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You are here: Home / Jazz Lessons / Blues Scales / Using the Blues Scale Part 1
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Using the Blues Scale Part 1

Using the Blues Scale Part 1

Rated 5.00 out of 5 based on 3 customer ratings
(3 customer reviews)

$9.99

SKU: 156 Category: Blues Scales Tags: blues scale, dominant chords, minor chords, steve neff
  • Description
  • Reviews (3)
  • Lesson Sample

Description

Using the Blues Scale-Part 1.  I always tell my students that all they need to know to get a gig is their blues scales.  They always think I’m joking and that there is no way it can be that easy but the truth is that 90-95% of today’s songs are in one key.  The band vamps and plays the same groove and key for the whole song.  The person that can stand up and play an authortative solo using the blues scale is the one who will get the gig.   Unfortunately, most of the young players today don’t really know their blues scales like they should.  Sure, they all say that they do but then when I have them play a solo using one it is usually dead, lifeless and uncreative.  The problem is that most young people today are given advice to use a blues scale on this solo or that solo but then no one ever shows them how to use it.  They are just given the scale and told to improvise.

In this lesson I take on the job of showing you exactly how to use each note of the blues scale over major,minor and dominant grooves. In Part 1, I talk in depth about how to use the blues scale over dominant chords and major 7th chords.   I teach about each individual note of the scale and how it relates to the chord behind it.  I also talk in depth about what I feel are the tendencies of each note and tactics that I use when playing the blues scale over static backgrounds and chords.  Part 1 is mainly focused on using the A blues scale over a C7 chord as well as the added notes of Bb and F.  I demonstrate all of these sounds on the tenor sax with a background track playing behind me so you can hear how these ideas sound to the music.  Listen to these 3 lesson on the blues scale, practice like crazy and I’ll see you out there on a gig one of these days!  Enjoy! (31 minute video lesson)

3 reviews for Using the Blues Scale Part 1

  1. Avatar
    Rated 5 out of 5

    Sam K (verified owner) – August 24, 2009

    I really enjoyed your lesson on the blues. I have never heard of using the 6th degree blues over the 1st degree blues. Ex: E over G blues. It is smoother sounding and when using the combination of both blues scales, it has given me so much more flexibility, ideas, and options while soloing over the blues changes. Over time I would like to purchase your entire collection!
    Thanks a million!!

  2. Avatar
    Rated 5 out of 5

    Anar (verified owner) – January 22, 2010

    This single lesson has improved my playing more than anything I have ever learned. I feel like I’ve had a revelation. I was shown the blues scale years ago but now I feel like I can actually hear it and know how to use it in soloing. Steve does a fantastic job of breaking down every note of the blues scale and explaining the character of each tone and based on this how to use each tone to good effect in solos. To my amazement, all of a sudden I can play lines which sound good! I have had several teachers, but none have taken this approach to explaining the blues, and I cannot understand why. I fully recommend this lesson to anyone who’d like to learn to play the blues!

  3. Avatar
    Rated 5 out of 5

    James (verified owner) – March 26, 2011

    I am trying to broaden my blues vocabulary so that I have more ideas to draw from on jazz blues and r&b tunes. This lesson, the first video lesson I bought, was extremely clear and helpful, and will forever change the way I play music. Steve dissects the scale note by note, and provides a handy cheat sheet with blues scales written out in every key. After this lesson I spent the next two hours digging into All Blues, Blue Monk, and Cousin Mary and could feel all kinds of new melodic paths through the scale.

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Lesson Sample

https://public.neffmusic.com/Using%20the%20Blues%20Scale%20Part%201%20(Video)%20clip.mp4

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Testimonials

Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I have NEVER seen material like yours.  Amazing!!
Jerry
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

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