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Triad Pair Blues Audio Lesson

Triad Pair Blues Audio Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 027 Category: Triad Pairs Tags: blues, dominant chords, jazz improvisation, triad pairs, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a great beginning lesson on using triad pairs to improvise. i talk about what triad pairs are and how to practice and use them over a 12 bar blues. Included in this lesson is a written 3 chorus solo on a C blues utilizing 2 different triad pairs. I talk about how to create lines using this concept that are hip and refreshing. If you haven’t studied this concept before then this is a great lesson to really change your approach to a blues in a great way. I demonstrate all the examples on tenor using a BP NY link .108 with my own custom baffle in it. (24 minute audio lesson)

2 reviews for Triad Pair Blues Audio Lesson

  1. Avatar
    Rated 5 out of 5

    Mansax – July 16, 2009

    Great Fun!!! A fantastic way to add some variety to playing over blues changes. If you’ve been enjoying Steve’s other blues lessons, combining this approach with the blues scale and bebop scale material, really expands your vocabulary on the blues. It’s a very simple concept with endless possibilities. Steve does a great job of presenting the ideas in a way that’s easy to understand and more importantly, easy to apply to your blues playing right now. Five Stars!

  2. Avatar
    Rated 5 out of 5

    Ken – September 7, 2011

    Hi Steve – the Triad Pairs Blues lesson is amazing – just kept me going for hours! I have found the whole thing of working with triads very difficult because the sound is so un-jazz!! Sounds like I’m doing classical music practice. Oh no! But this combination of triad pairs is great as the sounds are so cool – especially mixing in the tritone pair C/F# as well and using the Aebersold Dominant Vol 84 play along in all keys and throwing in pentatonics and blues scales as that’s what I’m working on as well at the moment. The variety of sounds is just great and as I played I realized that that is what players are doing sometimes – mixing and contrasting scales. Another great lesson with so much to work on – thanks! Ken

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Lesson Sample

https://public.neffmusic.com/Triad%20Pair%20Blues%20Lesson%20clip.mp4

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
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Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

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