and everything feels a bit unstable and lopsided.  I do most of my practicing and gigging standing up so this isn’t a big negative for me but some of you who are in big bands or sit a lot when you are playing will find this to be a big negative.   I would have given the Saxholder 5 stars but I deducted one star for the unstable feeling while sitting.

The model I have is clearly for the tenor saxophone as I can’t pull it high enough to play my alto sax with it.  I’m not sure if they make one model for both horns.  I hope so as I don’t want to lug around two Saxholders every where I go.  A new  Saxholder model that works for both tenor and alto is on my Christmas list this year…………..

If your are interested in learning more about this great strap you can visit the Jazzlab website to read the great reviews and testimonials.   There are number of retailors who are selling the Jazzlab Saxholder now so if you do a search online you will be able to order one easily.

I have included a video below so you can see how the Saxholder works in action.     Thanks,    Steve

Filed Under: Saxophone Stuff Tagged With: Jazzlab, neck pain, sax neckstrap, Saxholder, saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarPaul Maine says

    November 14, 2012 at 12:29 pm

    I purchased one of these weird contraptions from Eric Falcon a few months ago while attending a sax masterclass in Houston. Most of my gigs these days are 4hour gigs where Im standing. The traditional neck strap would wear me out by the end of the gig but this contraption distributes the load of the tenor from the neck to the shoulders and chest. I love it. I also switch to alto and I just have to adjust the string for the alto and it works fine. I highly suggest that you consider this neck strap!

    Reply
  2. AvatarHeath Watts says

    August 19, 2014 at 10:06 pm

    Hi Steve,
    Will the Saxholder work with a straight soprano saxophone?
    Thanks,
    Heath

    Reply
    • SteveSteve says

      September 5, 2014 at 9:51 am

      Heath, I use my Saxholder with my straight soprano and it works fine. I don’t like using the Saxholder when I’m sitting down with a tenor to the side but anything out in front is fine. Steve

      Reply
  3. AvatarHeath Watts says

    September 5, 2014 at 10:24 am

    That’s great! Thanks for replying, Steve. I need to try one of these straps.

    Reply
  4. AvatarDaniel Stover says

    February 21, 2015 at 4:42 pm

    I have been using the Saxholder about a year and love it. I have always been most comfortable playing with the sax between my legs. My problem with the lop-sided balance as you described for players who play to the side mainly comes into play for me when it’s time to swab my horn. As usual Steve, your review is much more thorough than what I posted on my website.

    Reply
  5. AvatarNorman Walsh says

    February 22, 2015 at 9:28 am

    This strap is great. I have mild arthritis in my neck, therefore this strap is worth every penny. there is also a Free Form strap. Really great for relieving pressure. Unfortunately I rejected it because of the harness.

    Reply
  6. AvatarDave says

    March 26, 2017 at 1:59 pm

    Thanks for the review, Steve. I’m going to look into the Jazz Lab holder. I like their sound Deflector product, good design and an improvement on the Ploeger Sound Mirror that’s been around for decades to reflect your sound back to you when playing. I’ve got back trouble so I got one of those harness type straps, perhaps by BG. Two problems with the harness: because it’s all one strap, if you’re a large person, once you adjust the harness to fit your body, there’s only so much strap available to slide the horn up closer to your mouth. The horn was either too low, or too close to your body, with not enough strap to pull up to an adequate height for playing. Also, every breath you take, every slight move of your shoulders means the horn is constantly moving around. I couldn’t get used to it at all. The Sax Holder seems different, with the actual sax strap independant from the shoulder part, so am I correct in assuming you can slide the horn up as high as you like?

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I have NEVER seen material like yours.  Amazing!!
Jerry
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Gerrit Schwab on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Dan on A Blast from the Past-Chromazone by Mike Stern Cover
  • Simon Howard on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Cash Farrar on Vigilante NYII Tenor Saxophone Mouthpiece
  • Manny on Claude Lakey 7*3 Original Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025