• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / Ralph Morgan MLL 8* Tenor Saxophone Mouthpiece

Ralph Morgan MLL 8* Tenor Saxophone Mouthpiece

April 7, 2010 by Steve 21 Comments

This a Ralph Morgan MLL 8* tenor saxophone mouthpiece.  This use to be a ML model but the owner of the piece sent it to Erik Greiffenhagen to have the chamber made larger so now it is a MLL model.  The tip opening of this mouthpiece is an 8* which for a Morgan is a .105.  With the larger chamber I have to admit that I like this mouthpiece even more than when it was an ML.  It has a big sound and the mouthpiece feels like it is vibrating when I play it.  You would think with the bigger chamber it would be less powerful and darker but it feels more powerful to me.  The bottom range notes are just lush and full sounding with a nice crispness to them.  There seems to be a husky full quality to the notes that I love. The upper range rings nicely and it plays very smoothly and evenly all over the horn.

I wish I could spend more time with this piece but I have to send it back to the owner. This would be a great all round mouthpiece for all styles of music.  I could get pretty darn loud with it.   I think I will have to order one of these………… Let me know what you think. Steve

https://www.neffmusic.com/images/mp3/Morgan%20MLL.mp3

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Erik Greiffenhagen, Morgan MLL, Ralph Morgan, tenor mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarEric says

    May 3, 2010 at 10:57 pm

    Wow! I love that sound. I just emailed Eirk G to ask about having my Morgan 7M opened up in a similar fashion. I’ve never really been happy with the medium chamber. It just sounds too thin to my ears. It’s got good core, but not enough depth – especially in the low end of my horn.

    Reply
  2. AvatarZach says

    June 28, 2010 at 3:29 pm

    i noticed the same thing with my morgan, it sounds great and is really easy to play but compared to a good link it just seems like the sound is not nearly as fat and complex. would getting the chamber enlarged make the sound fatter? ive been thinking about either getting the morgan refaced or saving up some money for an early babbitt hr link.

    Reply
    • stevesteve says

      June 28, 2010 at 10:38 pm

      Which Morgan do you have? I don’t really like the M’s that much but prefer the L chambers. The MLL was terrific. Big, fat juicy sound with lots of character.

      Reply
  3. Avatarzach says

    June 29, 2010 at 6:39 pm

    i actually have an 8L .100 that i switched to from a 7* .105 otto link hr. the morgan sounds less fat and i guess you could say more focused. could this be a result of the smaller tip opening or is it more likely the size/shape of the chamber?
    apparently the morgan has a more oval shaped chamber, while the links chamber is circular.

    Reply
    • stevesteve says

      June 29, 2010 at 7:37 pm

      i think it is both. the smaller tip gives it a more focused and centered sound and the Morgan L does seem slightly smaller in chamber than the Links i have owned.

      Reply
  4. AvatarJackLi says

    February 20, 2011 at 10:30 pm

    Hi Steve,
    Do you remember how does the Marc Jean Ligature fit on the piece? I’m thinking of getting a lig for the Morgan but it has a slimmer profile so I’m not sure whether I should get a standard size rubber Tenor lig or buy a custom fit one from Marc?
    Thanks,
    Jack

    Reply
    • stevesteve says

      February 21, 2011 at 7:58 pm

      No, sorry I don’t remember. I’m not even sure if I had the Morgan and the Narc Jean at the same time…………

      Reply
  5. AvatarJackLi says

    February 21, 2011 at 11:46 pm

    Thanks anyway Steve, and your clip above did say you had the Marc Jean but of course this clip was made a while back….

    I do have another quick question though Steve, did you ever play any Morgan Alto mouthpieces?
    Thanks for the great site,
    Jack

    Reply
    • stevesteve says

      February 22, 2011 at 3:37 pm

      Oh OK. I must have had the MJ lig then but I don’t remember if I tried it on the Morgan MLL?? Sorry. I don’t think I’ve played a Morgan alto mouthpiece yet. I might of way back but don’t remember specifically. I do vaguelly remember trying an Excaliber and thinking it was way to bright for my alto but that’s all I can remember. I don’t think I tried another one since then. I would like to.

