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You are here: Home / Jazz Lessons / Scale Studies / The Diminished Scale: Lesson 1
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The Diminished Scale: Lesson 1

The Diminished Scale: Lesson 1

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 045 Category: Scale Studies Tags: diminished scale, jazz improvisation, jazz theory, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

The Diminished Scale is a fantastic sound that provides endless opportunities to the jazz musician. This is the scale that defined the post bebop era and is now an integral part of the jazz language. In this first introductory lesson on The Diminished scale, I teach you the 3 diminished Scales and show you how to utilize them over both diminished and dominant chords. I discuss various ways of conceptualizing the Diminished Scale, so that you can move on past simply trying to understand the scale and start getting this fantastic sound under your fingers and into your playing. I explain and demonstrate how the three Diminished Scales can be played in a variety of ways, from the patterns that all players utilize, to a more intervallic approach that will make sure you need never sound cliched.
I explain and play numerous examples for you as I discuss how I practice these scales over the different chords and use them on tunes. I show you how you can start to really get these scales down and how, by doing so, the whole language of modern jazz starts to make a lot more sense. When you understand and become proficient with the Diminished scale, all those Bird, Stitt and Coltrane solos start to make so much more sense. A command of the Diminished Scale will give your playing that hip, more mature sound you hear from all the great players. This lesson comes with a PDF sheet that includes the three Diminished Scales, as well as the various patterns and progressions I demonstrate. There’s enough material here to get you started and keep you going for quite a while as you discover a whole new world of sound.  (Audio & PDF)

2 reviews for The Diminished Scale: Lesson 1

  1. Avatar
    Rated 5 out of 5

    C.N. – April 4, 2009

    Steve! I have never been able to understand and get a hold of the diminished scale. Until now! Once again, your explanation, demonstrations, and pdf. file has cleared the way for me to develop my use of the diminished scale. You have the gift of Outstanding Performance and Superb Instruction! Thank you Steve! C.N.

  2. Avatar
    Rated 5 out of 5

    Jay Richardson – December 10, 2009

    Steve, I’ve purchased four of your lessons and have thoroughly enjoyed and learned from them. My schedule is hectic, but I’m able to listen to them while I travel and I’m about to order another. So far I’ve purchased:
    – II V I Licks
    – 1 Bar blues
    – Triadic Pairs 2×2 (Maj & min)
    – Diminished Scales

    Great stuff please keep it up!

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Lesson Sample

https://public.neffmusic.com/Diminished%20Scale%20Lesson%201%20clip.mp4

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Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
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John
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

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Robert
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

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