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You are here: Home / Jazz Lessons / Blues Scales / Using the Blues Scale Part 1
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Using the Blues Scale Part 1

Using the Blues Scale Part 1

Rated 5.00 out of 5 based on 3 customer ratings
(3 customer reviews)

$9.99

SKU: 156 Category: Blues Scales Tags: blues scale, dominant chords, minor chords, steve neff
  • Description
  • Reviews (3)
  • Lesson Sample

Description

Using the Blues Scale-Part 1.  I always tell my students that all they need to know to get a gig is their blues scales.  They always think I’m joking and that there is no way it can be that easy but the truth is that 90-95% of today’s songs are in one key.  The band vamps and plays the same groove and key for the whole song.  The person that can stand up and play an authortative solo using the blues scale is the one who will get the gig.   Unfortunately, most of the young players today don’t really know their blues scales like they should.  Sure, they all say that they do but then when I have them play a solo using one it is usually dead, lifeless and uncreative.  The problem is that most young people today are given advice to use a blues scale on this solo or that solo but then no one ever shows them how to use it.  They are just given the scale and told to improvise.

In this lesson I take on the job of showing you exactly how to use each note of the blues scale over major,minor and dominant grooves. In Part 1, I talk in depth about how to use the blues scale over dominant chords and major 7th chords.   I teach about each individual note of the scale and how it relates to the chord behind it.  I also talk in depth about what I feel are the tendencies of each note and tactics that I use when playing the blues scale over static backgrounds and chords.  Part 1 is mainly focused on using the A blues scale over a C7 chord as well as the added notes of Bb and F.  I demonstrate all of these sounds on the tenor sax with a background track playing behind me so you can hear how these ideas sound to the music.  Listen to these 3 lesson on the blues scale, practice like crazy and I’ll see you out there on a gig one of these days!  Enjoy! (31 minute video lesson)

3 reviews for Using the Blues Scale Part 1

  1. Avatar
    Rated 5 out of 5

    Sam K (verified owner) – August 24, 2009

    I really enjoyed your lesson on the blues. I have never heard of using the 6th degree blues over the 1st degree blues. Ex: E over G blues. It is smoother sounding and when using the combination of both blues scales, it has given me so much more flexibility, ideas, and options while soloing over the blues changes. Over time I would like to purchase your entire collection!
    Thanks a million!!

  2. Avatar
    Rated 5 out of 5

    Anar (verified owner) – January 22, 2010

    This single lesson has improved my playing more than anything I have ever learned. I feel like I’ve had a revelation. I was shown the blues scale years ago but now I feel like I can actually hear it and know how to use it in soloing. Steve does a fantastic job of breaking down every note of the blues scale and explaining the character of each tone and based on this how to use each tone to good effect in solos. To my amazement, all of a sudden I can play lines which sound good! I have had several teachers, but none have taken this approach to explaining the blues, and I cannot understand why. I fully recommend this lesson to anyone who’d like to learn to play the blues!

  3. Avatar
    Rated 5 out of 5

    James (verified owner) – March 26, 2011

    I am trying to broaden my blues vocabulary so that I have more ideas to draw from on jazz blues and r&b tunes. This lesson, the first video lesson I bought, was extremely clear and helpful, and will forever change the way I play music. Steve dissects the scale note by note, and provides a handy cheat sheet with blues scales written out in every key. After this lesson I spent the next two hours digging into All Blues, Blue Monk, and Cousin Mary and could feel all kinds of new melodic paths through the scale.

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Lesson Sample

https://public.neffmusic.com/Using%20the%20Blues%20Scale%20Part%201%20(Video)%20clip.mp4

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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

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