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You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Medium Baffle Reviews / Freddie Gregory Mark IV 7** Tenor Saxophone Mouthpiece

Freddie Gregory Mark IV 7** Tenor Saxophone Mouthpiece

August 13, 2009 by Steve 5 Comments

Here’s a hard rubber Freddie Gregory Mark IV 7** tenor saxophone mouthpiece. I really miss this tenor sax mouthpiece.  I sold it not too long after I bought it because I thought it was too bright. To be honest, there were quite a few gigs I had during that time that were amazing with this mouthpiece. I’m sad that I sold it. I haven’t seen a hard rubber Mark IV since then anywhere. I think that is a sign that the people that have them are keeping them.   The Freddie Gregory Mark IV tenor saxophone mouthpiece has a higher baffle than the Mark II model Freddie Gregory tenor sax mouthpiece. It’s a bit brighter than the Mark II, but not too bright in my opinion.   I’ve played this on all types of gigs and it holds it’s own. I rank it up there with my Jon Van Wie Otto Link as far as versatility goes.  Nice and bright when I want it but I can still play the standards. Check it out!

https://www.neffmusic.com/images/mp3/FG%20Mark%20IV%207@@%20HR.mp3

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: 7*, freddie gregory, hard rubber, Mark IV, review, sax mouthpiece, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarDonDadda says

    June 5, 2012 at 10:57 pm

    It’s the only piece Ive never played. Oh well.

    Reply
  2. AvatarAdam says

    November 9, 2017 at 5:36 pm

    Sorry if I’m breaking any rules by posting on an EIGHT year old video, but WOW! I think this is one of the best sounding mouthpieces I’ve ever heard!

    Reply
  3. AvatarNick Martin says

    March 7, 2018 at 8:06 pm

    It IS the best sounding mouthpiece you’ve ever heard. Extraordinarily balanced and lively.

    Reply
  4. AvatarDavid says

    November 18, 2021 at 9:33 pm

    Hey Steve I know this is an old review but I just picked up an Aaron Drake “Freddie Gregory” BCFG in 8* that is really great! I got it used and not sure if this is modeled after the IV or not. It was a special order and not listed on his website. It’s very free blowing, almost too much so as it offers little resistance to blow against but even at this bigger tip opening it’s not tiring out my chops at all. Have you heard of these?

    Reply
    • SteveSteve says

      November 21, 2021 at 7:39 pm

      Hi David, I actually have an 8 version of this Drake FG mouthpiece sitting on my shelf waiting for a review. I had hernia surgery last week so I need to heal up first before I can start playing again but then I plan on reviewing it. Steve

      Reply

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I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
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I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

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Claude

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Lenore
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Cedric

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

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Robert

Robert
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
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Wolfgang from Berlin
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