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You are here: Home / Jazz Lessons / II-V-I Patterns / The Best II-V-I’s Overview Lesson
The Best II-V-I's Overview Lesson

The Best II-V-I’s Overview Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 008 Category: II-V-I Patterns Tags: audio lesson, best II-V-I patterns, jazz improvisation, jazz licks
  • Description
  • Reviews (1)

Description

The II-V-I progression is one of the most common progressions in jazz.  A number of years ago, I wrote my popular “The Best II-V-I Patterns” book.  This book is a collection of the best II-V-I patterns that I have come across in my 30 years of playing and teaching.  While there has been much praise and accolades for the book since it’s release, many beginner and intermediate students have not understood how to work out of the book for the most benefit.   I have received many emails asking how to use the book to becaome a better improviser and jazz player.  This lesson is my solution for all those players.

In this 33 minute long lesson,  I show you exactly how I work out of the book myself as well as teach from it.   I cover the basic theory of the II-V-I as well as intermediate level theory and practice concepts.  I explain in detail what the progression is, how to figure out the chords, how to practice it,  how to apply patterns over it, and how I practice them myself.  I includes  many samples of me playing through different examples.  This is a great  companion lesson to my “Best Major II-V-I” book which is highly recommended if you want to get the most from this lesson.   (33 Minute Audio Lesson)

 

1 review for The Best II-V-I’s Overview Lesson

  1. Avatar
    Rated 5 out of 5

    Paul – August 25, 2009

    Can’t thank you enough bro. Your lessons are just clicking. Good to know the flat 9 after II-V’s is ok to do.
    I am gaining scary levels of confidence in my mental strategy when playing over changes, and moving further and further away from playing merely what
    “sounds” right.
    So, thanks again for enabling me to better understand what I’m doing. This new blues progression is sweet. I’m glad I finally have it, as I hear it a lot, but my ears wasn’t picking up on it (to transcribe the change).
    Well, gotta go… oh, yeah… A+++ on revamp of site… so far (can’t give too many compliments)!

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I have NEVER seen material like yours.  Amazing!!
Jerry
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
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Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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P
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
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I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
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