      Reply
  6. AvatarRaymond Johnson says

    October 10, 2011 at 11:51 pm

    This is the current piece I play on. I find it very fluid mouthpiece and it is able to blend very well in horn ensembles and with vocalists. Although, I’ve found it to be a little limiting in funk and rock settings where it gets covered up by electric guitar and keys. Thanks for the review and sound clips!

    Reply
  7. AvatarDenis says

    July 19, 2012 at 12:01 pm

    it is better to 9M or 9ML ?

    Reply
    • stevesteve says

      July 19, 2012 at 4:58 pm

      Denis, I like the ML much more than the M model. It has a bigger thicker sound to my ears.

      Reply
  8. AvatarDenis says

    July 20, 2012 at 2:36 am

    thank you for help, Steve

    Reply
  9. AvatarDenis says

    July 26, 2012 at 3:29 pm

    hello, Steve. tell me please what to pay my attention, what is better?
    RPC 115B Tenor
    Theo Wanne – Brahma 9 HR Tenor
    Morga 9ML
    thank you for help

    Reply
    • stevesteve says

      August 3, 2012 at 11:30 am

      I can’t say which of these is better for you as they all have different sounds and play different. All 3 are great mouthpieces. You have to try them for yourself to decide which one you like the best.

      Reply
  10. AvatarAustin Zhang says

    January 13, 2013 at 7:41 pm

    Could you compare this and the Bunte TM42?

    Reply
    • stevesteve says

      January 18, 2013 at 9:44 am

      It would be hard to compare these two mouthpieces just because it has been so long since I played both of them. They were both easy to play. I remember the Morgan had a bigger more spread sound to it. The TM42 had more of a direct focused sound.

      Reply
  11. AvatarSon o' Sonny says

    August 28, 2013 at 6:42 pm

    Just to make sure I understand your post from 6-29-2010… you say that the Morgan L (the largest-chambered Morgan) seems slightly smaller in chamber than the Links you’ve owned? And thinner (less “fat”) sound as well?

    Reply
    • stevesteve says

      September 7, 2013 at 3:24 pm

      Yes, that is how I feel about the Morgans in general. I do think the MLL had a chamber that was enlarged so I got a bigger fatter sound out of it. The MLL is larger than a Morgan L from what I remember although it has been a long time so you might want to check with the mouthpiece guys to confirm this……….

      Reply
  12. AvatarPhil says

    September 29, 2016 at 9:08 pm

    Say – Looks like Morgan has updated their line, any new reviews in the pipeline? The’ve got the “Excalibur”, and the “Jazz” and the “Vintage”…

    Reply
    • SteveSteve says

      October 7, 2016 at 11:11 am

      Phil, Actually, Junkdude just contacted me about reviewing some Morgan pieces. I think they are sending an Excaliber alto mouthpiece for me to review. Last time I tried one was in the early 2000-2003 range I think so I am excited about trying one again. Back in the day these Morgan pieces had quite the “buzz” about them. Steve

      Reply

Leave a Reply to zach Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I have NEVER seen material like yours.  Amazing!!
Jerry
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Mastering Altered Pentatonics (Digital PDF Book) Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Jim Ramsey
  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.75 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Bob Rockwell on JS Custom Nova 7* Tenor Saxophone Mouthpiece Review
  • William Gaskill on JS Custom Nova 7* Tenor Saxophone Mouthpiece Review
  • Tom DePalma on Kessler Custom 7 Soprano Saxophone Mouthpiece by Theo Wanne Review
  • Steve on JS Custom Nova 6 Alto Saxophone Mouthpiece Review
  • Steve on Florida Otto Link Metal 100th Anniversary Model Tenor Saxophone Mouthpiece refaced by Jimmy Jensen Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026