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Triad Pair Blues Audio Lesson

Triad Pair Blues Audio Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 027 Category: Triad Pairs Tags: blues, dominant chords, jazz improvisation, triad pairs, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a great beginning lesson on using triad pairs to improvise. i talk about what triad pairs are and how to practice and use them over a 12 bar blues. Included in this lesson is a written 3 chorus solo on a C blues utilizing 2 different triad pairs. I talk about how to create lines using this concept that are hip and refreshing. If you haven’t studied this concept before then this is a great lesson to really change your approach to a blues in a great way. I demonstrate all the examples on tenor using a BP NY link .108 with my own custom baffle in it. (24 minute audio lesson)

2 reviews for Triad Pair Blues Audio Lesson

  1. Avatar
    Rated 5 out of 5

    Mansax – July 16, 2009

    Great Fun!!! A fantastic way to add some variety to playing over blues changes. If you’ve been enjoying Steve’s other blues lessons, combining this approach with the blues scale and bebop scale material, really expands your vocabulary on the blues. It’s a very simple concept with endless possibilities. Steve does a great job of presenting the ideas in a way that’s easy to understand and more importantly, easy to apply to your blues playing right now. Five Stars!

  2. Avatar
    Rated 5 out of 5

    Ken – September 7, 2011

    Hi Steve – the Triad Pairs Blues lesson is amazing – just kept me going for hours! I have found the whole thing of working with triads very difficult because the sound is so un-jazz!! Sounds like I’m doing classical music practice. Oh no! But this combination of triad pairs is great as the sounds are so cool – especially mixing in the tritone pair C/F# as well and using the Aebersold Dominant Vol 84 play along in all keys and throwing in pentatonics and blues scales as that’s what I’m working on as well at the moment. The variety of sounds is just great and as I played I realized that that is what players are doing sometimes – mixing and contrasting scales. Another great lesson with so much to work on – thanks! Ken

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Lesson Sample

https://public.neffmusic.com/Triad%20Pair%20Blues%20Lesson%20clip.mp4

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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

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