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You are here: Home / Jazz Lessons / Blues Scales / Using the Blues Scale Part 1
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Using the Blues Scale Part 1

Using the Blues Scale Part 1

Rated 5.00 out of 5 based on 3 customer ratings
(3 customer reviews)

$9.99

SKU: 156 Category: Blues Scales Tags: blues scale, dominant chords, minor chords, steve neff
  • Description
  • Reviews (3)
  • Lesson Sample

Description

Using the Blues Scale-Part 1.  I always tell my students that all they need to know to get a gig is their blues scales.  They always think I’m joking and that there is no way it can be that easy but the truth is that 90-95% of today’s songs are in one key.  The band vamps and plays the same groove and key for the whole song.  The person that can stand up and play an authortative solo using the blues scale is the one who will get the gig.   Unfortunately, most of the young players today don’t really know their blues scales like they should.  Sure, they all say that they do but then when I have them play a solo using one it is usually dead, lifeless and uncreative.  The problem is that most young people today are given advice to use a blues scale on this solo or that solo but then no one ever shows them how to use it.  They are just given the scale and told to improvise.

In this lesson I take on the job of showing you exactly how to use each note of the blues scale over major,minor and dominant grooves. In Part 1, I talk in depth about how to use the blues scale over dominant chords and major 7th chords.   I teach about each individual note of the scale and how it relates to the chord behind it.  I also talk in depth about what I feel are the tendencies of each note and tactics that I use when playing the blues scale over static backgrounds and chords.  Part 1 is mainly focused on using the A blues scale over a C7 chord as well as the added notes of Bb and F.  I demonstrate all of these sounds on the tenor sax with a background track playing behind me so you can hear how these ideas sound to the music.  Listen to these 3 lesson on the blues scale, practice like crazy and I’ll see you out there on a gig one of these days!  Enjoy! (31 minute video lesson)

3 reviews for Using the Blues Scale Part 1

  1. Avatar
    Rated 5 out of 5

    Sam K (verified owner) – August 24, 2009

    I really enjoyed your lesson on the blues. I have never heard of using the 6th degree blues over the 1st degree blues. Ex: E over G blues. It is smoother sounding and when using the combination of both blues scales, it has given me so much more flexibility, ideas, and options while soloing over the blues changes. Over time I would like to purchase your entire collection!
    Thanks a million!!

  2. Avatar
    Rated 5 out of 5

    Anar (verified owner) – January 22, 2010

    This single lesson has improved my playing more than anything I have ever learned. I feel like I’ve had a revelation. I was shown the blues scale years ago but now I feel like I can actually hear it and know how to use it in soloing. Steve does a fantastic job of breaking down every note of the blues scale and explaining the character of each tone and based on this how to use each tone to good effect in solos. To my amazement, all of a sudden I can play lines which sound good! I have had several teachers, but none have taken this approach to explaining the blues, and I cannot understand why. I fully recommend this lesson to anyone who’d like to learn to play the blues!

  3. Avatar
    Rated 5 out of 5

    James (verified owner) – March 26, 2011

    I am trying to broaden my blues vocabulary so that I have more ideas to draw from on jazz blues and r&b tunes. This lesson, the first video lesson I bought, was extremely clear and helpful, and will forever change the way I play music. Steve dissects the scale note by note, and provides a handy cheat sheet with blues scales written out in every key. After this lesson I spent the next two hours digging into All Blues, Blue Monk, and Cousin Mary and could feel all kinds of new melodic paths through the scale.

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Lesson Sample

https://public.neffmusic.com/Using%20the%20Blues%20Scale%20Part%201%20(Video)%20clip.mp4

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Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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P
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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