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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-4 Note Pentatonic Cells Lesson
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Playing Outside-4 Note Pentatonic Cells Lesson

Playing Outside-4 Note Pentatonic Cells Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: chromaticism, modern improv, pentatonic shifting, playing outside, video lessons
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  • Reviews (1)
  • Lesson Sample

Description

Playing Outside-Outside 4 Note Pentatonic Cells is another lesson on modern jazz improvisation.  In this lesson we take a look at “playing outside” the tonality of a tune by shifting out of a minor 6th pentatonic using specific 4 note cells derived from a pentatonic scale in another key.

In this 34 minute video lesson, I show you how to shift outside of a key momentarily using 4 note cells chosen from other pentatonic scales. This concept gives the soloist a sound that quickly shifts in and out of the key being played in. I demonstrate the technique on the soprano saxophone with a play along track. I have also included a PDF sheet of some minor 6th pentatonic lines as well as a PDF of 7 cells that sound amazing when inserted into these minor 6th lines.

This lesson goes hand in hand with my lesson “Modern Minor 6th Pentatonic Lines” and is a great lesson for those of you who want to grow in your ability to play “outside” fresh lines that sound modern and impressive.(34 minute video, 2 PDF sheets)

1 review for Playing Outside-4 Note Pentatonic Cells Lesson

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    Rated 5 out of 5

    nigel bispham – October 17, 2014

    This lesson is genius! It has completely revolutionised my approach to playing outside. Steve’s real strength is that he not only provides a really clear rationale for how to approach a new concept, with lots of inspiring examples, but he leaves the door open for you to use your own creativity to rapidly make what you have learned your own. In fact, he actively encourages this, which for me is the mark of a great teacher, in so much as he can present an idea in such a way as to really inspire you to want to use it in your improvisation. I defy any serious improviser not to find this lesson incredibly useful and worth its weight in gold!

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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

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