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You are here: Home / Sax Lessons / Sax Articulation / Bebop Articulation Lesson 1-Ornithology and Yardbird
Bebop Articulation Lesson 1-Ornithology and Yardbird

Bebop Articulation Lesson 1-Ornithology and Yardbird

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Sax Articulation Tags: articulation, bebop, Charlie Parker, Ornithology, saxophone, video lesson, Yardbird Suite
  • Description
  • Reviews (1)

Description

In this lesson, I take an in-depth look on how to articulate two Charlie Parker tunes in the Charlie Parker Omnibook. We take a look at Ornithology and Yardbird Suite. I play the melodies slowly on the alto saxophone and talk about each note and how to properly apply bebop articulation to it. I then play them at full speed so that you can hear how the articulation sounds at that speed. I also give you insights and tips on how to practice from the Omnibook as well as an in-depth look at the different rhythms Charlie Parker uses in these classic melodies.

This is a great lesson for those of you who want to learn more about jazz articulation on the saxophone and want to make sure you are doing it correctly as you begin working on the Omnibook. You will need the Charlie Parker Omnibook to get the most out of this lesson. All of the examples are played on the alto sax.(44 Minute Video Lesson)

1 review for Bebop Articulation Lesson 1-Ornithology and Yardbird

  1. Avatar
    Rated 5 out of 5

    Simon Sherwood (verified owner) – February 10, 2018

    Just wanted to send you a quick note to say thank you for such a great lesson. I’ve only watched the Ornithology section, but I can already see how helpful it will be for me. It’s great how you play it how it shouldn’t sound…very very helpful (I think you did that with some of the Niehaus examples too). Anyway, thanks again and all the best,
    Regards
    Simon Sherwood

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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

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