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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-4 Note Pentatonic Cells Lesson
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Playing Outside-4 Note Pentatonic Cells Lesson

Playing Outside-4 Note Pentatonic Cells Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: chromaticism, modern improv, pentatonic shifting, playing outside, video lessons
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  • Reviews (1)
  • Lesson Sample

Description

Playing Outside-Outside 4 Note Pentatonic Cells is another lesson on modern jazz improvisation.  In this lesson we take a look at “playing outside” the tonality of a tune by shifting out of a minor 6th pentatonic using specific 4 note cells derived from a pentatonic scale in another key.

In this 34 minute video lesson, I show you how to shift outside of a key momentarily using 4 note cells chosen from other pentatonic scales. This concept gives the soloist a sound that quickly shifts in and out of the key being played in. I demonstrate the technique on the soprano saxophone with a play along track. I have also included a PDF sheet of some minor 6th pentatonic lines as well as a PDF of 7 cells that sound amazing when inserted into these minor 6th lines.

This lesson goes hand in hand with my lesson “Modern Minor 6th Pentatonic Lines” and is a great lesson for those of you who want to grow in your ability to play “outside” fresh lines that sound modern and impressive.(34 minute video, 2 PDF sheets)

1 review for Playing Outside-4 Note Pentatonic Cells Lesson

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    Rated 5 out of 5

    nigel bispham – October 17, 2014

    This lesson is genius! It has completely revolutionised my approach to playing outside. Steve’s real strength is that he not only provides a really clear rationale for how to approach a new concept, with lots of inspiring examples, but he leaves the door open for you to use your own creativity to rapidly make what you have learned your own. In fact, he actively encourages this, which for me is the mark of a great teacher, in so much as he can present an idea in such a way as to really inspire you to want to use it in your improvisation. I defy any serious improviser not to find this lesson incredibly useful and worth its weight in gold!

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Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

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