• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Funny as a Brain Tumor / As Funny as a Brain Tumor! Part 2

As Funny as a Brain Tumor! Part 2

October 14, 2009 by Steve 6 Comments

Ok, where was I?  Oh yeah……… So all this hysterical laughing is going on.  As this is getting worse and worse,  things in my life start to quickly fall apart around me.  Most of my relationships are stressed because people think I’m a little strange (OK very strange if not crazy).  The bands I’m in start to wonder why I am their sax player. The company I run a store for start to wonder why they have me managing a store.  My employees at the store start to wonder why they even listen to me.  People in my church start to wonder why I seem to think communion is so hysterically funny. etc…….

My relationship with my fiancee (yes, I asked the girlfriend to marry me) was becoming more stressed than ever.    She asked me to go to counseling with her.  I agreed because I wanted to support her and be there for her.  If you have ever been to counseling you know that the discussions can get pretty deep and emotional at times. Being a supportive fiancee,  I did what any close personal friend would do in these instances of intense sharing.  I would start giggling and snickering and then fall off the couch laughing hysterically. I would then continue to laugh for the entire remainder of the hour session.

Needless to say, my fiancee was not very happy with my comical response to her painful memories and vulnerable sharing. Again, this was another meeting that I wasn’t invited back to.  On a side note, the counselor pulled me aside and asked me about my behavior afterwards.  He thought he could help me with my emotional problems and I ended up making an appointment for myself and seeing him over the next month or two.

Not the same exact couch as in my story, but that is how I felt….

He helped me realize that my awkward emotional response was due to the fact that I never saw my Dad cry while I was growing up.  It all made sense to me now! (Later, in a very personal moment with my Dad, I told him about this newly discovered insight about myself.  He responded very tenderly with  “Awwwww, that’s a load of CRAP!”  It was a bonding moment for us……).

Anyways, due to all these factors, I was slowly and steadily starting to believe that I was going crazy.  I was losing it! When you are acting a certain way that is unacceptable and you have no idea why and can’t control it, that feels like craziness. That’s how I felt much of the time.  These feeling and thoughts led me to be more and more depressed on the inside.  You would never know from looking at me at the time though because I was the happiest depressed guy you would ever meet!  I was laughing all the time!

The relationship with my fiancee ended soon after for a number of reasons……..but the constant laughing certainly didn’t help.  To make the break up of that relationship even worse,  I was laughing the whole time we were breaking up!  (She didn’t appreciate that at all!)

Around this time,  I also started to notice more and more problems with my saxophone playing.  I would go to gigs and get so frustrated at my playing.  I would go to play an altissimo note (a really high note on the saxophone) that I had played a million times before and it would not come out.  I would go to play a simple phrase and then squeak ( I never ever, ever, ever squeaked before that!).  I would play a cool run of fast notes that I always played and it would be a complete train wreck of notes.  I would be improvising a solo and have no ideas whatsoever!  Besides all that,  I couldn’t get through a solo without starting to laugh……… I remember many times where I would just stop playing in the middle of a solo in front of hundreds of people and just burst out laughing.  The band leader would just look at me and say “What’s up?” with a rather annoyed look on his face.  I felt like my days in that band were numbered so I decided it would be wise to look for another gig.

I went to audition for another band that was looking for a sax player.  Up until this point in my life,  I would always get the gig when I went to an audition.  I would walk in, do my stuff and they would offer me the gig…..so this time I felt the same way.  I went in with confidence and knew I would get the gig.

They played a popular R&B kind of tune.  I don’t remember what it was but I remember I played a horrible solo and was squeaking through the whole thing!  I couldn’t believe it, I was so embarrassed.

