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Triad Pair Blues Audio Lesson

Triad Pair Blues Audio Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 027 Category: Triad Pairs Tags: blues, dominant chords, jazz improvisation, triad pairs, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a great beginning lesson on using triad pairs to improvise. i talk about what triad pairs are and how to practice and use them over a 12 bar blues. Included in this lesson is a written 3 chorus solo on a C blues utilizing 2 different triad pairs. I talk about how to create lines using this concept that are hip and refreshing. If you haven’t studied this concept before then this is a great lesson to really change your approach to a blues in a great way. I demonstrate all the examples on tenor using a BP NY link .108 with my own custom baffle in it. (24 minute audio lesson)

2 reviews for Triad Pair Blues Audio Lesson

  1. Avatar
    Rated 5 out of 5

    Mansax – July 16, 2009

    Great Fun!!! A fantastic way to add some variety to playing over blues changes. If you’ve been enjoying Steve’s other blues lessons, combining this approach with the blues scale and bebop scale material, really expands your vocabulary on the blues. It’s a very simple concept with endless possibilities. Steve does a great job of presenting the ideas in a way that’s easy to understand and more importantly, easy to apply to your blues playing right now. Five Stars!

  2. Avatar
    Rated 5 out of 5

    Ken – September 7, 2011

    Hi Steve – the Triad Pairs Blues lesson is amazing – just kept me going for hours! I have found the whole thing of working with triads very difficult because the sound is so un-jazz!! Sounds like I’m doing classical music practice. Oh no! But this combination of triad pairs is great as the sounds are so cool – especially mixing in the tritone pair C/F# as well and using the Aebersold Dominant Vol 84 play along in all keys and throwing in pentatonics and blues scales as that’s what I’m working on as well at the moment. The variety of sounds is just great and as I played I realized that that is what players are doing sometimes – mixing and contrasting scales. Another great lesson with so much to work on – thanks! Ken

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Lesson Sample

https://public.neffmusic.com/Triad%20Pair%20Blues%20Lesson%20clip.mp4

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Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

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Jean-Eric
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

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