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You are here: Home / Sax Lessons / Sax Articulation / Straight No Chaser-Jazz Articulation Lesson
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Straight No Chaser-Jazz Articulation Lesson

Straight No Chaser-Jazz Articulation Lesson

Rated 5.00 out of 5 based on 3 customer ratings
(3 customer reviews)

$9.99

SKU: 162 Category: Sax Articulation Tags: accents, jazz articulation, jazz phrasing, saxophone, Straight No Chaser, tonguing, video lesson
  • Description
  • Reviews (3)
  • Lesson Sample

Description

This is a beginner lesson on how to play the melody of “Straight No Chaser” by Thelonious Monk in a jazz style.  This is a great tune to work with to get a good grasp of the jazz style and articulation.  I take you through the melody step by step and teach you how to play the eighth note phrases. As well as how to articulate the notes in such a way that your playing sounds authentic. This lesson is for those who have worked through the basics of playing the sax but want to start learning to play  in a jazz style and learn to swing. It goes hand in hand with my lessons on “Jazz Articulation 1 &2” but here I’m applying to a common standard. I demonstrate all of the concepts on my tenor saxophone.  (Video & Audio)

3 reviews for Straight No Chaser-Jazz Articulation Lesson

  1. Avatar
    Rated 5 out of 5

    Stephen – December 5, 2010

    Great follow up lesson to the previous audio and video lessons on articulation, this lesson combines the articulation with a jazz standard to put that learning into practice. When used in combination with the real book it also comprehensively covers aspects of the music reading timing and rhythm, I found it a great help and would like to cover a few more at this level. Great Job Steve!

  2. Avatar
    Rated 5 out of 5

    Hanoch – January 22, 2011

    I use to embrace all the mistakes which Steve is talking about in this lesson, and couldn’t figure out why my articulation sucks… then I came across this great lesson and things begin to clear for me. Now my playing sound more jazzy and laid back – as it should be. Thank you Steve. Great job.

  3. Avatar
    Rated 5 out of 5

    Ken – March 23, 2011

    This is an excellent lesson and the results have been quite amazing for me. I never really got this before – it must have been a real gap in my learning. It has really improved my playing, particularly the feel of the piece and the sort of energy I can put into the line. I’ve just been trying out the same approach on Blue Train and Now’s The Time – basically it feels that I just never played them right before – and some of those rhythms I couldn’t get are coming out as they should. It takes a while to ‘get it’ without overdoing it, but it’s well worth the effort. It’s a very subtle thing, you know, but the effect is huge! Thanks for a great lesson. Ken

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Lesson Sample

https://public.neffmusic.com/Straight%20No%20Chaser-Jazz%20Articulation%20Lesson%20clip.mp4

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Testimonials

Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

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