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You are here: Home / Jazz Lessons / Triad Pairs / Triad Pair Blues Audio Lesson
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Triad Pair Blues Audio Lesson

Triad Pair Blues Audio Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 027 Category: Triad Pairs Tags: blues, dominant chords, jazz improvisation, triad pairs, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a great beginning lesson on using triad pairs to improvise. i talk about what triad pairs are and how to practice and use them over a 12 bar blues. Included in this lesson is a written 3 chorus solo on a C blues utilizing 2 different triad pairs. I talk about how to create lines using this concept that are hip and refreshing. If you haven’t studied this concept before then this is a great lesson to really change your approach to a blues in a great way. I demonstrate all the examples on tenor using a BP NY link .108 with my own custom baffle in it. (24 minute audio lesson)

2 reviews for Triad Pair Blues Audio Lesson

  1. Avatar
    Rated 5 out of 5

    Mansax – July 16, 2009

    Great Fun!!! A fantastic way to add some variety to playing over blues changes. If you’ve been enjoying Steve’s other blues lessons, combining this approach with the blues scale and bebop scale material, really expands your vocabulary on the blues. It’s a very simple concept with endless possibilities. Steve does a great job of presenting the ideas in a way that’s easy to understand and more importantly, easy to apply to your blues playing right now. Five Stars!

  2. Avatar
    Rated 5 out of 5

    Ken – September 7, 2011

    Hi Steve – the Triad Pairs Blues lesson is amazing – just kept me going for hours! I have found the whole thing of working with triads very difficult because the sound is so un-jazz!! Sounds like I’m doing classical music practice. Oh no! But this combination of triad pairs is great as the sounds are so cool – especially mixing in the tritone pair C/F# as well and using the Aebersold Dominant Vol 84 play along in all keys and throwing in pentatonics and blues scales as that’s what I’m working on as well at the moment. The variety of sounds is just great and as I played I realized that that is what players are doing sometimes – mixing and contrasting scales. Another great lesson with so much to work on – thanks! Ken

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Lesson Sample

https://public.neffmusic.com/Triad%20Pair%20Blues%20Lesson%20clip.mp4

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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

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