Next they wanted to hear my jazz playing so they called “All of Me”.  The singer sang the melody and then at the end of the form, I had a two bar break going into my solo (if you don’t know what this is, this is when the band drops out for two measures and you play something great to impress everyone with your mad skills).  Well, we get to the break, the band cuts out, and my mind is totally blank! Absolutely BLANK!  Usually, I have a multitude of ideas and thoughts about what to play at any given moment.  At that moment, I couldn’t think of one darn thing to play.  I remember I played a high A and just held it for 8 beats. No rhythm or anything just one long held out note!  It was embarrassing. When I started soloing it was even worse.  I was messing up the changes, hitting wrong notes, my time was totally off, I was squeaking…….halfway through I just resorted to a blues scale to finish the solo.  It was lame.  Worst solo of my life.  I remember an awkward silence after the song finished and the drummer thanked me for coming out.  They told me they would let me know.  I left the room embarrassed, my head hung low in shame even though I was also laughing hysterically.  (not surprisingly, I never heard from that band about the gig………..)

After that experience, I realized that I needed to practice more.  I was playing 2-3 hours a day on average but was more frustrated than ever.  I felt like my fingers and tongue would not do what I wanted.  I decided to try to amp up my practice time and go for 4-5 hours a day.  That would fix the problem.  I needed to get the old Steve Neff back in the game.

Around this time, I started noticing some other bizarre things happening to me.  I’ll go into the details  in the next installment…….Part 3.  See you next time.  Steve

Filed Under: Funny as a Brain Tumor Tagged With: boston, brain tumor, funny, health problems, laughing, MGH, musician, saxophone, steve neff

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMelva says

    September 2, 2009 at 5:05 pm

    I remember one visit home when your father and I were having some kind of argument. You began to laugh making me feel very hurt. In fact you had to excuse yourself and go upstairs. I never heard you laugh so hard and so uncontrollably. Your father was getting a kick out of it, but I knew something was wrong because you were just not the kind of person who would take pleasure in someone else’s misfortune, least of all your Mother’s.

    Reply
    • stevesteve says

      September 3, 2009 at 9:05 am

      Sorry about that Mom. Those times were the most painful because people couldn’t understand why i was laughing and were hurt by my responses. I can think of dozens and dozens of times that I really hurt those around me by laughing at the wrong moments.

      Reply
  2. AvatarMike Payette says

    September 3, 2009 at 8:10 am

    Wow, Steve… fascinating story, although i’m sure you didn’t find it “fascinating” at the time.

    I would say my heart goes out to you, but it seems like i don’t need to say that anymore. I’m glad you (and probably your doctors) figured out your problem, and you received the treatment you needed. Looking forward to part 3.

    Is your deafness a result of the treatment you rec’d? Just curious…

    Thanks for sharing this personal aspect of your life with us.

    Best,
    MP

    Reply
    • stevesteve says

      September 3, 2009 at 9:02 am

      Thanks Mike. yeah my deafness was from one of the surgeries.

      Reply
  3. AvatarElaine Spitz says

    September 3, 2009 at 12:35 pm

    Steve, you are so generous to share this story. It’s quite fascinating and I am more happy than I can say that you survived it and went on to thrive.
    Hugs,
    Elaine

    Reply

Trackbacks

  1. Steve Neff's brain tumor story says:
    January 5, 2014 at 3:56 pm

    […] I’ll continue with the rest of this story next time. There’s much more to it so check back later…………..Part 2 […]

    Reply

Leave a Reply to Melva Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

No products in the cart.

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

1 2 3 4 5
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
1 2 3 4 5

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
1 2 3 4 5
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
1 2 3 4 5
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
1 2 3 4 5

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
1 2 3 4 5

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
1 2 3 4 5
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
1 2 3 4 5

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
1 2 3 4 5
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
1 2 3 4 5

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
1 2 3 4 5
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
1 2 3 4 5

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
1 2 3 4 5
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
1 2 3 4 5
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
1 2 3 4 5
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
1 2 3 4 5
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
1 2 3 4 5
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
1 2 3 4 5
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
1 2 3 4 5

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
1 2 3 4 5
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
1 2 3 4 5
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
1 2 3 4 5

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
1 2 3 4 5
I have NEVER seen material like yours.  Amazing!!
Jerry
1 2 3 4 5
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Start
Stop
NextPrev

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Steve on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Jeremy on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Steve on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Jeremy on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Axel Koch on Meyer Bros New York Connoisseur Series Alto Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025